Faye robinson (20 Ergebnisse)

Zustand: Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Zustand des Schutzumschlags: 47186321. 1752495920. Bainbridge Robinson, Faye (illustrator). 7/14/2025 12:25:20 PM.

Paperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration. Bainbridge Robinson, Faye (illustrator).

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Bainbridge Robinson, Faye (illustrator).

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Bainbridge Robinson, Faye (illustrator).

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: New. In English.

Paperback. Zustand: Brand New. 212 pages. 9.00x6.00x0.48 inches. In Stock.

Echtfoto. Zustand: Gut. Schwarzweissfoto (als Gilda in Rigoletto) von Faye Robinson bildseitig mit schwarzem Stift signiert mit eigenhändigem Zusatz "Best wishes", Ecke sauber abgeschnitten, umseitig Fotografenstempel (Hans-7oachim Lieske) undKlebspuren von Albummontage. /// Autogramm Autograph signiert signed signee /// Faye Robinson (born November 2, 1943) is an African-American soprano. A native of Houston, Robinson began her studies in organ performance working toward the bachelor's degree at Bennett College[1] before transferring and finishing her bachelors degree in voice at Texas Southern University under Ruth Stewart;[2] further studies followed at North Texas State University[3] and in New York with Ellen Faull, after which she debuted as Micaëla at the New York City Opera in 1972. While with the company she also sang Liù, Violetta, and the Queen of Shemakha in Le Coq d'Or.[2] She auditioned for the San Francisco Opera, receiving first prize.[4] For Washington Civic Opera she performed as Violetta and Juliette in 1973; for Opera/South she was Desdemona in 1973 and Adina in 1974. 1975 found her in Aix-en-Provence, where she appeared to great acclaim in a double-bill of The Impresario and La serva padrona; that same year she returned to her hometown to essay the title role in Lucrezia Borgia. For Buenos Aires, in 1980, she sang the three soprano roles in Les contes d'Hoffmann; in 1981 she returned to Mozart, performing Konstanze in Frankfurt and Elettra for the Schwetzingen Festival. In 1982 she debuts the title role in Luisa Miller at the Grand Théâtre de Bordeaux. Her debut with the Paris Opera, in which she reprised the role of Juliette, came in 1982; in 1991 she once again sang Elettra, this time for Amsterdam.[2] Active as well as a concert singer, Robinson has appeared with the Los Angeles Philharmonic, the New York Philharmonic, the Cleveland Orchestra, the Philadelphia Orchestra, the Houston Symphony Orchestra, the National Symphony Orchestra, the Chicago Symphony Orchestra, the Toronto Symphony Orchestra, the Royal Concertgebouw Orchestra, and the BBC Symphony Orchestra.[5] She has also been associated with contemporary music throughout her career; in 1996 she premiered George Walker's Pulitzer Prize for Music-winning Lilacs with the Boston Symphony Orchestra,[6] and she has specialized in the works of Michael Tippett.[2] Her recording of Lilacs has been released by Summit Records.[6] Robinson's voice has been described as "flexible" and "silver-toned", and her stage presence as "charming".[2] She has taught at the University of Arizona.[7] /// Standort Wimregal GAD-30.292 WITHIN THE EU: shipping only to GERMANY and AUSTRIA due to the new EPR regulations. Sprache: Englisch Gewicht in Gramm: 10.…

Paperback. Zustand: Brand New. 1st edition. 172 pages. 9.00x6.00x0.25 inches. In Stock.

Zustand: New. pp. 176 A Faculty Guide for Succeeding in Academe.

Zustand: New. In English.

Zustand: New. Editor(s): Bonner, Fred A., II; Marbley, Aretha Faye; Tuitt, Frank; Hughes, Robin L.; Robinson, Petra A.; Banda, Rosa M. Num Pages: 172 pages, black & white illustrations. BIC Classification: 1KBB; JFSL3; JNFR; JNM. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 229 x 152 x 15. Weight in Grams: 362. . 2014. 1st Edition. hardcover. . . . . Books ship from the US and Ireland. …

Hardcover. Zustand: Brand New. 1st edition. 164 pages. 9.50x6.50x0.50 inches. In Stock.

Two vintage double weight color studio still photographs and two vintage studio still photographs from the 1974 film. Two black and white photographs with provenance stamps on the verso. Based on the novels "The Tower" (1973) by Richard Martin Stern, and "The Glass Inferno" (1974) by Thomas N. Scortia and Frank M. Robinson. In 1973 both Twentieth Century-Fox and Warner Brothers had each purchased rights to similar skyscraper disaster novels, when "Master of Disaster" producer, Irwin Allen, on the heels success with his 1972 disaster film, "The Poseiden Adventure," convinced both studios to join forces in the production of a motion picture, the first in the history of the major studios. The result was one of the highest grossing films of 1975 and one of the largest ensemble casts yet assembled, including Steve McQueen, Paul Newman, Faye Dunaway, Fred Astaire, Susan Blakely, Richard Chamberlain, O.J. Simpson, Robert Vaughn, and Robert Wagner, among many others. During the premiere gala for the world's tallest skyscraper, the building catches fire, the result of shoddy wiring by corrupt contractors, trapping 300 guests on the 135th floor. Winner of three Academy Awards including Best Cinematography, nominated for five others including Best Picture and Best Supporting Actor for Fred Astair, his only Academy Award nomination. Set in San Francisco, shot on location in San Francisco and Los Angeles. 8 x 10 inches. Generally Near Fine, with two color photographs evenly toned. …

