Fabricius jacob (64 Ergebnisse)

Paperback. Zustand: As New. No Jacket. Complete 2 volume set. A clean copy in excellent condition, appears unread. Still wrapped in plastic. Secure packaging for safe delivery.

Paperback. Zustand: Very Good. Paperback. A few marks and scores on covers. Front upper and rear lower leading corners are slightly creased. Spine foot is very lightly worn. Binding is intact, contents are clean and clear. AM. Used.

Softcover. Zustand: Fine. Leichte Gebrauchsspuren; Leichte Verschmutzung / Farbtonveränderung. Paperback, with articles published variously in German, English, Finnish and Japanese (with English-language translations of all). Minor wear on spine ends, leading corners and lower edges; one or two very minor scuffs on page block. All content is clear and pages are sound and clean. TS.…

Paperback. Zustand: Very Good+. First Edition. Color Photographs; 8vo 8" - 9" tall; 93 pages; 2009 Pork Salad Press. Trade size paperback in glossy pictorial covers. 1st edition. Tightly bound and neat with just a hint of edge wear at the corners. Contents clean and bright, with no marks. Illustrated with color photos. VG+. …

Paperback. Zustand: As New. No Jacket. A clean copy in excellent condition, appears unread. Clean collectible condition. Gift Quality. Never opened. Secure packaging for safe delivery.

Paperback. Zustand: Very Good. Softcover. Overall very good condition. Cover is glossy. Corners are squared and binding is tight. Pages are crisp and clean. Title page is not dated. Copyright is dated 2015. 44 pages. We ship every day from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described. Please contact us with questions or if you would like to see photographs.…

[14] pp.; 20.6 x 14.6 cm.; staple bound; black-and-white & color; edition size 1000; unsigned and unnumbered; offset-printed Artist's book / exhibition catalogue published in conjunction with show held at Herning Kunstmuseum, Herning, Denmark, June 4 - August 15, 2004. Curated by Jacob Fabricius. Texts in English and Danish. "A companion to Danes in the Sun, the newspaper produced for Socle du Monde Biennial in Herning 2004, Finding Photographs is a poetic manifesto/descriptive workbook on my general approach to found photography. Using sample photographs from previous projects and exhibitions, I discuss the logistics behind my gathering and organizational methods, arguing for the circulation of culture and claiming the 'spaces between photographs' to be my work." -- artist's statement. Very Good / Fine. Light bumping of corners with minimal rubbing of covers. Otherwise Fine, clean and unmarked. …

Broschur / Softcover. 1. Aufl. Text: English (Verlagsfrisch! / new) Sprache: Englisch Gewicht in Gramm: 600.

Hardcover. Zustand: Very Good. Hardcover (no jacket) in very good condition. Danish and English text throughout. Minor marks, scores and marks on the hardcover; bumps to the leading edges. Binding is sound; text and images are clear. CM. Used.

Tapa blanda. Zustand: Como nuevo. Douglas Hyde Gallery, 2002 Texto en ingles. Tapa blanda de editorial ilustrada Profusamente ilustrado. Como nuevo. Formato apaisado. 18 x 26 Cm. Libro.

Broschur / Softcover. 1. Aufl. Exhibition: Krakow, Bunkier Sztuki. - / Leopold Kessler has revealed new possibilities for art in the public space. He has shown that every activity, even the most mundane and the most banal, can be changed into doing art. According to him, art is not something external to everyday reality; on the contrary, it lurks in the byways and crannies of that reality, waiting for someone to bring it out. - Leopold Kessler uses several methods to bring it out. These include irony, modesty, the cunning instincts of people on the margins, and also the ethical gesture. . / Sprache : Englisch, Polnisch (Sehr gut erhalten - NEU, ungelesen / in very good condition - new) Sprache: Englisch Gewicht in Gramm: 750.…

Zustand: Good. 2002, paperback, goed exemplaar.

