f c de sumichrast (23 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

First Edition. Near fine copy in the original publisher's cloth with a paper label to the spine, edges very slightly toned. Corners sharp with an overall tight, bright and clean impression. Physical description; 344 pages. Subjects; Théophile Gautier (1811-1872). Collected Works. Portraits. 3 Kg.

Unknown Binding. Zustand: Good. 1940 reprint on green soft covers - FAST Despatch by First Class Royal Mail.

Hardcover. Zustand: Good. First edition thus. 8vo. Ex Library. Part of paper label on spine missing. Number 470 of a limited edition. Book.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. First Edition Thus; First Printing. Clean hardback tightly bound in red cloth with a chipped paper title label to the spine, cloth has minor rubbing at corners, no inscriptions. Several gatherings uncut, so has never been read. [vi] + 344 pages, introduction by the editor, tissue-guarded frontispiece & 4 plates. Volume 12 of 'The works of Theophile Gautier'.

Hardcover. Zustand: Very Good. No Jacket. This is a tight clean copy. 367pp. A digital photo can be made available.

Hardcover. Zustand: Good. First edition thus. 8vo. Ex Library Limited edition cracking hinge. Book.

Zustand: New. KlappentextrnrnExcerpt from The Works of Theophile Gautier Volume Thirteen Travels in Russia, Vol. 1The chief centres were in no wise attractive, and a trip in one of these conveyances was something to be long remembered by those who had.

Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Gebunden. Zustand: New.

Gebunden. Zustand: New.

Blue Cloth. Zustand: Very Good +. Zustand des Schutzumschlags: No Dust Jacket. Forty B/W Illustrations [plates] (illustrator). First Edition. 63 Pp + 40 Plates At End. Original Blue Cloth, Dark Blue Lettering, Brown Endpapers, With Piece Of Tapa Bark Cloth Laid In Loosely. Inscribed From Artist And Designer Herman Sachs To His Friend The Artist Pasquale Napolitano, Dated 1925, And With Napolitano's Ownership Signature Dated Christmas 1925. Born In Romania To Jewish Parents, Herman [Hermann] Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father, A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe, Spending The 1910S In Germany, Where He Founded The Munich School Of Expressionists (Munich Expressionist Werkstätten). Upon Returning To The United States In 1920, Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School, Which Soon Failed Due To Lack Of Sufficient Funding. Afterward, Sachs Became The First Director Of The Dayton Museum Of Fine Arts, Now The Dayton Art Institute. During This Time, He Also Served As The U.S. Representative Of Artist George Grosz. Around 1925, Sachs Moved To Los Angeles To Design The Interiors Of The New Gas Company Building. As A Muralist And Decorator, Sachs Went On To Design And Decorate The Interiors Of Many Los Angeles Landmarks, Including The Bullocks Wilshire Building (Now Home To Southwestern Law School), Union Station, Los Angeles City Hall, And The Title Insurance And Trust Company Building. An Educator As Well As An Artist, Sachs Also Directed The Creative Art Students League Of Los Angeles. Sachs Was Active Within The L.A. Weimar Exile Community Of Artists, Writers, And Filmmakers. His Friend, The Architect Rudolph Schindler, Designed Sachs' L.A. House, The Manola Court Apartments. Sachs Gifted And Inscribed Many Books To Napolitano, An Artist Who Is Better Known For His Commissioned Murals And Paintings In Southern California; Napolitano Worked With Sachs In The 1920'S, Including Bullocks Wilshire Among Many Other Buildings, And Was The Subject Of A 1935 Book By Merle Armitage, For Whom Napolitano Later Illustrated Many Books.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.