Falkenburg reindert (52 Ergebnisse)

Paperback. Zustand: As New. Zustand des Schutzumschlags: No Dust Jacket As Issued. Reprint. A clean tight copy in new condition, showing only light shelf and edge wear and appearing unread! New Old Stock. ; 10 X 7.48 X 0.71 inches.

Buch. Zustand: Neu. Neuware - The word schilderachtig - painterly - captures the paradoxical phenomenon that early seventeenth-century Dutch landscape paintings emphatically favor the unassuming nature of the countryside in order to bring out the very artfulness of their pictorial representation.Dutch seventeenth-century landscape painting has often been characterized as schilderachtig - literally: »painterly.« Referring to a certain looseness in the handling of the brush, the seemingly tautological and rarely critically discussed term also captures the idea that the landscape image »realistically« renders the, rather unassuming, idiosyncrasies of the Dutch countryside, including the often-overcast skies, moist and windy atmospheric conditions, without any aesthetic or other value judgement about the appropriateness of these motifs for a work of art. The book argues that early in the seventeenth century, however, the term had specifically rhyparographic connotations related to the proverbial Hollandse botheid (»Dutch rudeness«). In accordance, Jan van Goyen (1596-1656) and others began to depict base and even hideous aspects of the countryside not as the coincidental result of an indiscriminatory pictorial mimesis concept, but resulting from a preference for motifs of questionable »paint-worthiness« - in order, by way of contrast, to bring out the painter`s art-full representational skill per se. Schilderachtig stood for the contradictio in picturis of Hollandse botheid as a paradoxical means to evince »painterly« artifice.…

Bound in cloth, with dust jacket. Text in English. Many ills in b/w. 280 p. -(Soem shelf-wear to the dj, a stamp on the half-title, but otherwise in very good condition.).

Zustand: New. The word schilderachtig - painterly - captures the paradoxical phenomenon that early seventeenth-century Dutch landscape paintings emphatically favor the unassuming nature of the countryside in order to bring out the very artfulness of their pictorial repre.

linnen, 439 blz, ills, stofomslag. Serie: Nederlands Kunsthistorisch Jaarboek 1995-deel 46. Part of the contributions is in English. Hier en daar een potloodstreepje, verder uitstekend exemplaar.

Buch. Zustand: Neu. Jan van Goyen 'Painting Bad' | Schilderachtig Landscape Imagery in Early Seventeenth-Century Dutch Art | Reindert Falkenburg | Buch | BildEvidenz | 232 S. | Englisch | 2024 | Wallstein Verlag GmbH | EAN 9783835355538 | Verantwortliche Person für die EU: Wallstein Verlag GmbH, Geiststr. 11, 37073 Göttingen, info[at]wallstein-verlag[dot]de | Anbieter: preigu. …

hardbound, pictorial boards, 8vo xxviii+483 pp., 159 ills. 15 contributions by different authors; Hieronymus Bosch, Rubens, Barberino, Leonardo, Breughel; LIKE NEW condition.

Zustand: New. KlappentextThis study aims at reconstructing the historical viewership of Hieronymus Bosch s Garden of Earthly Delights, using the painting itself as a major source of information.

Zwolle, Waanders Uitgevers, [1998]. 307 pp. B./w. ills. Orig. hardcover (black cloth with silver lettering), d./j. 8vo. (Nederlands kunsthistorisch jaarboek 1998, Deel 49).An overview of a number of large public festivals that took place in the Netherlands in the period 1549-1749, and were usually organised by the government. Includes nine contributions (4 in English, 4 in Dutch, 1 in German) by Emily Peters, Mark A. Meadow, Stephanie Schrader, et al.…

hardcover. Zustand: New. 1st.

Taschenbuch. Zustand: Neu. Neuware - Hieronymus Bosch's Garden of Earthly Delights is one of the most enigmatic paintings in the history of western art. Apart from a brief description by an eyewitness in 1517, there are no contemporary records that tell us anything about the original commission of the painting, its placement, function or audience.Reindert Falkenburg now offers a detailed analysis of Bosch's eye- and mind boggling play with pictorial traditions. He argues that the painting was created towards the end of the fifteenth century as a conversation piece for an audience of Burgundian nobles. He suggests that the Garden of Earthly Delights served as a multifaceted mirror for viewers to reflect on how humanity, while created in the image and likeness of God, in the course of history has lost its original identity and tends towards becoming one with a world that is susceptible to an all-perverting force of evil origin. This debatable nature of Bosch's imagery is central to any engaged viewership, historical or modern.…

