F hutcheson (11 Ergebnisse)

Paperback. Zustand: Brand New. 57 pages. 8.00x5.00x0.15 inches. In Stock.

Zustand: Very Good. . Hardcover. Clean copy in green cloth covers with gilt title to front and spine. Covers showing some light shelf wear. Signed by the author with an inscription to the previous owner. Remains a very good copy. . . . . Books ship from the US and Ireland.

Zustand: Very Good. . Hardcover. Clean copy in green cloth covers with gilt title to front and spine. Covers showing some light shelf wear. Signed by the author with an inscription to the previous owner. Remains a very good copy. . . . .

Environmental Qualitiy and Safety Supplement Volume I. Thieme Publ. Stuttgart. 1975. 120 S. gr.8. M. 12 Figures und 44 Tables. Pp.-2)englisch. ISBN: 0122270614.

Leinen/Cloth. Zustand: Sehr gut. Facsimile. 319 p./S. Sehr guter Zustand. Nur Band 4. Minimale Lager- bzw. Gebrauchsspuren. / Very good. Volume 4 only. Minimal wear. Altdeutsche Schrift / Fraktur. Sprache: Deutsch Gewicht in Gramm: 610.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:9024715458.

Zustand: New. In English.

Bristol, Thoemmes, 1989. (XIV) 123 pp. Cloth. *good condition*.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - THE SENSE OF BEAUTY: A FIRST APPROXIMATION It is generally acknowledged that during the first half of the eighteenth century a profound change was wrought in the theory of art and natural beauty. To this period we owe the establishment of the modem system of the arts. 1 In England, the notion of a separate and autonomous disci pline devoted solely to art and to beauty came into being through the concept of 'aesthetic disinterestedness. ' 2 In addition, emphasis in the theory of art shifted from object to subject - from the work of art to the perceiver and critic. Focal point for this change was the sense of beauty which, in concert with the moral sense of the British school, represented a dominant force in Enlightenment value theory. It is Francis Hutcheson who, more than anyone else, can be thought of as the founder and principal spokesman of this philosophical coterie. If the aesthetic sense was instrumental in the transfer of interest, in the philosophy of art, from object to perceiver, the aesthetic and moral senses together were no less important in a parallel transference of value judgment from the rational to the sensate.…

Zustand: gut. 2001. The Reception of British Aesthetics in Germany, Seven Significant Translations, 1745-1776 - volume 4 : Untersuchung unsrer Begriffe von Schönheit und Tugend in zwo Abhandlungen. In englischer Sprache. pages.

The Hague, Nijhoff, 1971. (X) 128 pp. Cloth + dustjacket. Bibliography. (IAHI, 46) *dustjacket a bit discoloured, otherwise in good condition*.