Fargas antonio (15 Ergebnisse)

Hardcover. Zustand: Sehr gut. Seiten; 5 DVD im Schuber GN-DNT1-J9B9 Sprache: Deutsch Gewicht in Gramm: 500.

Hardcover. Zustand: Gut. Seiten; 5 DVD QZ-X0XW-2PC5 Sprache: Deutsch Gewicht in Gramm: 500.

Zustand: Bueno. Madrid 1991. Editorial Espasa-Calpe. Enciclopedia Universal Ilustrada Europeo Americana - Suplemento Anual 1936-1939. 2ª parte. 1550 pp. 25.5x17. Cartoné. Muy ilustrada. Contiene láminas. Doble columna.

Zustand: New.

FARGAS, Antonio. Signed Photograph. An 8- by 10-inch black-and-white photograph signed by Fargas. Fargas is well known for his role of Huggy Bear in the popular television show "Starsky & Hutch." $35.00.

Hardcover. Zustand: Wie neu. Seiten; Neu & OVP - 5 DVD KQ-3E0M-EBWP Sprache: Deutsch Gewicht in Gramm: 500.

Pas de couverture. Zustand: Très bon. Carte dédicacée en personne en 2000. + Photo 20x15 cm (tirage récent). Format : 20x12,5 cm. État : voir scans svp. Authenticité garantie. Signé par l'auteur.

Encuadernación de tapa blanda. Zustand: Bueno. Diccionario de Música. Antonio Fargas y Soler. Verdaguer, 1853. Intonso. Antonio Fargas y Soler. Imprenta Verdaguer, 1853. Tapa blanda, páginas sin cortar, intonso. 200 gramos. VER TODAS LAS FOTOS.

Encuadernación de tapa dura. Zustand: Muy bueno. 8vo. 36 pp. Enc. en tela, conserva rústica original. Pequeño orificio afectando a texto en pp. 33-36. Exlibris de D. Juan Caro Guillamas (1891-1963). Muy raro de la polémica sobre Wagner y la ópera italiana.

[1] pp.; 35.5 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Single-sided program for performances of two plays by Le Roi Jones [sic] [Imamu Amiri Baraka] held at St. Marks Playhouse, [December 1964]. Presented by Leo Garen and Stan Swerdlow in association with Gene Persson and Rita Fredricks. Directed by Leo Garen and designed by Larry Rivers, with lighting by Harold Baldridge. Production stage manager - Ed Cambridge. Cast for "The Toilet" includes Gary Bolling, Norman Bush, Hampton Clanton, Antonio Fargas, Bostic Van Felton, Gary Haynes, Tony Hudson, Walter Jones, D'urville Martin, Jaime Sanchez, and James Spruill. Cast for "The Slave" includes Nan Martin, Jerome Raphel, and Al Freeman, Jr. "LEROI JONES is one of the angriest writers to storm the theater?and one of the most gifted. On the evidence of his new one-acters, ?The Slave? and ?The Toilet,? one wonders whether his rage is not at war with his instincts as an artist. In both halves of the double bill, which opened last night at the St. Marks Playhouse, Mr. Jones has exciting and moving things to say. Once again, as in ?Dutchman,? he discloses a sure grasp of the theatrical image. But he cannot resist the urge to shock by invoking violence and all the obscenities he can think of. There are times when these shock tactics perform no useful dramatic function, when they clarify no meaning, when they merely set up needless resistance to what the play is saying. When Mr. Jones sets out to be literal, he is about as unsubtle as the law will allow. ?The Toilet? occurs in a toilet of a boys' high school. Larry Rivers has obliged the author by designing a retreat with all the equipment you would find in a men's room. Leo Garen has staged the opening moments of the play to indicate realistic use of the equipment. Mr. Jones and his colleagues apparently assume that nothing can be left to an audience's imagination." -- Howard Taubman, "Theater: An Angry Man ?Slave? and ?Toilet? by LeRoi Jones Open," New York Times, December 17, 1964. Good. Yellowing of edges. Tears measuring 1.5 cm. on left edge at center and 1 cm. on right edge. Folded horizontally into quarters. Clean and unmarked.…

Vintage reference photograph from the seminal 1963 film. Based on the 1960 play by Warren Miller and Robert Rossen, in turn based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke, following "The Connection" (1961). Both films were statements on the limitations of cinema verite, and while appearing improvisational, were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman, who would go on to become a legendary documentary filmmaker, and was scored by noted jazz composer and pianist Mal Waldron, with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 10 x 8 inches. Near Fine, with light toning to the border. National Film Registry.…

Vintage reference photograph from the seminal 1963 film. Partial label on the verso. Based on the 1960 play by Warren Miller and Robert Rossen, which was based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke, following "The Connection" (1961). Both films were statements on the limitations of cinema verite, and while appearing improvisational, were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman, who would go on to become a legendary documentary filmmaker, and was scored by noted jazz composer and pianist Mal Waldron, with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 5 x 8 inches, trimmed irregularly, with wide margins, photograph measuring 3.75 x 4.75 inches. Near Fine. National Film Registry.…

Two vintage reference photographs from the 1963 film, both showing actor Hampton Clanton. Printed mimeo snipes and date stamps on the versos. Based on the 1960 play by Warren Miller and Robert Rossen, which was based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke, following "The Connection" (1961). Both films were statements on the limitations of cinema verite, and while appearing improvisational, were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman, who would go on to become a legendary documentary filmmaker, and was scored by noted jazz composer and pianist Mal Waldron, with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 8 x 10 inches. Very Good plus. National Film Registry.…

Collection of 20 vintage reference photographs from the 1969 film. Director Robert Downey Sr., one of the most irreverent and anarchic underground filmmakers of the 1960s, simultaneously satirizes race, politics, and consumerism at the end of a decade of rapidly evolving American culture. The film follows Putney Swope, the only African American man on the executive board of an advertising firm who is accidentally given control of the company after the sudden death of the previous chairman. Renaming the business Truth and Soul, Inc., Swope replaces all but one of the white employees with black radicals and insists they no longer accept business from companies that produce alcohol, war toys, or tobacco. Set and shot on location in New York. 10 x 8 inches. Strong Very Good plus. National Film Registry.…

Eight vintage studio still photographs from the 1963 film. Provenance labels on the versos. Based on the 1960 play by Warren Miller and Robert Rossen, which was based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke, following "The Connection" (1961). Both films were statements on the limitations of cinema verite, and while appearing improvisational, were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman, who would go on to become a legendary documentary filmmaker, and was scored by noted jazz composer and pianist Mal Waldron, with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 10 x 8 inches. Very Good plus to Near Fine. National Film Registry. …