Softcover. Zustand: gut. 2017. A prayer nut is a small-scale boxwood carving containing very detailed depictions of events taken from the lives of biblical figures and saints. These carvings served as instruments of individual piety, that is, for private devotion; they were especially appreciated when located in a surrounding environment, where the knowledgeable viewing of art became a value in itself. It was in the early modern Kunstkammer of the sixteenth and seventeenth century that prayer nuts would have been studied and admired. The publication contains the papers of a colloquium held in 2012 on the occasion of the discovery of a manuscript,with a meticulous seventeenth-century description of a prayer nut that can be identified with the Magdalen prayer nut in the Abegg-Stiftung. The twenty-six colour plates of the prayer nut and the manuscript invite the reader to study not only a master-piece of miniature carving, but also to comprehend an exceptional source of art historiography in the Northern Renaissance. Mitglied der Redaktion: Henry B. Hohmann Verlagsort Riggisberg Sprache englisch Maße 230 x 310 mm Einbandart Englisch Broschur Kunst Musik Theater Kunstgeschichte Kunststile Geisteswissenschaften Geschichte Betnuss Kunstkammer Niederlande Prayer Nut Renaissance Schnitzerei ISBN-10 3-905014-64-5 3905014645 ISBN-13 978-3-905014-64-8 9783905014648 Prayer Nuts, Private Devotion, and Early Modern Art Collecting Riggisberger Berichte 22 Wetter, Evelin; Scholten, Frits; Hohmann, Henry B.; Ellis, Lisa; Falkenburg, Reindert; Kavaler, Evan Matt; Reesing, Ingmar; Chipps Smith, Jeffrey; Suda, Alexandra and Veldman, Ilja M. Evelin Wetter (Herausgeber, Autor), Frits Scholten (Herausgeber, Autor), Henry B. Hohmann (Herausgeber), Lisa Ellis (Autor), Reindert Falkenburg (Autor), Evan Matt Kavaler (Autor), Ingmar Reesing (Autor), Chipps Smith, Jeffrey (Autor), Alexandra Suda (Autor), Ilja M. Veldman (Autor) Abegg-Stift. Verlag Abegg-Stiftung In englischer Sprache. 236 pages. 230 x 310 mm.…

vi, 226pp with 50 monochrome plates. Boards 25x17.5cms. ISBN: 9027253323. Ex-library copy with the usual stamps, stickers and markings.

Couverture rigide. Zustand: Très bon. Code à barres commercial : EAN 9782754107730 1 vol. (279 p.) : ill. en coul. ; 33 cm Ouvareg relié de toile grise, jaquette et boitier. Etat proche du neuf. Exlibris collé en page de faux titre. CAISS01 350g. Allain, Jean-François (1948-.). Traducteur (illustrator).…

in-4, cartonnage sous jaquette, étui, 279 pp., nombreuses reproductions en couleurs, index, bibliographie. Traduit de l'anglais par Jean-François Allain. Excellent état, comme neuf.

Hardcover with dusjacket, 446 pages. Illustrated. *NL /ENGTEKST ISBN 9066304812. Nederlands Kunsthistorisch Jaarboek. Vol. 45 ; With 14 contributions by various authors on sculpture in the late Middle Ages and Renaissance.* (10 in Dutch, 3 in English). 0 g.

Leiden & Boston, Brill, [2000]. 280pp. B./w. ills. Softcover. 8vo. (Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek, Vol. 50). [ISBN: 978-90-04-26772-5].Contains 9 contributions (7 in English, 2 in Dutch). - Publisher's retail price: 66,49.

Zustand: Neuf.

[Leiden], Brill, [2011]. 320 pp. 241 ills (chiefly col.). Orig. softover (pictorial wrappers). 8vo. (Studies in Netherlandish Art and Cultural History, Volume: 10). [ISBN: 978-90-04-53680-7]. - New copy.Hieronymus Bosch's The Garden of Earthly Delights is one of the most enigmatic paintings in the history of Western art. Apart from a brief description by an eyewitness in 1517, there are no contemporary documents that tell us anything about the painting's original commission, placement, function, or audience. In this volume, Reindert Falkenburg offers a detailed analysis of Bosch's dazzling and bewildering play on pictorial traditions. He argues that the painting was created towards the end of the fifteenth century as a conversation piece for an audience of Burgundian nobles. He suggests that The Garden of Earthly Delights served as a multifaceted mirror for viewers to reflect on how humanity, though created in the image and likeness of God, has lost its original identity over the course of history and is tending toward merging with a world susceptible to an all-perverting force of evil origin. This contested nature of Bosch's imagery is of crucial importance to any engaged audience, historical or modern. - Text in English. New price from the publisher 79,57.…

Zwolle, Waanders, 1998. 317 pp. Ills. Orig. hardcover (clothbound), d./j. 8vo. (Nederlands Kunsthistorisch Jaarboek, 48). Contributions in English & Dutch.

Bound in coth, with dust jacket. Text mostly in English, some in Dutch. Many ills in b/w. 439 p. -(Some shelf-wear to the dust jacket, but otherwise in very good condition.).

Zustand: Neuf.

Hardcover. Zustand: gut. 2015. BOSCH. Le Jardin des Delices In deutscher Sprache. pages.

Zwolle, Waanders Uitgevers, 1999. 280 pp. B./w. ills. Orig. hardcover (black cloth with silver lettering), d./j. 8vo. (Nederlands Kunsthistorisch Jaarboek, 50).

Zustand: As New.

Paperback. Zustand: New. Klappentext.

Paperback. Zustand: New.

Paperback. Zustand: New.

Paperback. Zustand: New. Klappentext.

Paperback. Zustand: New. Klappentext.