Verlag: Bernard Quaritch, London, 1902,, 1902
Anbieter: BRIMSTONES, Lewes, Vereinigtes Königreich
Signiert
EUR 87,52
Anzahl: 1 verfügbar
In den WarenkorbSoft cover. Zustand: Good. softback, large 4to, vi,84pp text, frontispiece and 74 plates, signed by the author on endpaper, inscribed to Oliver Baker, 3 photos pasted in and 6 laid in of the author and of Parham, plain card covers, spine backstrip detached, overall Good condition. Signed by Author(s).
Verlag: Paris: Photo-Club de Paris, 1894
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Erstausgabe
Zustand: Good. Folio. First edition, one of 470 numbered copies on papier blanc du Marais from the total edition of 500, folio (40.2 x 28.2cm), original wrappers, [10] pp., 66 heliogravures on 56 sheets, printed in various colour tints, with captioned tissue-guards tipped in.Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality. This overview of their first exhibition includes photographs by leading figures including Alfred Stieglitz, James Craig Annan and Rudolf Eickemeyer Jr, and numerous others. Printers incluce L'Imprimerie Chaix, Georges Petit Gallery (supplied, of Paris), T. Fillon/LeMercier & Cie (Paris), Richard Paulussen (Vienna), James Craig Annan (Glasgow), Paul Dujardin (Paris), J. Blechinger (Austria).t69 of the photographers accepted for this first exposition were from France but the material included was highly international. There were 30 photographers from Great Britain including Scotland and the Isle of Wight; Austria had 17 followed by Belgium and Holland with ten. Nine were from America: including Emilie Clarkson, John Bullock, John Dumont, Rudolph Eickemeyer, Emma Farnsworth, Clarence Moore, William Post, Robert Redfield and Alfred Stieglitz. Works from Germany, Italy, Spain, Russia and Switzerland were hung. Algeria was represented by at least one photograph by the Frenchman Emile Frechon. The work of the deceased, but influential, British photographer Julia Margaret Cameron (1815-1879) was acknowledged by the exposition committee members and she had an unknown number of works accepted for hanging.OCLC number 889431269; Met Watsonline record number b12671320. .
Verlag: The Camera Club of New York, New York, 1903
Anbieter: Andrew Cahan: Bookseller, Ltd., ABAA, Akron, OH, USA
Hand-pulled photogravure, 6 1/16 x 47/16 inches [15.40 x 11.27 cm]. Printed on copper plate paper, 10 3/4 x 7 1/2 inches [27.31 x 19.05] with printed tissue guard. There is a single library stamp beneath the image on the blank margin. Near fine. The image is a fine, full-tone photogravure from CAMERA NOTES: January 1900, Volume 3, Number 3. Eustace G. Calland (1871 - 1951) an electrician by trade, joined the Linked Ring in 1902 and took the pseudonym "Electricia." The composition of this photograph, The Mall, was considered radical - the placement of the tree bisected the frame. Stieglitz appreciated Calland's unorthodoxy, and presented it as a photogravure in CAMERA NOTES.