Es lumsden (37 Ergebnisse)

Paperback. Zustand: Good. This is the first inexpensive republication of probably the finest work on the techniques of etching, drypoint, soft-ground etching, aquatint, and the allied arts. Lumsden, the renowned etcher, Associate of the Royal Scottish Academy, and author of the article on etching technique in the Encyclopaedia Brittanica (14th edition), was unsurpassed in his knowledge of the methods and the background of the art. His work is invaluable for the absolute beginner as well as for more advanced etchers, who will find it a matchless survey of various techniques and a major sourcebook for the history of their art. Professor Lumsden carefully and clearly explains each step in the creation of an etching, from essential materials to completed proof. Fifty-five figures in the text illustrate each implement and each phase in the process, while 24 annotated plates of etchings by the author exemplify every technique and approach that he discusses. Well acquainted with all the beginner's problems, the author shows you how to prepare etchings at home in the most economical way. He includes many different choices of method and a great variety of recipes and formulas, some dating from medieval times, and many virtually unobtainable elsewhere. His discussion covers grounds and grounding the plate; points, scrapers, burnishers, and gravers; mordants; plan of an etching room; methods of biting; printing; mistakes and their remedy; transferring; aquatint, drypoint, and mezzotint; flattening and mounting; restoring; and every other aspect of etching. In addition to these valuable practical lessons in etching, the book also features a rich historical survey of the art, illustrated by 105 annotated plates, and containing a full description of each artist's oeuvre and techniques. Fullest coverage is given to the central position of Rembrandt (27 plates) and Goya (8 plates), but such men as Callot, Piranese, Durer, Leyden, Hogarth, Blake, Whistler, and 35 others are also included.…

Paperback. Zustand: Fair. This is the first inexpensive republication of probably the finest work on the techniques of etching, drypoint, soft-ground etching, aquatint, and the allied arts. Lumsden, the renowned etcher, Associate of the Royal Scottish Academy, and author of the article on etching technique in the Encyclopaedia Brittanica (14th edition), was unsurpassed in his knowledge of the methods and the background of the art. His work is invaluable for the absolute beginner as well as for more advanced etchers, who will find it a matchless survey of various techniques and a major sourcebook for the history of their art. Professor Lumsden carefully and clearly explains each step in the creation of an etching, from essential materials to completed proof. Fifty-five figures in the text illustrate each implement and each phase in the process, while 24 annotated plates of etchings by the author exemplify every technique and approach that he discusses. Well acquainted with all the beginner's problems, the author shows you how to prepare etchings at home in the most economical way. He includes many different choices of method and a great variety of recipes and formulas, some dating from medieval times, and many virtually unobtainable elsewhere. His discussion covers grounds and grounding the plate; points, scrapers, burnishers, and gravers; mordants; plan of an etching room; methods of biting; printing; mistakes and their remedy; transferring; aquatint, drypoint, and mezzotint; flattening and mounting; restoring; and every other aspect of etching. In addition to these valuable practical lessons in etching, the book also features a rich historical survey of the art, illustrated by 105 annotated plates, and containing a full description of each artist's oeuvre and techniques. Fullest coverage is given to the central position of Rembrandt (27 plates) and Goya (8 plates), but such men as Callot, Piranese, Durer, Leyden, Hogarth, Blake, Whistler, and 35 others are also included.…

Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Very Good. First Edition. First Edition, First Printing. Published by Dover Publications, Inc., 1962. Octavo. Paperback. Book is very good.

paperback. Zustand: VERY GOOD. 376 clean, unmarked, tight pages with light tanning; penciled date on upper front flyleaf; very light shelf and corner wear on cover with remnants of a small sticker on back.

paperback. Zustand: Good. Cover/edges have light wear. Pages are clean/intact.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Zustand: Very Good. First Printing. Contemporary rebinding by book binder, Mort Beck; Hardcover (Red leather spine and tips/gray cloth boards. B&W illustrations, index. 376 pp + ads; 8vo; 376 pages.

Paperback. 376 pages. Text in English. Clean copy with light signs of use to the cover. Surveys the works and methods of major artists and provides instruction in a variety of etching techniques 777g.

hardback. Zustand: Very Good. No Jacket. hardback, revised and enlarged edition, small quarto, blue cloth with paper titles. Faded to spine, the binding tight, lightly pencil inception to the front free endpaper, the text clean and unmarked, a very good copy. B&w plates, some of which are tissue guarded, 179pp.…

Small 4to.; cloth covered boards with title label paste-ons, hardcover; 181 deckled edged pages; black and white illustrations; former owner's torn bookplate on front endpaper, sunned page edges and board edges, and boards are lightly rubbed else very good in a edgeworn, rubbed and sunned dust jacket.…

Zustand: Good. J.B. Lippincott Company Philadelphia, PA 1926 pictorial boards. spine age toned. bookplate residue to front pastedown. previous owner signature to ffep. hinge slightly cracked at page 8081.

Paperback. Zustand: Brand New. 384 pages. 8.25x5.75x0.75 inches. In Stock.

