Fedor dostoevskii (29 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

First Edition. Fine copy in the original gilt-blocked cloth. Remains particularly well-preserved overall; tight, bright, clean and strong. 12 to 16 thousand. Physical description: 526 pages. Subjects: Fiction. Dostoyevsky, Fyodor - 1821-1881. German. 1 Kg.

1910 E. Domenech, Barcelona Tomo II. Trad. de Bernardo G. de Candamo. 213 p. 18x9 cm. Enc. tela il. Exterior muy poco fatigado Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas., ).

[1940] ? Maucci, Barcelona Cubierta de Vicente. Trad. de H.C. Granch. 207 p. 19x12 cm. Enc. rústica. Exterior levemente fatigado Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas., ).

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardback. 92pp Lindsay Drummond, London 1945. Very good copy in very good dust jacket.

[1931] ? Editorial Maucci, Barcelona 238 p. 19x13 cm. Enc. rústica editorial. Exterior fatigado. Firma de anterior propietario Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas., ).

Hardback. Selected, translated and introduced by David Magarshack. 350pp London 1964. Slightly marked ex-library copy in dust jacket.

1937 La Rosa dels Vents, Barcelona Col. Biblioteca de la Rosa dels Vents; 37. Trad. de P. Montserrat-Falsaveu. 61 p. 18x14 cm. Enc. rústica. Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas., ).

1960? Editorial Mediterraneo Col. Literatura Universal 265 pp. 20x14 cm. Enc. en cartoné con sobrec. Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas.

1923 Juan Pueyo, Madrid Trad. de Antonio J. Onieva. 376 p. 19x13 cm. Enc. posterior en tela. Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas., ).

1920? Maucci, Barcelona Introd., de Makar Dievouchkine. 255 p. 19x13 cm. Enc. rústica. Parcialmente intonson Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas., ).

Hardback. dokumentakh. 447pp, ills. throughout 4to Moscow 1972. Very good in dust jacket.

Hardback. Trans. by S. Koteliansky & J. Middleton Murry. 133pp Dublin 1916. VG.

Hardback. Ed. & intro: Edward Wasiolek. 570pp ills. London 1969. Very good copy in slightly worn dust jacket.

Hardback. Trans. S.S. Koteliansky & J. Middleton Murry. 286pp 1923. VG.

Hardback. Ed. & intro: Edward Wasiolek. 254pp ills. 1967. VG in DW.

Hardcover. Zustand: Sehr gut. Hardback, Cloth, very good, Frontispiece (Portrait), 782 pp., clean pages, no markings, no names etc., in stock, sofort lieferbar.

Hardback. Edited & translated by Edward Wasiolek. 252pp Chicago & London 1967. VG.

Paperback. xx, 606pp card covers, Gos. Izd. Khud. Literary, Moscow 1959. Vols. 1 to 3 were published in 1928-34. A very good copy.

Hardcover. Zustand: Sehr gut. 1. Auflage. Cloth with jacket (!), very good for an over a hundred year old book, 593 pp., prev. owner's name & date at the end (1941), clean copy, no markings, PUBLISHED IN Berlin, GERMANY 1922, First Edition; herausgegeben in Berlin, Erstausgabe, fester Ebd., innen sauber, keine Eintragungen; LANGUAGE: RUSSIAN/RUSSISCH; very rare, sehr selten, in stock, sofort lieferbar.…

Dostoevsky's successful debut in Nekrasov's famous anthology - the Fekula copy --- "We have never had almanacs like the Petersburg Miscellany. [In it] is printed the novel Poor Folk by Mr. Dostoevskii a name new and completely unknown, but one destined, it seems, to play a significant role in our literature." (Belinskii, our description here and below) This is the second of two influential almanacs published by poet, critic, and editor Nikolai Nekrasov (1821-78), appearing one year after The Physiology of Saint Petersburg. These collections showcased the new realistic current that would come to dominate 19th-century Russian literature. The most significant of the contributions to Nekrasov's weighty 560-page Peterburg Miscellany is the short novel Poor Folk by the young Fedor Dostoevski (1821-81)i. This is the first original work of Dostoevskii to appear in print; he had only published previously a translation of Balzac's Eugénie Grandet in 1844. The Miscellany also includes a programmatic essay by the leading critic Vissarion Belinskii, an early article by the radical critic Aleksandr Herzen (writing as "Iskander" shortly before his final departure from Russia), two of Turgenev's earliest stories, and the first mature verses of Nekrasov himself. Other contributors include Ivan Panaev, Vladimir Odoevskii, Vladimir Sollogub, Andrei Kroneberg, Aleksandr Nikitenko, and Apollon Maikov. Turgenev's verse tale "The Landowner" is illustrated with wood engravings by Bernadskii after Aleksandr Agin ("the best Russian illustrator of the time" (Kuzminskii)). There are also illustrations by various hands to Panaev's "Parisian Amusements." The appearance of Poor Folk represents one of the most celebrated cases of overnight success in literary history. Dostoevskii recalled decades later in his Writer's Diary how Nekrasov and the writer Dmitrii Grigorovich were enraptured by his manuscript and rushed to show it to Belinskii. The nation's most influential critic declared to Dostoevskii: "To you as an artist the truth has been revealed and proclaimed, bequeathed as a gift. So cherish your gift, remain faithful, and you will be a great writer!" At the same time, the reception of Poor Folk and of the Miscellany as a whole was not uniform. The critic Faddei Bulgarin led the conservative assault, deprecating Nekrasov as a member of some new, "natural literary school" (cited in Tikhomirov) who had abandoned his high artistic calling in favour of an obsession with vulgar reality. Belinskii responded by embracing the label "Natural School," which would come to designate the initial stage of the great era of literary realism in Russia. The critic had originally set on Gogol, with his story "The Overcoat," as the standard-bearer for this new school; but Dostoevskii's short novel about a lonely Petersburg copy-clerk proved to be ideologically more congenial even if its literary significance goes far beyond its status as Russia's first "social novel," as Belinskii put it. Dostoevskii not only builds on the type of the "little man" introduced by Gogol; he blazes a path for the psychological realism of his own later works, as well as the depth of characterisation that is a hallmark of the 19th-century Russian tradition as a whole. A very good copy, with provenance and in pleasant contemporary binding, of this scarce volume: we couldn't trace any other example at auction outside Russiain the past 40 years. Provenance: Paul M. Fekula (1905-82; Fekula was the son of a Russian Orthodox archpriest who immigrated to Edmonton, Alberta from the former Austrian province of Galicia (now in Ukraine). He spent most of his career in New York working in corporate finance; but his life's achievement was the creation of the largest private collection of Slavic books and old manuscripts in North America. A particular interest was material from the Russian ancien régime holdings of estates, monasteries and imperial institutions that were confiscated by the Soviets and s.…

