Fensham rachel (43 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Fine.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Zustand: Very Good.

Zustand: New. pp. 208.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Paperback. Zustand: Brand New. 376 pages. 7.08x0.59x9.96 inches. In Stock.

Paperback. Zustand: Brand New. 144 pages. 7.50x5.00x0.75 inches. In Stock.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Neuware - How do we define movement in performance Who or what is being moved and how And which movements are felt, observed, or studied, in theatre Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Movement provides the first overview of relevant critical theory for students and researchers in theatre and performance studies. Exploring areas such as vitality, plasticity, gesture, effort and rhythm, it opens up the study of theatrical production, live art, and intercultural performance to socio-political conceptions of movement as both practice and concept. It covers movement training systems and considers how they have been utilized in key works of the 20th and 21st centuries. The final section traces the convergence of movement in theatre with other media and digital technologies. A wide range of in-depth case studies helps to equip readers to explore new methodologies and approaches to movement as a performance concept. These include analysis of Satoshi Miyagi's production of Sophocles' Antigone (2017), Thomas Ostermeier's production of Ibsen's Hedda Gabler (2008), the Berliner Ensemble's Mother Courage (1949), The Constant Prince (1965) performed by Ryzsard Cieslak, and the National Theatre's production of War Horse (2007). The final section considers a suite of concepts that shape postdramatic and intermedial theatre from China, Germany-Bangladesh, Australia, the United States, and United Kingdom. The volume is supported by further online resources including video material, questions, and exercises. …

Zustand: New. pp. 366.

Kartoniert / Broschiert. Zustand: New.

Paperback. Zustand: Brand New. 376 pages. 7.08x0.59x9.96 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - How does the manufacture, design, and commodification of costume inform choreography and determine what dancers have worn on stage How do certain types of costume influence the experience of dance and choreography for the performers, or for the audience What political or social affects contribute to the impression that dance costumes communicate in movement aesthetics By answering such questions, Fabrications provides new insights into the connections between twentieth-century American concert dance history, and both visual and fashion culture, while also presenting methods for appreciating how the artefacts of costume in archival collections activate important corporeal and cultural memories. In the study of material culture, Rachel Fensham draws upon the dialectical image of Walter Benjamin, the fashion system of Roland Barthes, and writings on new materialism as perspectives for interpreting costumes in dance. Focusing on costume as multiplicity, she establishes the syntax of the textile, the silhouette, and the modes of construction as a method for the identification and analysis of typical costumes. Each chapter undertakes a quasi-chronological survey of choreographic works created by leading dancers, choreographers, and designers, including Ruth St. Denis and Ted Shawn, Martha Graham, Katherine Dunham, Merce Cunningham, Trisha Brown, and Josephine Baker. Illustrated with almost two-hundred full-color photographs of costumes from dance archives and stills from leading dance works in the United States and Europe, Fabrications presents a new and innovative way to think about dance history as material culture, understood through costumes that have stories that extend beyond the stage.…

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is about watching theatre; and how to utilise a corporeal semiotics to read genres of contemporary theatre. It suggests that three key concepts interact: genre, the formal term that structures theatricality, including the textual grammar of a dramatic work, its performance style, theatrical frame, and mode of rhetorical address; corporeality, an assemblage of the troubling physical work of the actors, the figurative forms in the text, and the ambivalent bodies of the spectators; and performance, the presenting of theatre as symbolic action in the social world. In order to develop new models of embodied spectatorship, these essays examine canonical productions of Medea, King Lear, Miss Julie, Genesi: The Museum of Sleep directed by Deborah Warner, Barrie Kosky, Anne Bogart, and Romeo Castellucci. With close attention to bodies and texts in performance, the book argues that to watch theatre is an intimate, yet political, atunement to processes of human transfiguration. It concludes by offering a reinvigorated perspective on tragedy and tragic experience in the theatre. …

Hardcover. Zustand: Brand New. 208 pages. 8.60x5.50x0.60 inches. In Stock.

Paperback. Zustand: Brand New. 334 pages. 10.00x8.00x0.87 inches. In Stock.

Zustand: New. A renewed interest in nature, the ancient Greeks, and the freedom of the body was to transform dance and physical culture in the early twentieth century. The book discusses the creative individuals and developments in science and other art forms that shaped the evolution of modern dance in its international context. Editor(s): Fensham, Rachel; Carter, Alexandra. Num Pages: 190 pages, biography. BIC Classification: 3JJ; ASDT. Category: (P) Professional & Vocational. Dimension: 224 x 160 x 17. Weight in Grams: 342. . 2011. Hardback. . . . . Books ship from the US and Ireland.…

Zustand: New. In English.

Zustand: New. In English.

Paperback. Zustand: Brand New. reprint edition. 366 pages. 9.25x6.50x0.75 inches. In Stock.

Zustand: New.