Hardback. Zustand: New. What does "family" mean today? Which notions and prejudices come to light with it? How is modern family life shaped these days? In her project A Real Danish Family, the British artist Gillian Wearing asks these questions in ways that are both artistic and thought-provoking. The eponymous sculpture portrays a Danish family selected from 492 participating families of the most diverse composition. The exhibition Family Stories, which will open when the sculpture is unveiled in the National Gallery of Denmark (SMK) in Copenhagen and was initiated and produced by Kunsthal Arhus, also revolves around the family as the crystallization point for inter-human relationships. Photographs, videos, and sculptures explore relatedness and identity, and include the artist's own family as an example. In a series of "self-portraits" the artist uses masks to slip into the roles of her siblings, parents, and grandparents. The publication examines Wearing's work and the theme of the family through the lens of art history, and traces the course of A Real Danish Family, a project that boldly questions patterns of thought in society.Exhibition: 13 October 2017-7 January 2018, Statens Museum for Kunst, Kopenhagen. …

Zustand: New.

Taschenbuch. Zustand: Sehr gut. Gebraucht - Sehr gut Ungelesen, vollständig, sehr guter Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Kim Beom initiates the culture year for Denmark and South Korea with the solo exhibition Water from Ganges River in the Cup Made with Newspaper from Congo at Kunsthal Aarhus. The artist shows a series of new works that combine existential questions with poetic playfulness. The paintings, sculptures, installations, and videos show a broad range of work that challenge our perception. With slight changes of perspective, his objects reflect a complex world view. 128 pp. Englisch, Dänisch, Nicht zu entscheiden.…

Zustand: As New. Unread book in perfect condition.

Kl.8° , Broschur. 191 Seiten; das Buch ist in einem sehr guten Zustand. 9783775745109 Sprache: Englisch Gewicht in Gramm: 261.

Taschenbuch. Zustand: Neu. Neuware -Partizipation und Zufall als kuratorisches PrinzipDie künstlerische Praxis von Hannes Egger (geb. 1981, lebt und arbeitet in Meran, Italien) ist geprägt von einem konzeptionell-partizipativen Ansatz, bei dem die Aktionen der Teilnehmenden oft selbst zum Kunstwerk werden. Thomas Sterna (geb. 1958, lebt in Meran und Frankfurt/Main) beschäftigt sich mit den Bedingungen autonomer künstlerischer Produktion und hinterfragt deren gesellschaftliche und politische Grundlagen.In ihrem gemeinsamen Projekt Win-Win Lottery nutzten sie das Losverfahren - ein seit der Antike bewährtes Mittel demokratischer Auswahl - als kuratorisches Prinzip. Während der documenta fifteen mieteten sie einen Projektraum im KulturBahnhof Kassel. Statt einer Jury entschied der Zufall: Künstler\*innen, Kurator\*innen und Ausstellungsmacher\*innen konnten Lose erwerben und in vier Ziehungen wurden 13 Gewinner\*innen ermittelt, die den Raum frei gestalten durften. Die resultierenden Ausstellungen waren überraschend vielfältig und brachen häufig mit konventionellen Kunstvorstellungen und Bewertungsmaßstäben.Mit Texten von Hans Dieter Huber und Larissa Kikol, einem Interview mit den beiden Künstlern von Katinka Fischer und einem Gespräch zwischen Hannes Egger, Dan Perjovschi, Farid Rakun (ruangrupa), Thomas Sterna und Judith Waldmann.Participation and Chance as Curatorial PrincipleThe artist Hannes Egger's (b. 1981; lives and works in Merano, Italy) practice is informed by a conceptual and participatory approach in which the attendees' active engagement often become a work of art in its own right. Thomas Sterna (b. 1958; lives in Merano and Frankfurt/Main) grapples with the conditions of autonomous artistic production and interrogates its social and political premises.In their joint project Win-Win Lottery, the two used the drawing of lots-a technique of democratic selection that has been employed successfully since antiquity-as a curatorial principle. They rented a project space at KulturBahnhof Kassel for the duration of documenta fifteen. Instead of a jury, they had chance decide: artists, curators, and exhibition organizers were invited to buy lottery tickets, and thirteen winners were selected in four drawings who were then free to do with the room as they pleased. The resulting exhibitions were surprisingly diverse and often defied conventional ideas about art and standards of its quality.With writings by Hans Dieter Huber and Larissa Kikol, an interview with the two artists by Katinka Fischer, and a conversation between Hannes Egger, Dan Perjovschi, Farid Rakun (ruangrupa), Thomas Sterna, and Judith Waldmann. 416 pp. Englisch.…

