fischer hal (47 Ergebnisse)

Soft cover. Zustand: Very Good. 1st Edition. Softcover, 76 pgs. Color and b&w photographic illus. Moderate corner wear.

Trade Paperback. Zustand: Like New. Color Plates (illustrator). First Edition. First Edition, First Printing. Published by Putnam Museum, 2006. Quarto. Pictorial wraps. With tan endpapers. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Covers have light shelf wear with light sticker residue on front top right corner. 34 pages. ISBN: 1879067099. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

Hardcover. Zustand: Very Good. No dust jacket.

Softcover. Zustand: Very Good. Very good paperback. Pages are clean. Illustrated.

Trade Paperback. Zustand: Very Good. First Edition. First Edition, First Printing. Published by the Friends of Photography, 1986. Quarto. Pictorial wraps. Signed by artist on title page (flat signed). Book is very good; with no writing or names. Spine straight, binding tight and pages crisp. Covers have shelf wear, nicks, and a small scrape on front top left corner. 66 pages. ISBN: 0933286449. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.

Wrappers. Zustand: Near Fine. Slim volume, unpaginated (80 pages) 33 illustrations 6 in color. Minor rubbing and wear to the paper cover and edges. Illustrated wraps. Square format. Introduction by Hal Fischer. Chronology. Book.

118 pp.; 27 x 26.9 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Artforum edited by Ingrid Sischy. Contents include: "Forum: Waking Up to How We Sleepwalk," by Lawrence Weschler; "Great Expectations: Artists' TV Guide," by Robin White; "Book for Nigel Greenwood," a project by Richard Tuttle; "Framed: Innocence or Gilt?" by Germano Celant; "Three Color + within +," a project by Robert Mangold; "Negative Presences in Secret Spaces: The Art of Eric Orr," by Thomas McEvilley; "In the Absence of Heroes: The Early Work of Georg Baselitz," by Dr. Siegfriend Gohr; "An Iconography of Recent Figurative Painting: Sex, Death, Violence and the Apocalypse," by Marcia Tucker; "Tor-re-a-dora, Blood-up-on-the Floor-a: Peter Brook's Carmen," by Frederic Tuten; "Books: Charlotte Douglas on Russian Avant-Garde Art" and "Reviews," by Colin Westerbeck, Kate Linker, Thomas Lawson, Jeanne Silverthorne, Ida Panicelli, Donald Kuspit, Jamey Gambrell, Richard Flood, Barbara Kruger, Ronny H. Cohen, Lisa Liebmann, Nancy Stapen, Judith Russi Kirshner, John Perreault, Susan C. Larsen, Hal Fischer, Max Wechsler, Gérard-Georges Lemaire, Paul Groot, Saskia Bos, and Stuart Morgan. Cover: Robert Mangold. Good. Light soiling of covers including dust soiling, spiling along cover edges, and rubbing with light edge wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

99 pp.; 27.9 x 21.4 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Massachusetts Institute of Technology, Cambridge, Massachusetts, 1982. Edited by Antonio Muntadas and Peter D'Agostino. Artists include Sanja Ivekovic, Reese Williams, John Brumfield, Hans Haacke, David Craven, Erika Rothenberg, Kristine Stiles, Les Levine, Dan Graham, Chip Lord, Richard Kriesche, Victor Burgin, General Idea, Robert Morgan, Joan Rabascall, Hal Fischer, Catalina Parra, Jusy Malloy, and Judith Barry. Includes quotations and sources. Very Good / Fine. Light rubbing of cover edge and dusting of covers. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Paperback. Zustand: Brand New. 240 pages. 9.00x6.25x9.25 inches. In Stock.

Zustand: New. In English.

Zustand: Good. 8vo. Soft cover. 50 pp. Very good. Related ephemera included as insert. Color and B&W plates.

Paperback. Zustand: Brand New. 172 pages. 0.97x11.22x1.00 inches. In Stock.

Soft cover. Zustand: Very Good. No Jacket. First Edition. Volume 3, # 5 May 1955. Contains a story ("Protection") by Erle Stanley Gardner, a novel ("We Are All Dead") by Bruno Fischer, and "Mama's Boy" by David Alexander, "Lady in Question" (A Police File Novelette) by Jonathan Craig, "Shake Up" by Kenneth Fearing, "Wrong Way Home" by Hal Ellson, "I'll Never Tell" by Bryce Walton, "Tex" by John Jakes, "Hold Out" by Jack Ritchie, "The Goldfish" by Roy Carroll, "El Rey" by William Logan, and "I'll Get Even" by Michael Zuroy. Light edge wear and at the top & bottom of the spine. A very good copy.

Paperback. Zustand: Brand New. 172 pages. 0.97x11.22x1.00 inches. In Stock.

Paperback. Zustand: Brand New. 172 pages. 0.97x11.22x1.00 inches. In Stock.

