Fauser annegret (36 Ergebnisse)

Soft cover. Zustand: Fine. Softcover, 300 pgs. Fine.

Paperback. Zustand: Brand New. 144 pages. 8.25x5.50x0.50 inches. In Stock.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 320 pages. 8.75x6.00x0.75 inches. In Stock.

Paperback. Zustand: Brand New. 144 pages. 8.25x5.50x0.50 inches. In Stock.

Zustand: New. pp. 320.

Zustand: New. In English.

Zustand: New. 2017. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

1ª ed., 1ª imp. 300 p. il. col. 24*14 cm. En rústica editorial. Excelente estado IMPORTANTE. Lea Nuestras Condiciones de Venta y Gastos de Envío. Contrareembolso 6 eur.

Zustand: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: leido. 1ª edición. rústica. ilustrado color 300.

Zustand: New. pp. 392.

Zustand: New.

Zustand: New. In English.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Hardcover. Zustand: Brand New. 300 pages. 9.25x6.25x1.00 inches. In Stock.

Paperback. Zustand: Brand New. 392 pages. 9.53x6.69x0.94 inches. In Stock.

Zustand: New. The recipient of the 2011 Edward J. Dent Medal of the Royal Musical Association, Annegret Fauser is a cultural musicologist whose research focuses on music of the nineteenth and twentieth centuries, and in particular that of France and America. She is the a.

Taschenbuch. Zustand: Neu. Neuware - The essays selected for this volume - three of which are presented for the first time in English translation - reflect the work in both musical and cultural studies of a distinguished scholar whose international career spans the Atlantic and beyond. The articles explore how composers, performers and critics shaped individual and collective identiti.…

Zustand: New. Num Pages: 384 pages, 26 illustrations, 6 tables. BIC Classification: 1KBB; AVGC6; HBJK; HBLW; HBWQ. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 242 x 156 x 30. Weight in Grams: 764. . 2013. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 384 pages. 9.30x6.20x1.30 inches. In Stock.

Zustand: New. 2009. 1st Edition. Hardcover. Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the 'capital of the nineteenth century'. This book explores the institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia. Editor(s): Fauser, Annegret; Everist, Mark. Num Pages: 440 pages, 37 halftones, 5 musical examples, 16 tables. BIC Classification: 1DDF; 3JH; AVGC9; AVGM. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 183 x 257 x 31. Weight in Grams: 986. . . . . . Books ship from the US and Ireland.…

Zustand: New. In English.

Zustand: New. In English.

Gebunden. Zustand: New. Explores the ways in which music was used, appropriated, exhibited, listened to, and written about during the six months of the 1889 Exposition Universelle in Paris, thereby revealing the role and the sociopolitical uses of music in France and, more general.

Hardcover. Zustand: Brand New. 391 pages. 9.00x6.00x1.00 inches. In Stock.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Buch. Zustand: Neu. Neuware - Musical Encounters at the 1889 Paris World's Fair explores the ways in which music was used, appropriated, exhibited, listened to, and written about during the six months of the 1889 Exposition Universelle in Paris, thereby revealing the role and the sociopolitical uses of music in France and, more generally, Europe during the late nineteenth century.The 1889 Exposition Universelle in Paris has become famous as a turning point in the history of French music, and modern music generally. For the first time, Debussy and his fellow composers could be inspired by Javanese gamelan music, while the Russian concerts conducted by Rimsky-Korsakov brought recent music by the Mighty Five to Parisian ears. But the 1889 World's Fair had much wider musical and cultural ramifications; one contemporary described it as a 'gigantic encyclopedia, in which nothing was forgotten.' Music was so pervasive at the 1889 Exposition Universelle that newspaper journalists compared the sonic side of the affair to a 'musical orgy.' Musical encounters at the fair ranged from bandstand marches to folk and non-Western ensembles to symphonic and operatic premieres by Massenet to the mass-marketed Edison phonograph. A rich and vivid literature [from newspaper columns to memoirs that are plumbed here for the first time] comments about this sonic landscape, reflecting the reactions and responses of composers [Saint-Saëns], writers [Judith Gautier], and journalists [Gaston Calmette]. Musical Encounters at the 1889 Paris World's Fair explores the ways in which music was used, appropriated, exhibited, listened to, and written about during the six months of the Exposition Universelle. It thereby also reveals the role and the sociopolitical uses of music in France and, more generally, Europe during the late nineteenth century. Annegret Fauser is Associate Professor of Music at the University of North Carolina at Chapel Hill. Her many publications include books on French Wagnerism, Massenet's opera Esclarmonde, and French orchestral songs from Berlioz to Ravel.…