One of his masterpieces in wrappers --- "The most original of Dostoevsky's great novels" (Frank) - here in fantastic condition, with its original wrappers. There was only one book edition during Dostoevsky's lifetime, and this is an early posthumous edition (see details below). Fedor Dostoevsky (1821-81) worked on "the most personal of all [his] major works, the book in which he embodies his most intimate, cherished, and sacred convictions" (Frank), from September 1867 to January 1869. This period proved to be "one of the most difficult and even tragic times in his life" (Chuviliaev, our translation): he and his wife Anna Grigorievna (1846-1918) were in Europe escaping from creditors in Russia, while Dostoevsky was also unsuccessfully trying to overcome his gambling addiction. In 1868, their first child, Sonia, died just two months after her birth. Because of his obligations to the magazine Russkii vestnik [The Russian Messenger], Dostoevsky could not afford to take a long break. After just a fortnight's pause, he resumed work and continued writing the novel without interruption. The novel was published in Russkii vestnik in separate issues from January 1868 to March 1869. Simultaneously, Dostoevsky attempted to have it published as a separate edition, but without success: The Idiot was received by critics and even Dostoevsky's friends with bewilderment and disappointment. The book edition was not published until six years later, in 1874, when Anna Dostoevskaia organised her own publishing business. Dostoevsky edited the original version for this separate publication, which is considered in some bibliographies as the book's second edition (see Cheshikhin-Vetrinskii). The novel was never published again during Dostoevsky's lifetime. It came out as a separate edition in 1882 (indicated as the third edition on title) and in this 1884 edition. The title mentions here "fifth edition", yet we could not find any trace of a "fourth" edition. It is likely that the publishers assigned the "fourth" edition to the publication of the novel in volume 7 (1882) of Dostoevsky's first complete works (1882-83), and therefore the present edition from 1884 can be considered the actual third book edition. At the turn of the century, the novel was 'rediscovered' and became one of the world's literary classics: "The Idiot violates every critical norm and yet somehow manages to achieve real greatness" (Morson). Provenance: Physical description:Four parts in a volume large 8vo (25.3 x 16.2 cm). 599 pp. incl. half-title, title and part titles. Original publisher's printed wrappers. Condition:Very light browning, mostly marginal, and very light marginal creasing, wrappers slightly more affected, spine darker, a bit strengthened at extremities of hinges, still an exceptional example. Bibliography:Cheshikhin-Vetrinskii V. E. F. M. Dostoevskii v vospominaniiakh sovremennikov i ego pismakh: Khronologicheskaia kanva, pisma, bibliografiia. Chast 2. Dumnov, Moskva, 1923. Chuviliaev, Ivan. "Fedor Dostoevskii. Idiot". Polka academy. Frank, Joseph. Dostoevsky: A Writer in His Time. Princeton University Press, 2010, p.577. Frank, Joseph. Dostoevsky: The Miraculous Years, 18651871. Princeton University Press, 1995, p. 340 Morson, Gary Saul."'The Idiot' savant". The New Criterion. 36 (10), June 2018.…

Half titles; occasional light foxing. Contemp. sage green three-quarter cloth, marbled boards, maroon leather spine labels sl. chipped. A v.g. copy in continental binding. Prestuplenie i nakazanie, 1866. The first French edition, from which the first English edition was translated.

Hardback. Translated and annotated by Boris Brasol. 2 vols. 1097pp London 1949. A very good set.

1968 Éditions de l'Odéon--éditions Andre Vial Traduction de Yacha Zwizagora. Illustrations de GRAU SALA. 243 pp. 27x20 cm. Enc. en rústica y con petaca. Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas.

1949 José Janés Editor Ejemplar nº 39, Traducción de Juan G. de Luaces. Ilustrada con diez aguafuertes (F. Melich) originales compuestos y grabados por OLGA SACAHAROFF. 149 pp. Enc. en rústica con petaca. Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas.

Hardback. 30 vols. in 33. Nauka, Leningrad 1972-90. Very good set.