Fairlie james (10 Ergebnisse)
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Gebunden. Zustand: New.
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Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references…, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 29 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.
Weitere BilderNEW YORK SUPREME COURT WRITS, 1805-1809 | LOT OF FIVE (5)
Breese, Arthur; Bloodgood, Harmanus Bleecker; Fairlie, James; [Kent, James]; [Gold, Thomas Ruggles]; [Sill, Theodore]
Verlag: 1805-1809, New York, 1805
- Hardcover
- Signiert
- Manuskript//Papierbasiertes Sammlerstück
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In den WarenkorbA collection of five New York Supreme Court writs and summons documents, dated from between 1805 to 1809. Each sheet contains handwritten legal notations, case details, clerk signatures, and embossed state seals. In Very Good condition. Light overall age-toning with scattered foxing and mild surface wrinkling. Embossed and foil…seals remain present and largely intact, with minor rubbing from handling. Original fold lines visible from storage. Edges and corners show light wear, including a small close tear of approximately 0.5" along the lower left margin of one document. RW Consignment. Shelved at Rockville, Room A, General Ephemera Part 2. These writs, executed by clerks such as Fairlie & Bloodgood and Breese, summon parties in a variety of civil cases, most involving debt and judgment: 1. Montgomery Co., 1808 -Partially printed writ of summons, with Arthur Breese named as clerk (printed), bearing the gilt seal of the New York Supreme Court. Summons Timothy Moors to answer in a case brought by John Haggerty and David Austin, leading New York auctioneers who together operated the powerhouse firm Haggerty & Austin, dominant in city auction circles in the early 19th century. Attorney listed as "T Sill" (Theodore Sill, partner to Thomas Ruggles Gold). A vivid example of the Court's extension into upstate counties through its Utica office. 2. Cortland Co., 1809 - writ of summons for Samuel Sheldon in a case brought by John Bissell, likewise partially printed, with Arthur Breese named as clerk (printed), with gilt seal. Attorney named as "Theodr. Sill" (Theodore Sill, partner to Thomas Ruggles Gold) 3. Montgomery Co., 1805 - Partially printed writ which names James Fairlie and Francis Bloodgood as clerks (printed). Summons Jonas Dillingback and names attorneys Gold & Sill (Thomas Ruggles Gold and Theodore Sill of Whitesboro), a distinguished Federalist political duo and influential legal partners. 4. Albany Co., 1806 - Fully manuscript writ of execution, signed as Fairlie and Bloodgood (clerks), demanding that the Sheriff enforce payment by Joseph Lyon to Thomas and Garrit Storm. The Storms were members of a prominent New York mercantile family; Thomas Storm (1748-1833) served as Speaker of the New York Assembly (1802-03). Attorney of record: "Graham." 5. Washington Co., 1809 - manuscript writ of summons, signed as Fairlie, Bloodgood, and Breese (in what appears to be at least two distinct hands), naming J. Russell as attorney, summoning Absalom Daley and William Johnson to answer Simon Willard. The documents show the transition from fully manuscript legal process to printed blanks filled in by clerks, and bear the signatures of early Supreme Court clerks: James Fairlie, Harmanus Bleecker Bloodgood, and Arthur Breese. James Fairlie (1757-1830): Revolutionary War officer (served as aide-de-camp to General Steuben), later Clerk of the New York Supreme Court of Judicature for the New York City office (1798-1820). Prominent in Federalist circles, he was also a Regent of the University of the State of New York. His long tenure as clerk makes his name common on early 19th-century Supreme Court writs. Francis Bloodgood (1775-1840): Clerk of the New York Supreme Court of Judicature at Albany (1797-1825) and later served twice as Mayor of Albany. A central figure in Albany's legal and civic world, his career spanned both law and politics, and he is remembered for helping administer the highest state court during a formative period. Arthur Breese (1770-1825): Princeton graduate (1790), lawyer, and influential in Oneida County politics. Appointed Clerk of the New York Supreme Court at Utica in 1808, overseeing the new western division of the court until his death in 1825. He was the father of Sidney Breese, later U.S. Senator from Illinois and Chief Justice of the Illinois Supreme Court. His clerkship marked the expansion of the state's judicial system into western New York. 1402716. Special Collections - Upstairs.
Some Girls Do (Original screenplay for the 1969 film)
Ralph Thomas (director); David D. Osborn, Liz Charles-Williams, Herman C. McNeile, Gerard Fairlie (screenwriters); Richard Johnson, Dallah Lavi, Beba Loncar, James Villiers (starring)
Verlag: United Artists, Beverly Hills, CA, 1968
- Softcover
- Manuskript//Papierbasiertes Sammlerstück
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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In den WarenkorbDraft script for the 1969 film. Copy belonging to producer James H. Ware with his name and annotations, in manuscript ink and pencil throughout. Ware was a major presence in British and American cinema, best known for his work on "Beat the Devil" (1953), "Room at the Top" (1959), "Our Man in Havana" (1959), "Charade" (1963), and… "The Spy Who Came in from the Cold" (1965). Following the success of the James Bond series of the 60s, studios resurrected the Bulldog Drummond character, this being the second of the revamp after 1967's "Deadlier Than the Male." Drummond uncovers a plot where a criminal mastermind, aided by robots in form of beautiful women, will receive eight million pounds if an experimental plan doesn't launch on time. Set in Spain and London, shot on location in Catalonia, Spain and at Pinewood Studios in London. Orange blank wrappers with die cut title window in the British style. Title page present, dated May 1968, with credits for screenwriters David Osborn, and Liz Charles-Williams. 129 leaves, with last page of text numbered 127. Mechanical duplication, with salmon revision pages throughout, dated May 30, 1968. Pages Very Good plus, wrapper Very Good bound internally with two gold brads.
Verlag: Both items published by The Frederick Harris Company London. 'An Irish Cradle Song' from 85 Newman Street Oxford Street W 'The Lake Isle of Innisfree' from 40 Berners Street London W1. 1917, 1914
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In den WarenkorbBoth items in good condition, lightly aged and worn. Excessively scarce, with COPAC only listing one copy (at the British Library) of both items. ONE: 'An Irish Cradle Song. Words by W. B. Yeats. From Poems by W. B. Yeats, published by T. Fisher Unwin'. [1914.] 5 + [1]pp., folio. Title page carries the gaelic motto: Goth yani me… von gilli beg, | N heur ve thu more a creena. TWO: 'The Lake Isle of Innisfree. Words by W. B. Yeats'. [1917.] 5 + [1]pp., folio. Illustration of tree on bank of lake on front cover. The back covers of both items carry the first page of music of Tennant's arrangement of Tennyson's 'Now Sleeps the Crimson Petal', published by the same firm in 1912. According to Tennant's son Hugh Kendall, his mother saw herself as 'one of the first women composers. She studied under Nadia Boulanger in Paris, and subsequently in Munich (1904-1907).' Sheena Lilian Grant Tennant (hereafter ST) came from a privileged Scottish family, being the youngest of the six children (five daughters and a son) of the wealthy industrialist James Tennant of Fairlieburne, Fairlie, Argyllshire, a nephew of Sir Charles Tennant of the Glen (father of Margot Asquith, wife of British Prime Minister H. H. Asquith, who was hence James Tennant's cousin). Beginning as a partner in the Glasgow chemical manufacturers Charles Tennant & Co., James Tennant became director of companies including United Alkali Co, North Eastern Electric Supply Co, and Eastern Paper Mills Co. ST was educated at Cheltenham Ladies' College, studied music composition in Paris under Nadia Boulanger (1887-1979), and at the Royal Academy of Music, Munich (1904-1907). She worked during the war and until her marriage as assistant to Major William Byam (1882-1963), Royal Army Medical Corps, at the Royal Society of Tropical Medicine and Hygiene, Euston, and in Hampstead. On 31 July 1919 she married Herbert Moorhouse Kendall (1881-1941) of the P & O, previously of the 3rd Duke of Cornwall's Light Infantry.