Paperback. Zustand: Very Good. Hal Fischer: The Gay Seventies is the first monograph to feature the complete set of photo-text works that Hal Fischer produced between 1977 and 1979 in San Francisco's Haight and Castro neighborhoods. In addition to Gay Semiotics, Fischer's best-known work (its recent facsimile edition now out of print) Hal Fischer: The Golden Age of Gay includes 18th Near Castro Street x 24, which was published as an artist's book, Boy-Friends, A Salesman and two other series Civic Center and Cheap Chic Homo.Hal Fischer: The Gay Seventies brings together, for the first time in nearly four decades, Fischer's major photo-text investigations of gay life in late 1970s San Francisco. Unapologetic, humorous, periodically subversive and conceptually driven, Fischer's photo-text investigations continue to engage and amuse audiences. As the work demonstrates, the late 1970s after Stonewall and before AIDS was a magical moment to be young and gay in San Francisco.Hal Fischer (born 1950) grew up in Highland Park, Illinois. He arrived in San Francisco in 1975 to pursue an MA in photography at San Francisco State. Through his work as an art reviewer and photographer, he soon became embedded in the Bay Area's artistic and intellectual scene. He continues to live and work in San Francisco. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good +. Dayton, OH: Wright State University Art Galleries, Inc., 1978. First Edition. Oblong paperback quarto (23cm); 64pp. Publisher's stiff pictorial wraps retaining $7.95 price at rear panel. Images throughout. Wraps bumped, scuffed, and smudged. Binding sound. Textblock, endsheets, and interior pages clean. Very Good or better. Signed by the artist with brief inscription at title page verso. Previous bookseller's entry speculates that the "Jud" in D'Agonisto's inscription is Jud Yalkut, fellow avant-garde filmmaker, though we are unable to corroborate the claim.

London, Oxford University Press, 1964, in-16, tela edit., sovraccoperta, pp. 218.

Taschenbuch. Zustand: Neu. Neuware - Seminal Works brings together Hal Fischer's iconic series Gay Semiotics with his rarely seen early photography and features a dynamic range of essays that consider queer culture and social change in San Francisco.In the late 1970s, as gay men in San Francisco experienced a new sense of freedom following the Stonewall Uprising, Hal Fischer made Gay Semiotics, a photo-text project that categorized denizens of the Castro and Haight-Ashbury neighborhoods by social type such as the 'jock' or the 'hippie.' Sly and systematic, Fischer portrayed the sartorial codes of queer street style--earrings, handkerchiefs, jeans, or leather--that broadcast a range of desires to potential sexual prospects. The series became an influential record of a libertine era before AIDS, the rise of internet dating apps, and tech industry-accelerated gentrification transformed queer life forever. Tracing the formation of an essential American artist, Hal Fischer: Seminal Works includes Gay Semiotics together with Fischer's rarely seen early photography and features essays that offer vital new perspectives on the history of San Francisco and the resonance of the gay rights movement across generations.

Zustand: DISCRETO USATO. Collezione storica ITALIANO Opera non completa, presente solo vol III. Presente cofanetto muto. Libro usato che potrebbe presentare segni di usura e del tempo. Possono esserci danni alla copertina. La rilegatura potrebbe essere allentata, ma l'integrità non è compromessa. Potrebbero esserci scritte, sottolineature ed evidenziazioni al testo. Le pagine potrebbero presentare ingiallimento e fioritura come i tagli. La foto corrisponde al libro in vendita. Altre foto su richiesta. Numero pagine 488.

Zustand: DISCRETO USATO. Collezione storica ITALIANO Opera non completa, presente solo volume II. Presente cofanetto muto. Libro usato che potrebbe presentare segni di usura e del tempo. Possono esserci danni alla copertina. La rilegatura potrebbe essere allentata, ma l'integrità non è compromessa. Potrebbero esserci scritte, sottolineature ed evidenziazioni al testo. Le pagine potrebbero presentare ingiallimento e fioritura come i tagli. La foto corrisponde al libro in vendita. Altre foto su richiesta. Numero pagine 398.

Zustand: New. In.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Paperback. Zustand: Brand New. 1st edition. 568 pages. 8.96x6.20x1.33 inches. In Stock.

Paperback. Zustand: Near fine in wraps. Second Edition. 20 x 25cm 56pp near fine paperback with black and white reproductions. contents include: 'Signifiers', 'Archetypal Media Images', 'Fetishes', 'Street Fashions'.

Zustand: BUONO USATO. VIED. The Fontana Library INGLESE Opera completa composta da due volumi, numerazione continua, n.409-410 della collana, VI edizione in F.L., brossure editoriali flessibili, con aloni, leggermente ingiallite e con segni di usura ai bordi, pagine ingiallite lungo i margini, illustrazioni in nero nei testi. Numero pagine 1376.