Zustand: Wie Neu. Zustandsbeschreibung: leichte Lagerspuren/near mint. Dänisch/Englisch. Edited by Jacob Fabricius and Cecilie Høgsbro Østergaard. Translations by René Lauritsen. Graphic design by Spassky Fischer. Including texts by Mikkel Bogh and Jacob Fabricius, and a conversation between the artist and Marianne Torp. On occasion of the exhibition at Statens Museum for Kunst, Kopenhagen, 13. Oktober 2017-7. Januar 2018. Fotografien, Videoarbeiten und Skulpturen untersuchen Verwandtschaft und Identität, auch anhand der Familie der Künstlerin selbst. Die Publikation arbeitet Gillian Wearings Werk sowie das Thema Familie kunsthistorisch auf und zeichnet den Verlauf des Projekts A Real Danish Family nach, das gesellschaftliche Denkmuster auf kühne Weise hinterfragt. 94 Seiten mit 49 Abb., Großformat, gebunden (Hatje Cantz 2017). Früher EUR 35,00. Gewicht: 674 g - Gebunden/Gebundene Ausgabe.…

Taschenbuch. Zustand: Neu. Neuware -Partizipation und Zufall als kuratorisches PrinzipDie künstlerische Praxis von Hannes Egger (geb. 1981, lebt und arbeitet in Meran, Italien) ist geprägt von einem konzeptionell-partizipativen Ansatz, bei dem die Aktionen der Teilnehmenden oft selbst zum Kunstwerk werden. Thomas Sterna (geb. 1958, lebt in Meran und Frankfurt/Main) beschäftigt sich mit den Bedingungen autonomer künstlerischer Produktion und hinterfragt deren gesellschaftliche und politische Grundlagen.In ihrem gemeinsamen Projekt Win-Win Lottery nutzten sie das Losverfahren - ein seit der Antike bewährtes Mittel demokratischer Auswahl - als kuratorisches Prinzip. Während der documenta fifteen mieteten sie einen Projektraum im KulturBahnhof Kassel. Statt einer Jury entschied der Zufall: Künstler\*innen, Kurator\*innen und Ausstellungsmacher\*innen konnten Lose erwerben und in vier Ziehungen wurden 13 Gewinner\*innen ermittelt, die den Raum frei gestalten durften. Die resultierenden Ausstellungen waren überraschend vielfältig und brachen häufig mit konventionellen Kunstvorstellungen und Bewertungsmaßstäben.Mit Texten von Hans Dieter Huber und Larissa Kikol, einem Interview mit den beiden Künstlern von Katinka Fischer und einem Gespräch zwischen Hannes Egger, Dan Perjovschi, Farid Rakun (ruangrupa), Thomas Sterna und Judith Waldmann.Participation and Chance as Curatorial PrincipleThe artist Hannes Egger's (b. 1981; lives and works in Merano, Italy) practice is informed by a conceptual and participatory approach in which the attendees' active engagement often become a work of art in its own right. Thomas Sterna (b. 1958; lives in Merano and Frankfurt/Main) grapples with the conditions of autonomous artistic production and interrogates its social and political premises.In their joint project Win-Win Lottery, the two used the drawing of lots-a technique of democratic selection that has been employed successfully since antiquity-as a curatorial principle. They rented a project space at KulturBahnhof Kassel for the duration of documenta fifteen. Instead of a jury, they had chance decide: artists, curators, and exhibition organizers were invited to buy lottery tickets, and thirteen winners were selected in four drawings who were then free to do with the room as they pleased. The resulting exhibitions were surprisingly diverse and often defied conventional ideas about art and standards of its quality.With writings by Hans Dieter Huber and Larissa Kikol, an interview with the two artists by Katinka Fischer, and a conversation between Hannes Egger, Dan Perjovschi, Farid Rakun (ruangrupa), Thomas Sterna, and Judith Waldmann. 416 pp. Englisch.…