Hardcover. Zustand: Fair. No Jacket. 1st Edition. FIRST U. S. EDITION hardcover, sewn-bound in decorative tan cloth (red stamped lettering and decoration on tan cloth on front cover, and faded same on spine) is in FAIR condition, having corners bumped and worn; tiny circular abrasion at bottom of front cover which has removed corresponing cloth (see photo); as said before red stamping has faded on spine, and there is some darkening; rubbing/scuffing to covers and spine; at back of book are eight pages of advertisements, principally listings of the other books in "The New Art Library Series," of which this is a volume, but there is some tearing to bottom of pages; also, some soiling to the last endpaper section; looks like a much used artist's copy. Book is SIGNED BY PAUL GROESSE in fountain-ink on first free endpaper. Groesse (1906-1987), born in Hungary, was an art director (and production designer) for films, principally at MGM in his earlier years, and then free-lancing. He won three Academy awards for Best Art Direction ("Pride and Prejudice" (1940), "The Yearling" (1946), and "Little Women" (1949), and was nominated for eight films, including "Madame Curie" (1943), "The Music Man" (1962), and "Twilight of Honor" (1963)). Book is illustrated by the author, and also includes many other artist etchings. This book looks to be one of the most thorough ones on the subject, written and often illustrated by Ernest Stephen Lumsden, an etcher and painter, and Associate of the Royal Scottish Academy, and includes technical information on the processes. Art. Etching. Intaglio printmaking. DB[3]. Ernest Stephen Lumsden, et al. (illustrator).…

Zustand: Fair. 1925. No Edition Remarks. 376 pages. No dust jacket. Blue paper covered boards with brown cloth to spine. Black and white illustrated plates throughout. Severe cracking to hinges causing boards to be loose. Pages and illustrations have light tanning and foxing throughout. Pencil inscription to front free endpaper. Frontispiece cut out. Boards have moderate shelf-wear with bumping to corners and rubbing to surfaces. Light tanning to spine and edges with crushing to spine ends. Water staining to front board.…

Zustand: Very good. English. From the Library of Tim Llewellyn, OBE.

New Edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Series: Dover books on art instruction. Physical description: 376p. : ill. ; 21cm. Subjects: Dry-point etching -- Techniques. 1 Kg.

Softcover/Paperback. with 208 illustrations, 376 pages Softcover, abgegriffen, abgerieben, Kanten und Ecken bestossen, schiefgelesen, Leserillen, Seiten gebräunt, wellig, etwas locker in Bindung, kein Schutzumschlag, in englische Sprache, mittlerer Zustand Sprache: Englisch.

Hardcover. Zustand: Good. 1st Edition. The Perambulator in Edinburgh, by James Bone. With pictures by E.S. Lumsden, A.R.S.A. A well produced book with attractive illustrations. Published by Jonathan Cape Limited, London, 1926. First published under the title 'Edinburgh Revisited' in 1911. Enlarged and completely revised with new illustrations and title 1926. First impression. A good blue cloth hardback with printed title label to cover and spine. Cover with some scuffing, and sun discoloration. Soundly bound. With offsetting and spotting to endpapers. Text is bright and clean throughout, with occasional light scattered spotting. With spotting to text block edges. Pages with rough cut edges, as issued. Text in English. Weight approximately 810g unpacked. 179pp + Frontispiece + 15 additional plates (all as called for). Approx Dimensions:  262mm high x 200mm wide x 28mm deep.…

New Edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Series: Dover books on art instruction. Physical description: 376p. : ill. ; 21cm. Subjects: Dry-point etching -- Techniques. 1 Kg.

Hardcover. Zustand: Good. 181 pp. ; illustrated ; 26 cm. ; LCCN: 26-22872 ; OCLC: 788626 ; LC: DA890.E3 ; blue cloth with gold lettering ; foxing ; "Under the title 'Edinburgh revisited' the main part of this book with illustrations by another artist, was published in 1911 i n London." ; stain on page 100 ; marks on page 175 ; else G. Book.…

Hardback. Zustand: Very Good. First Edition. 1925. First edition (a limited edition of 150 copies with four original etchings by Lumsden was also issued). 376pp., frontispiece and 152 other black and white plates, 55 text illustrations, and 16 pages of advertisements. Ernest Stephen Lumsden (1883-1948) was a distinguished painter, noted etcher and authority on etching. In this book he describes the various techniques of intaglio printing using etching, drypoint, mezzotint and aquatint; and tells the history and development of etching through Rembrandt, Goya and the etching revival; and reproduces personal, illustrated notes from several eminent etchers of the period on their techniques including: Marius Bauer, Frank Benson, Muirhead Bone, George Clausen, David Young Cameron, Frank Short, Augustus John, Frank Brangwyn, James McBey, Edmund Blampied, Percy Smith, Christopher Nevinson, Laura Knight, and John Everett. The book is bound in the original grey-brown cloth covered boards with red titling and decoration on the spine and front board. The case of the book is in very good condition with some shelf wear and light soiling to the boards. The titling on the spine is slightly worn and the spine ends are bumped. There is a thin developing split of about 1/2" in the cloth on the top of the rear spine edge. The contents are tight and clean with no inscription.…

Hardcover. Zustand: Good. No Jacket. * PUBLISHER : SEELEY, SERVICE * YEAR : 1929 * ISBN : N/A * No OF PAGES : 376 * CONDITION : USED - GOOD * OTHER: THE COVER BOARDS ARE HEAVILY RUBBED AND WORN WITH BUMPING AND FADING ALONG THE EDGES AND CORNERS WITH STAINS AND MARKS TO BOTH SIDES. THERE IS A TEAR BETWEEN THE BOTTOM OF THE FRONT BOARD AND SPINE. THE SPINE IS HEAVILY RUBBED AND FADED WITH BUMPING AND SMALL TEARS AT BOTH ENDS. THE HINGE IS CRACKED AT SEVERAL PLACES WITHIN BOOK, HOWEVER THE BINDING REMAINS FIRM. THERE IS FOXING ALONG THE FOR-EDGE. THE PAGE EDGES ARE LIGHTLY TANNED, THOUGH PAGES GENERALLY APPEAR CLEAN AND CREASE FREE. ALL IN ALL A NICE EXAMPLE OF THIS BOOK.…

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN.