Felix mccarthy (19 Ergebnisse)

Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: New. 1.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Octavo, purple cloth boards with gilt lettering to front board, prelims, 99pp, VG (heavy rubbing to boards, moderate soiling to boards, heavy tanning & light foxing to page edges).

Zustand: New.

344 pp.; 26.9 x 20.1 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "4th berlin biennial for contemporary art," Berlin, Germany, March 25 - June 5, 2006. Exhibition curated and catalogue edited by Massimiliano Gioni, Maurizio Cattelan, and Ali Subotnick on behalf of the KW Institute for Contemporary Art and funded by the Kulturstiftung des Bundes. Contributions by Nancy Spector. Artists include Tomma Abts, Viktor Alimpiev, Pawel Althamer, Kai Althoff and Lutz Braun, Ulf Aminde, Micol Assaël, Roger Ballen, Thomas Bayrle, Michael Beutler, Michaël Borremans, Bouchet, Tobias Buche, Anthony Burdin, Mircea Cantor, Bruce Conner, Benjamin Cottam, Martin Creed, Oliver Croy with Oliver Elser, Roberto Cuoghi, Tacita Dean, Jeremy Deller, Berlinde De Bruyckere, Gino De Dominicis, Nathalie Djurberg, Trisha Donnelly, Marcel van Eeden, Saul Fletcher, Roland Flexner, Felix Gmelin, Aneta Grzeszykowska, Sebastian Hammwöhner / Dani Jakob / Gabriel Vormstein, Rachel Harrison, Pravdoliub Ivanov, Sergej Jensen, Dorota Jurczak, Tadeusz Kantor, Ian Kiaer, Christopher Knowles, Robert Kusmirowski, Erik van Lieshout, Klara Liden, Ján Mancuska, Mike Mandel & Larry Sultan, Mark Manders, Kris Martin, Paul McCarthy, Corey McCorkle, Michaela Meise, Matthew Monahan, Otto Mühl, Bruce Nauman, Damián Ortega, Diego Perrone, Susan Philipsz, Jorge Queiroz, Reynold Reynolds with Patrick Jolley, Ricarda Roggan, Aïda Ruilova, Anri Sala, Markus Schinwald, Michael Schmidt, Thomas Schütte, Norbert Schwontkowski, Tino Sehgal, Shirana Shahbazi, Steven Shearer, Florian Slotawa, Christiana Soulou, Jaan Toomik, Paloma Varga Weisz, Gillian Wearing, Clemens von Wedemeyer with Maya Schweizer, Andro Wekua, Cathy Wilkes, Francesca Woodman, and Thomas Zipp. "A mysterious object, somewhere between an illustrated anthology of short stories and a scrapbook preserving the experience of visiting a biennial exhibition, this book presents the works of more than sixty artists in a montage of images, mixing historical photos, newspaper clippings, and other reference materials with installation shots and photographs of art works included in the show. Not simply a textual complement to the exhibition but also an unusual combine of art works, this book is much more than just a documentation of an exhibition, it's an exhibition in book form. In spite of its classical design and hardcover binding, it is an artists' book with a truly unusual use of texts and reprints. The book will also feature sections with visual reminders and references for all of the 4th berlin biennial activities including Checkpoint Charley, Gagosian Gallery in Berlin, and the columns presented by the bb4 in Zitty magazine." -- publisher's statement. New. In publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.…

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Hardcover. Zustand: Very Good. No Dust Jacket. First Edition. Previous owner's name signature on page 5. Some foxing to endpapers and to page edges.; [2 (recto advertisement, verso blank)], [2 (recto Index, verso advertisement)], [2 (recto portrait, verso blank)], 99, [5 (3 with advertisements, 2 blank)] pages. Green cloth boards with gilt lettering and gilt banner design on front board. Page dimensions: 186 x 119mm. New Zealand poetry. With attractive classically influenced title page, described by Bagnall as "grossly over-ornamented". "If war breaks out, our land we can defend; / Our willing hearts and hands we gladly lend / To guard our hearths and homes. Britannia's sons, / Though far from home, have learnt the use of guns. / This Russian scare has shewn what noble zeal / The colonies have for their country's weal; / And, what Great Britain can behold with pride, / 'Tis not for Foreign Powers to deride." - from the poem "Colonial Patriotism", page 60. [Reference: Bagnall 3243].…

Paperback. Zustand: New. 1.

No binding. Zustand: Good. [Felix McCarthy (?-? )]. An appeal to the candour and justice of the people of England, in behalf of the West India merchants and planters, founded on plain facts and incontrovertible arguments. London, printed for and published by J. Debrett, 1792. 8°. XVI, 118 pp. Disbound. One of the most important pro-slavery publications from the Abolition era, this compilation of speeches against William Wilberforce's call for the abolition of the slave trade includes an anonymous introduction and a connecting narrative attributed to "Captain Macarty" or Felix McCarthy (see Ragatz; Hogg). Wilberforce's bill called for the immediate end of the trade, but after extensive debate, it was amended to advocate only for its 'Gradual Abolition'. This was seen as a victory for the planter class, as no clear timeline for abolition was established. Despite multiple abolition bills being introduced, the trade would persist for another fifteen years. According to Ragatz, Macarty received £100 from the Society of West India Planters and Merchants for the copyright. The brief introduction portrays planters and traders as victims of unjust criticism, arguing that 'every canting hypocrite and fanatical enthusiast' had been free to slander them without consequence. Macarty presents the included speeches as a 'calm' and 'impartial' examination of the abolition debate. The reprinted speeches highlight key pro-slave trade arguments. James Baillie (1737-93), MP for Horsham and a colonial agent for Grenada, contended that abolition would devalue uncultivated lands and that colonists should be compensated. Benjamin Vaughan (1751-1835), MP for Calne and son of a Jamaican planter, initially opposed abolition, believing enslaved people were unprepared for freedom and fearing economic collapse, though he later reversed his stance. Banastre Tarleton (1754-1833), MP for Liverpool, warned that Britain's withdrawal from the trade would simply benefit other European powers and accused abolitionists of fabricating petition signatures. Finally, Robert Banks Jenkinson (1770-1828), MP for Rye, while admitting the trade's moral wrongs, opposed immediate abolition and proposed measures to increase slave fertility instead. His plan was rejected, but a compromise bill for 'Gradual Abolition' ultimately passed with strong support. Edition this important pamphlet was one of the 6 reproduced and introduced in volume 4 of The British Transatlantic Slave Trade, without mention of editions. However, according to the JCB catalogue there are two editions of this book. The one in the JCB has the catchword CHANTS on p. viii, ours has "imputed" instead, as does the reproduction in The British Transatlantic Slave Trade. Condition: inscribed in ink on top of the title: "John Morgan Esq. Parliament . . .", likely Welsh politician John Morgan (of Dderw), who sat in the House of Commons from 1769 to 1792. Also faintly in pencil "slavery" on the title. C3 with tear at gutter (not affecting text), light soiling and chipping to title and final leaf, disbound. Reference: ESTC T4520. Hogg, The African slave trade, no. 2357 [misnumbered in index as 2857]. Sabin 1779. Morgan, Kenneth. The British Transatlantic Slave Trade. Vol. 4. Ed. by David Ryden. 1st ed. London: Routledge, 2021, pp. 133-265. Ragatz, Lowell J. The Fall of the Planter Class in the British Caribbean, 1763-1833. Century Co., 1928. …