Esser heribert (19 Ergebnisse)

Softcover. 2 Briefe A4. Einer davon handschriftlich unterzeichnet von Esser. Brief des Antiquariats als Durchschlag. Auf dem Brief von Esser in Bleistift eine eigenhändig vorformulierte Antwort in Bleistift von Carl Wegner. Gelocht und gut erhalten. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Wenn es draußen stürmt, können Sie es sich mit einem guten Buch gemütlich machen und ein warmes Getränk dazu genießen. Bei uns finden Sie die passende Lektüre! -- Wir kaufen Ihre werthaltigen Bücher! WidmO. …

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:9780195151510.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

xvi, 101 S. Gr. 8°. Oln. Schutzumschlag. Mit eigenh. Angebotsbrief und Widmung auf Vorsatz des Verfassers Sprache: Englisch Gewicht in Gramm: 400.

9 x 13 cm. 1 Bl. Heribert Esser (* 12. Januar 1929 in Rheinhausen) ist ein deutscher Dirigent und Hochschullehrer. 1962 in Braunschweig zum Generalmusikdirektor ernannt, war er von 1987 bis 1994 Inhaber des Elder Chair of Music am Elder Conservatorium der University of Adelaide. Zuletzt leitete er das Philharmonische Staatsorchester Halle. (Wikipedia) Sprache: deutsch.…

Zustand: New.

Paperback. Zustand: New. Heinrich Schenker's The Art of Performance shows this great music theorist in a new light. While his theoretical writings helped transform music theory in the twentieth century, this book draws on his experience as a musician and teacher to propose a sharp reevaluation of how musical compositions are realized in performance. Filled with concrete examples and numerous suggestions, the book will interest both music theorists and practicing performers. Schenker's approach is based on his argument that much of contemporary performance practice is rooted in the nineteenth-century cult of the virtuoso, which has resulted in an overemphasis on technical display. To counter this, he proposes specific ways to reconnect the composer's intentions and the musician's performance. Schenker begins by showing how performers can benefit from understanding the laws of composition. He demonstrates how a literal interpretation of the composer's indications can be self-defeating, and he provides a lively discussion of piano technique, including suggestions for pedal, sound color, orchestral effects, and balance. He devotes separate chapters to non-legato, legato, fingering, dynamics, tempo, and rests. In addition to the examples for pianists, Schenker covers a number of topics, such as bowing technique, that will prove invaluable for other instrumentalists and for conductors. The book concludes with an aphoristic and sometimes lyrical chapter on practicing. After Schenker's death, his student Oswald Jonas prepared the text for publication from Schenker's notes, eventually leaving the manuscript to his stepdaughter, Irene Schreier Scott, who entrusted the work of organizing and editing the disparate material to Jonas's friend and student Heribert Esser. She later translated it into English. This edition is the first publication in any language of this remarkable work.…

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Zustand: As New. Unread book in perfect condition.

Zustand: New. A re-evaluation of how musical compositions are realized in performance, this title argues that much of contemporary performance is rooted in the 19th-century cult of the virtuoso, which has resulted in an overemphasis on technical display. It suggests numerous ways to reconnect the composer's intentions and the musician's performance. Translator(s): Scott, Irene Schreier. Num Pages: 136 pages, 4 halftones, numerous music examples. BIC Classification: AVRG; AVS. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 155 x 9. Weight in Grams: 212. . 2000. Revised ed. paperback. . . . . Books ship from the US and Ireland.…

Paperback. Zustand: New. Heinrich Schenker's The Art of Performance shows this great music theorist in a new light. While his theoretical writings helped transform music theory in the twentieth century, this book draws on his experience as a musician and teacher to propose a sharp reevaluation of how musical compositions are realized in performance. Filled with concrete examples and numerous suggestions, the book will interest both music theorists and practicing performers. Schenker's approach is based on his argument that much of contemporary performance practice is rooted in the nineteenth-century cult of the virtuoso, which has resulted in an overemphasis on technical display. To counter this, he proposes specific ways to reconnect the composer's intentions and the musician's performance. Schenker begins by showing how performers can benefit from understanding the laws of composition. He demonstrates how a literal interpretation of the composer's indications can be self-defeating, and he provides a lively discussion of piano technique, including suggestions for pedal, sound color, orchestral effects, and balance. He devotes separate chapters to non-legato, legato, fingering, dynamics, tempo, and rests. In addition to the examples for pianists, Schenker covers a number of topics, such as bowing technique, that will prove invaluable for other instrumentalists and for conductors. The book concludes with an aphoristic and sometimes lyrical chapter on practicing. After Schenker's death, his student Oswald Jonas prepared the text for publication from Schenker's notes, eventually leaving the manuscript to his stepdaughter, Irene Schreier Scott, who entrusted the work of organizing and editing the disparate material to Jonas's friend and student Heribert Esser. She later translated it into English. This edition is the first publication in any language of this remarkable work.…

Zustand: New.

Hardback. Zustand: New. Illustrated. In this work the author turns his attention to the performer's role, arguing that the cult of the virtuoso has led to an overemphasis on technical display. He discusses specific ways in which performers can better serve the composer's ideas.

Zustand: As New. Unread book in perfect condition.

Zustand: New. In this previously unpublished essay Schenker, one of the most influential music theorists of the twentieth century, turned his attention to the performer's role, arguing that the cult of the virtuoso has led to an overemphasis on technical display and discussing specific ways in which performers can better serve the composer's ideas. Translator(s): Scott, Irene Schreier. Num Pages: 136 pages, 4 halftones, numerous music examples. BIC Classification: AVA; AVS. Category: (P) Professional & Vocational. Dimension: 235 x 160 x 14. Weight in Grams: 358. . 2000. Illustrated. hardcover. . . . . Books ship from the US and Ireland.…

Hardback. Zustand: New. Illustrated. In this work the author turns his attention to the performer's role, arguing that the cult of the virtuoso has led to an overemphasis on technical display. He discusses specific ways in which performers can better serve the composer's ideas.

Berlin, 20. II. 1973, Fol. 1 Seite. Gewicht (Gramm): 20.