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 164 pp., 126 ills. - This book focuses on the presentation of gestures, the theatricality of objects and bodies in both staged settings and in everyday life. Artists Kutlug Ataman, Iñaki Bonillas, Gerard Byrne, Jay Chung & Q Takeki Maeda, Rodney Graham, Hilary Lloyd, Kirsten Pieroth, and Susanne M. Winterling employ a variety of media to document the subtle and staged gestures that characterize identity and gender. …

First Edition. 29 x 23 cm 151 pp with colour and b&w illustrations throuhout. Paperback, a fine copy, with a signed dedication by the artist to title page.

Hardcover. Zustand: Brand New. 494 pages. 54.00x38.00x8.74 inches. In Stock.

Taschenbuch. Zustand: Sehr gut. Gebraucht - Sehr gut Ungelesen, vollständig, sehr guter Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Kim Beom initiates the culture year for Denmark and South Korea with the solo exhibition Water from Ganges River in the Cup Made with Newspaper from Congo at Kunsthal Aarhus. The artist shows a series of new works that combine existential questions with poetic playfulness. The paintings, sculptures, installations, and videos show a broad range of work that challenge our perception. With slight changes of perspective, his objects reflect a complex world view. 128 pp. Englisch, Dänisch, Nicht zu entscheiden.…

Encuadernación de tapa blanda. Zustand: Nuevo. Un amplio estudio sobre la filosofía desde la Antigüedad griega hasta la Alemania del siglo XIX y principios del XX. Este estudio de la filosofía natural europea parte de las concepciones clásicas de Mente, Alma, Naturaleza e Inconsciente, y analiza su resurgimiento en la filosofía natural del Renacimiento y del siglo XVII. El concepto de Inconsciente adquirió gran importancia en los sistemas de los biólogos vitalistas alemanes y los filósofos idealistas del siglo XIX. Jacob muestra cómo estos diversos pensadores, así como los filósofos románticos alemanes, y especialmente Schubert, Carus, Schopenhauer y Hartmann, no solo revivieron las antiguas doctrinas del alma en sus esquemas metafísicos, sino que también anticiparon las teorías psicológicas de Jung, quien, como psicólogo y filósofo, constituye el punto culminante de la obra. En el Apéndice, el autor señala las bases filosóficas naturales de los debates sobre las diferencias raciales que surgieron en el siglo XIX junto con las investigaciones sobre las capacidades espirituales de la humanidad. EAS 2026 - PÁGS: 295 TAMAÑO: 150 x 210 mm RÚSTICA EN FRESADO Y RETRACTILADO CON SOLAPAS COMPRAR Prólogo a la edición española, por Sebastián Fabricius Prefacio I. Idealistas griegos Platón - Aristóteles - Los estoicos - Plotino II. Idealistas del Renacimiento Nicolás de Cusa - Ficino - Bruno - Agripa - Paracelso - Böhme III. Idealistas ingleses More - Cudworth - Berkeley IV. Vitalistas alemanes I Stahl - Treviranus - Burdach V. Vitalistas alemanes II Müller - Fechner - Lotze VI. Idealistas alemanes I Schelling - Eschenmayer - Hegel VII. Idealistas alemanes II Baader - Görres - Troxler VIII. Filósofos del inconsciente I Schubert - Carus IX. Filósofos del inconsciente II Schopenhauer - Hartmann X. Filósofos del inconsciente III Nietzsche - Klages - Jung Epílogo Apéndice: La naturaleza, el inconsciente y la raza Bibliografía 25 EUR.…