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Q & A: Jeffrey Slonim on Pet Piles," by Jeffery Slonim; "Letter from Paris: Pascaline Cuvelier [and] Olivier Zahm on A.P.C," by Pascaline Cuvelier and Olivier Zahm; "Preview: Florine Stettheimer at the Whitney: Jutta Koether talks with Elisabeth Sussman," by Jutta Koether; "Preview: Florine Stettheimer at the Whitney: Brooks Adams on the Florine Scene," by Brooks Adams; "Film: Brian D'Amato on Robert Longo's Johnny Mnemonic," by Brian D'Amato; "Gadget Love: R. U. Sirius reviews J. C. Herz's Surfing the Internet," by Gadget Love; "Music: Christina Kelly on Jenny Toomey," by Christina Kelly; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Goth to Dance: Donald Kuspit talks with Georg Baselitz," by Donald Kuspit; "Critical Reflections: Dale Hickey with an introduction by Peter Schjeldahl," by Dale Hickey and Peter Schieldahl; "Venezia / Venezuela: A Project for Artforum by Meyer Vaisman with an introduction by Jesús Fuenmayor," by Meyer Vaisman and Jesús Fuenmayor; "Diary of a Sad Housewife: Collier Schorr talks with Todd Haynes," by Collier Schorr; "Art of Living: James Meyer talks with Gregg Bordowitz," by James Meyer; "Into the Blue: Yves Klein: Comic Relief," by Nan Rosenthal; "Into the Blue: Yves Klein: Klein and Poses," by Benjamin H. D. Buchloh; "Openings: Maurizio Cattelan," by Olivier Zahm. Book reviews by John Ash, Yve-Alain Bois, Jean-Pierre Criqui, Arthur C. Danto, Jeffery Deitch, Bruce Hainley, bell hooks, Wayne Koestenbaum, Rhonda Lieberman, Richard Martin, Patrick McGrath, D. A. Miller, Michael Musto, Peter Schjeldahl, Richard Shiff, Richard Stone, Justin Spring, Carol Squiers, and Mim Udovitch. Reviews by Jan Avgikos, Peter Bowen, Barry Schwabsky, Andrew Solomon, Joshua Decter, Donald Kuspit, David Rimanelli, Keith Seward, Ingrid Schaffner, Faye Hirsch, Dan Cameron, John Ash, Ronny Cohen, Steven Drukman, Nico Israel, Joan Seeman Robinson, Laurie Palmer, Rosetta Brooks, Benjamin Weissman, Thomas McEvilley, John K. Grande, José Luis Brea, Menene Gras Balaguer, Massimo Carboni, Mario Codognato, Michael Tarantino, Jérôme Sans, Anne Dagbert, Elizabeth Janus, Yilmaz Dziewior, Noemi Smolik, Daniel Birnbaum, and Michael Archer. Cover: Florine Stettheimer. …

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Q & A: David Colman on the Radical Face of Fashion, " by David Colman; "Books: Linda Nochlin on Simon Schama's 'Landscape and Memory,'" by Linda Nochlin; "Press: Homi Bhabha on the New Black Intellectual," by Homi Bhabha; "Weather Report: Andrew Ross on the Highland Vogue," by Andrew Ross; "Film: Mark Van de Walle on Abel Ferrara's 'The Addiction,'" by Mark Van de Walle; "Real Life: R. U. Sirius' Top Ten," by R. U. Sirius; "Preview: The Tate at Bankside, Richard Flood talks with Nicholas Serota; "Brook adams on New Art from London," by Brooks Adams; "Letter from London," by Richard Shone; "Letter from London: Martin Maloney on the Class of '95," by Martin Maloney; "Jon Savage on the Britpop Scene," by Jon Savage; "Perfectly Awful," by Hilton Als and Andre Walker; "Gianni Versace: 'Evening Ensemble," by Richard Martin; "Langfroid: A Project for Artforum," by Helmut Lang, photographs by Juergen Teller, Introduction by Olivier Zahm; "Critical Reflections," by Richard Shiff with and introduction by David Carrier; "Plastic Made Perfect: Measuring Mondrian," by Robert Rosenblum, Mel Bochner, Robert Mangold, Benjamin H. D. Buchloh, Lydia Dona, David Sylvester, and Jonathan Laser; "Openings: Toba Khedoori," by Neville Wakefield. Reviews by Olivier Zahm, John Ash, Bruce Hainley, Anthony Iannacci, Barry Schwabsky, Donald Kuspit, Keith Seward, Thad Ziolkowski, Joshua Decter, Jenifer P. Borum, Ingrid Schaffner, Faye Hirsch, Steven Drukman, Nico Israel, Eileen Neff, Judith Russi Kirshner, Joan Seeman Robinson, Lane Relyea, Amy Gerstler, John K. Grande, Juan Vicente Aliaga, Giorgio Verzotti, Hans Rudolf Reust, Christian Kravagna, Justin Hoffmann, Noemi Smolik, Harald Fricke, Bojana Pejic, Thomas McEvilley, and Daniel Birnbaum. Cover: Piet Mondrian.…

Vintage British quad poster for the 1974 American film. Based on Richard Martin Stern's 1973 novel "The Tower," and on the 1974 novel "The Glass Inferno" by Thomas N. Scortia and Frank M. Robinson. Both Twentieth Century-Fox and Warner Brothers had purchased rights to similar skyscraper disaster novels, when "Master of Disaster" producer Irwin Allen convinced both studios to join forces in the production of a motion picture-the first in the history of the major studios. The result was one of the highest grossing films of 1975 and one of the largest ensemble casts yet assembled. During the premiere gala for the world's tallest skyscraper, the building catches fire, the result of shoddy wiring by corrupt contractors, trapping 300 guests on the 135th floor. Winner of three Academy Awards, including Best Cinematography. Set in San Francisco, shot on location in San Francisco and Los Angeles. 40 x 30 inches, folded. Very Good plus, lightly edgeworn on the top left corner, with a pinhole on the bottom right portion of the poster.…