Softcover. Publisher's original plain card covers. A journal of conceptual art, interviews, reviews, and summaries of installations, performance art, and conceptual pieces. Illustrated in black and white throughout with artworks, adverts and photographs by various contemporary San Francisco-based artists. A better than very good example, with toning to the spine and edges, lightly rubbed to the spine, edges and corners. A small water stain to the head of the spine. The contents are clean throughout and without previous owners' inscriptions or stamps. The La Mamelle / ArtCom (Art Contemporary) magazine series focused on raising the profile of San Francisco-based alternative art exhibitions and events of performance art, conceptual photography, video art production and screenings, libraries, screenings, and artist-run spaces. The publisher was founded in 1975 by Carl E. Loeffler (1946-2001), a recipient of the San Francisco Art Commission Award of Honour for his contributions to video art and the curator of the first video art collection in Northern California, which is currently held at Stanford University and the Pacific Film Archives. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Forum: Waking Up to How We Sleepwalk," by Lawrence Weschler; "Great Expectations: Artists' TV Guide," by Robin White; "Book for Nigel Greenwood," a project by Richard Tuttle; "Framed: Innocence or Gilt?" by Germano Celant; "Three Color + within +," a project by Robert Mangold; "Negative Presences in Secret Spaces: The Art of Eric Orr," by Thomas McEvilley; "In the Absence of Heroes: The Early Work of Georg Baselitz," by Dr. Siegfriend Gohr; "An Iconography of Recent Figurative Painting: Sex, Death, Violence and the Apocalypse," by Marcia Tucker; "Tor-re-a-dora, Blood-up-on-the Floor-a: Peter Brook's Carmen," by Frederic Tuten; "Books: Charlotte Douglas on Russian Avant-Garde Art." Reviews by Colin Westerbeck, Kate Linker, Thomas Lawson, Jeanne Silverthorne, Ida Panicelli, Donald Kuspit, Jamey Gambrell, Richard Flood, Barbara Kruger, Ronny H. Cohen, Lisa Liebmann, Nancy Stapen, Judith Russi Kirshner, John Perreault, Susan C. Larsen, Hal Fischer, Max Wechsler, Gérard-Georges Lemaire, Paul Groot, Saskia Bos, Stuart Morgan. Cover: Robert Mangold.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. An Imprint Is Never Alone René Denizot ARCHITECTURE AND LIMITS Introduction Bernard Tschumi The Writing of the Walls Anthony Vidler Masque John Hejduk The 18th New York Film Festival J. Hoberman Gandhi in Choral Perspective Klaus Kertess The Horror of Bearing Arms: Kirchner s Self-Portrait as a Soldier, the Military Mystique and the Crisis of World War I (with a Slip-of-the-Pen by Freud) Joseph Masheck The Anatomy of Disruption: European and American Painting 1880-1906 Max Kozloff FEATURES REVIEWS NEW YORK Carrie Rickey on Mimmo Paladino Carrie Rickey on Sandro Chia, Enzo Cucchi, and Francesco Clemente Carrie Rickey on Lynda Benglis Carrie Rickey on Andy Warhol Hal Foster on Brice Marden Hal Foster on David Reed Hal Foster on Kathleen Seltzer Hal Foster on Sheila Metzner Ronny Cohen on Ed McGowin Ronny Cohen on Beverly Pepper Colin Westerbeck on Diane Arbus, Lou Lanzano Colin Westerbeck on Lucien Aigner, Dan Weiner Thomas Lawson on Imre Koscis and Joseph Erben Thomas Lawson on Mel Kendrick Jeanne Silverthorne on Pat Lasch Jeanne Silverthorne on George Segal Shelley Rice on Larry Clark Shelley Rice on Mary Beth Edelson Shelley Rice on Terry Berkowitz Joan Casademont on Ed Ruscha DETROIT Ruth Rattner on Kick Out the Jams SAN FRANCISCO Hal Fischer on Ellen Land-Weber Hal Fischer on Kenneth Shorr OTTAWA Nancy Tousley on Pluralities VENICE Germano Celant on Strada Novissima in The Presence of the Past.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. In Search of Religion Komar and Melamid Three Oblique Situations Nicolas Calas Peggy Guggenheim Marie Cosindas Marcel Broodthaers: Allegories of the Avant-Garde Benjamin H. D. Buchloh Ree Morton Mary Delahoyd Editorial Comment Essential Differences: A Comparison of the Portraits of Lisette Model and Diane Arbus Shelley Rice COLUMNS FEATURES REVIEWS NEW YORK Richard Flood on Paul Thek Hal Foster on Robert Mangold Hal Foster on David Diao Colin L. Westerbeck, Jr. on American Images Colin L. Westerbeck, Jr. on Helen Levitt Douglas Blau on Yvon Lambert Presents 'Artemisia' Joan Casademont on Kathy Acker Judith Lopes Cardozo on Irene Krugman Judith Lopes Cardozo on Rachel Bas-Cohain Shelley Rice on Glenda Hydler Ronny H. Cohen on Kim MacConnel Ronny H. Cohen on Pat Steir Hal Fischer on Harry Bowers PHILADELPHIA Jeanne Silverthorne on Lydia Hunn Jeanne Silverthorne on Robert Younger Richard Flood on Michael Olszewski LOS ANGELES Christopher Knight on Jay McCafferty Christopher Knight on Daniel Douke SAN FRANCISCO Hal Fischer on Steve Fitch Hal Fischer on Gail Skoff Hal Fischer on Greg Macgregor Mary Stofflet on Peter Richards SANTA BARBARA Richard Armstrong on Invented Images EINDHOVEN Micky Piller on Jan Dibbets BORDEAUX Jean-Marc Poinsot on Claude Viallat.