Softcover. Zustand: Sehr gut. 1. Auflage. Z : Softcover, dust jacket, 160 pages, 140 color illustrations - Marine Hugonnier's work, which she describes herself as "a politics of vision," is rooted in the observation of the fact that what we apprehend visually depends on the point of view we adopt. The artist explores, at the border of documentary and fiction, the various modalities of cinema and deals with ethical issues associated with the production of images, specifically moving images. The films she produces are usually presented as installations that evolve according to the exhibition venue. Widely distributed in film festivals, they now exceed the strict context of contemporary art to reach the field of visual anthropology. …

Taschenbuch. Zustand: Neu. Neuware - Partizipation und Zufall als kuratorisches PrinzipDie künstlerische Praxis von Hannes Egger (geb. 1981, lebt und arbeitet in Meran, Italien) ist geprägt von einem konzeptionell-partizipativen Ansatz, bei dem die Aktionen der Teilnehmenden oft selbst zum Kunstwerk werden. Thomas Sterna (geb. 1958, lebt in Meran und Frankfurt/Main) beschäftigt sich mit den Bedingungen autonomer künstlerischer Produktion und hinterfragt deren gesellschaftliche und politische Grundlagen.In ihrem gemeinsamen Projekt Win-Win Lottery nutzten sie das Losverfahren - ein seit der Antike bewährtes Mittel demokratischer Auswahl - als kuratorisches Prinzip. Während der documenta fifteen mieteten sie einen Projektraum im KulturBahnhof Kassel. Statt einer Jury entschied der Zufall: Künstler\*innen, Kurator\*innen und Ausstellungsmacher\*innen konnten Lose erwerben und in vier Ziehungen wurden 13 Gewinner\*innen ermittelt, die den Raum frei gestalten durften. Die resultierenden Ausstellungen waren überraschend vielfältig und brachen häufig mit konventionellen Kunstvorstellungen und Bewertungsmaßstäben.Mit Texten von Hans Dieter Huber und Larissa Kikol, einem Interview mit den beiden Künstlern von Katinka Fischer und einem Gespräch zwischen Hannes Egger, Dan Perjovschi, Farid Rakun (ruangrupa), Thomas Sterna und Judith Waldmann.Participation and Chance as Curatorial PrincipleThe artist Hannes Egger's (b. 1981; lives and works in Merano, Italy) practice is informed by a conceptual and participatory approach in which the attendees' active engagement often become a work of art in its own right. Thomas Sterna (b. 1958; lives in Merano and Frankfurt/Main) grapples with the conditions of autonomous artistic production and interrogates its social and political premises.In their joint project Win-Win Lottery, the two used the drawing of lots-a technique of democratic selection that has been employed successfully since antiquity-as a curatorial principle. They rented a project space at KulturBahnhof Kassel for the duration of documenta fifteen. Instead of a jury, they had chance decide: artists, curators, and exhibition organizers were invited to buy lottery tickets, and thirteen winners were selected in four drawings who were then free to do with the room as they pleased. The resulting exhibitions were surprisingly diverse and often defied conventional ideas about art and standards of its quality.With writings by Hans Dieter Huber and Larissa Kikol, an interview with the two artists by Katinka Fischer, and a conversation between Hannes Egger, Dan Perjovschi, Farid Rakun (ruangrupa), Thomas Sterna, and Judith Waldmann.…

Soft cover. Zustand: Good. Front and back covers are stained; text block is stained, corners and edges are bumped, edges of the pages are slightly tanned, solidly bound and internally unmarked.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 192 pages, 146 color & 20 b/w illustrations - This reference monograph, realized in close collaboration with the artist, presents a 10-year overview of Walead Beshty's approach to photographic and sculptural representation. Alongside with new commissioned essays by Suzanne Hudson, Nicolas Bourriaud, as well as a conversation between Bob Nickas.…

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 192 pages, 146 color & 20 b/w illustrations - This reference monograph, realized in close collaboration with the artist, presents a 10-year overview of Walead Beshty's approach to photographic and sculptural representation. Alongside with new commissioned essays by Suzanne Hudson, Nicolas Bourriaud, as well as a conversation between Bob Nickas.…