finlay jim (6 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: VG+. Jim Nicholson (illustrator). Book. 240 x 170 mm, undated, c1967, stapled, printed blue on cream stock. Final issue of P.O.T.H, special 'one word poem' themed issue. Contributors include: Ronald Johnson, Edwin Morgan, George MacKay Brown, Jerome Rothenberg, Guy Davenport, Stuart Mills, Pedro Xisto, Kenelm Cox, Stephen Bann, Dick Sheeler, Oswald de Andrade, Ernst Jandl, Gael Turnbull, Jonathan Williams, Ian Hamilton Finlay et al. Condition: Toning & light wear to top edge front and back, some handling marks.Very Good +.

Paperback. Zustand: Very good +. Book / Periodical. Ian Hamilton Finlay (ed.), Poor Old Tired Horse: Number Three, Wild Hawthorn Press, Edinburgh, undated (1962). Black and white offset, folded. 4pp. With contributions by: Robert Garioch; Jonathan Williams; Guillaume Apollinaire (trans. Dave Ball); César Lopez Nunez (trans. Jim Haynes); Veng; Larry Eigner; R. Crombie Saunders; Libby Houston; Edwin Morgan; Giacomo Leopardi (trans. Edwin Morgan); and Lawrence Ferlinghetti. Condition: light handling marks, some toning to top of first two pages. Overall: Very good + Murray 2.3.

568 x 768mm screenprint. Signed by Finlay and Nicolson. Rare large format 1970s print. Ref: Simig 4.77.1. Condition: Bruising, wear, creases to edges as seen - 25mm closed tear top edge, 6mm closed tear right edge. Some handling marks and surface wear to main silkscreen. Priced accordingly Very Good Only. Would frame well, posted in large tube extra postage required.

POOR.OLD.TIRED.HORSE. Numbers 9-25,1961 -1967 - all original. 17 issues in total. Edited by Ian Hamilton Finlay, POOR.OLD.TIRED.HORSE. is seen as the most important concrete poetry journal of the 1960s in Britain. The journal title comes from Robert Creeley's poem "Please" (1959). The early numbers are black & white, but later numbers involve colour (often silkscreen) illustrations as the concrete poetry movement blossomed. It has become highly influential for both poets and artists (see for example the ICA group exhibition POOR.OLD.TIRED.HORSE. of 2009). Issue no. 10 is 'a concrete number', including Augusto de Campos, Eugen Gomringer, Dom Sylvester Houédard and Edwin Morgan. Issue no. 12 is a 'Visual Semiotic Concrete' edition. Issue no. 18 is a collaboration, with writings and script by Ad Reinhardt and drawings and layout by Bridget Riley. Issue no. 25 the final issue is dedicated to one-word poems. Contributors include : Ian Hamilton Finlay, Pete Brown, Anselm Hollo, Lorine Neidecker, Gael Turnbull, Marvin Malone, Cid Corman, Jerome Rothenberg, Guillaume Appolinaire, Larry Eigner, Lawrence Ferlinghetti, Edwin Morgan, Cesar Lopez Nunez, Jonathan Williams, Tom McGrath, Spike Hawkins, Georg Trakl, Robert Garioch, Ernst Jandl, Paul de Vree, Robert Creeley, Vladimir Mayokovsky, Yury Pantratov, Libby Houston, Eugen Gomringer, Michael Shayer, Mary Ellen Solt, Peter Stitt, Dom Sylvester Houédard, Peter Lyle, Margot Sandemann, Heinz Gappmayr, Pedro Xisto, Hamish MacLaren, George Macklay Brown, Eli Seigel, Pierre Albert-Birot, Francis Ponge, Edward Wright, Emil Antonucci, Charles Biederman, Jim Nicholson, Ronald Johnson, Bernard Kops, Larry Eigner, Robert Creeley, Augusto de Campos, Edgard Braga, Bridget Riley, Ad Reinhardt, Robert Lax, Jeffrey Steele, Kenelm Cox, Stephen Bann, Hansjorg Mayer, Edward Lucie-Smith, Alan Riddell, Astrid Gillis, Aram Saroyan et al. Ref: IN NUMBERS (PPP Editions, Switzerland, 2009) pages 9, 18, 314-321. Also exhibited in the show of that name, ICA, 2012. Murray pages 2-3. Condition: most issues near fine, some very good with slight bruising to edges (see image of issues 9, 16, 17, 19, 20, 22, 25 showing edgewear/handling marks).

Zustand: Very good +. Ian Hamilton Finlay with Jim Downie, after Tom and Laurie Clark, Flowers, Wild Hawthorn Press, Stonypath, Scotland, 1977. Lithograph print in blue folder. 233 x 280mm (folded). Signed and numbered 14/350. A small press dialogue between Moschatel Press and Wild Hawthorn Press. In Flowers, Ian Hamilton Finlay uses the concept and the text of Tom and Laurie Clark's first Moschatel publication, 'Fill in the Drawing', but replaces images of flowers with images of Flower Class corvettes. One of the rarer 1970s prints. Provenance: Michael Harvey. Simig ref. 4.77.6 / Murray ref. 5.62.Condition: Print in fine condition. Folder has some toning and marks but generally fresh (very good). Overall: very good+.