ernest edmonds (27 Ergebnisse)

Hardcover. Zustand: Good. Ex library copy.

Hardcover. Zustand: Bon. Ancien livre de bibliothèque. Légères traces d'usure sur la couverture. Salissures sur la tranche. Edition 1992. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Slight signs of wear on the cover. Stains on the edge. Edition 1992. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque. Salissures sur la tranche. Edition 2002. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Stains on the edge. Edition 2002. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Zustand: Bon. Ancien livre de bibliothèque. Petite(s) trace(s) de pliure sur la couverture. Légères traces d'usure sur la couverture. Edition 2002. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Slightly creased cover. Slight signs of wear on the cover. Edition 2002. Ammareal gives back up to 15% of this item's net price to charity organizations.

hardcover. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket. First Edition. Hard cover is sound with very slight signs of corner wear. Contents in very good clean condition. Library plate on front inside cover. Library stamps on prelims, some text-pages (with no obstruction of text) and page block. Illustrated with numerous diagrams and tables. Ex-Library.

hardcover. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket. Ex-library: label on spine; bookplate on pastedown; torn out labels on FEP; ink stamps on front matter, endpapers, edges of page block. Contents otherwise clean and sound; light wear to cover. Ex Library.

Hardcover. Zustand: Gut. XV, 304 S. : Ill. ; 24 cm, Ex.-Libr., Good condition. Sprache: Englisch Gewicht in Gramm: 885.

Zustand: New. pp. 192.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9781907471483.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9781907471483.

hardcover. Zustand: Gut. 320 Seiten; 9781852335458.3 Gewicht in Gramm: 1.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. reprint edition. 212 pages. 9.25x6.10x0.49 inches. In Stock.

Zustand: Gut. 192 Seiten nice ex library book Sprache: Englisch Gewicht in Gramm: 315 24,1 x 16,5 x 1,3 cm, Taschenbuch.

Taschenbuch. Zustand: Neu. The Art of Interaction | What HCI Can Learn from Interactive Art | Ernest Edmonds | Taschenbuch | xi | Englisch | 2026 | Springer | EAN 9783032142597 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

327 Seiten. 4°. Schutzumschlag unfrisch und mit zahlreichen Kratzern. O-Leineneinband mit Deckel- und Rückenprägung, O-Schutzumschlag. Text englisch und deutsch.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Computing, despite the relative brevity of its history, has already evolved into a subject in which a fairly large number of subdisciplines can be identified. Moreover, there has been a noticeable tendency for the different branches of the subject each to develop its own intellectual culture, tradition and momentum. This is not, of course, to suggest that any individ ual subdiscipline has become a watertight compartment or that developments in one branch of the subject have tended to take place in total isolation from developments in other related areas. Nevertheless, it does mean that a deliberate effort is required in order to bring different subdisciplines together in a fruitful and beneficial manner. Artificial Intelligence (AI) and Computer Supported Coopera tive Work (CSCW) jointly constitute a good example of two branches of computing that have emerged separately and given rise to largely distinct research communities and initiatives. On the one hand, the history of AI can be traced back to the 1950s, the term II Artificial Intelligence' being generally attributed to John McCarthy, who first used it in print in 1956. 'Computer Supported Cooperative Work', on the other hand, is a term of more recent coinage, having'been devised by Irene Greif and Paul Cashman in 1984.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 288 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - What can Human-Computer Interaction (HCI) learn from art How can the HCI research agenda be advanced by looking at art research How can we improve creativity support and the amplification of that important human capability This book aims to answer these questions. Interactive art has become a common part of life as a result of the many ways in which the computer and the Internet have facilitated it. HCI is as important to interactive art as mixing the colours of paint are to painting. This book reviews recent work that looks at these issues through art research. In interactive digital art, the artist is concerned with how the artwork behaves, how the audience interacts with it, and, ultimately, how participants experience art as well as their degree of engagement. The values of art are deeply human and increasingly relevant to HCI as its focus moves from product design towards social benefits and the support of human creativity. The book examines these issues and brings together a collection of research results from art practice that illuminates this significant new and expanding area. In particular, this work points towards a much-needed critical language that can be used to describe, compare and frame research in HCI support for creativity.

Taschenbuch. Zustand: Neu. The Art of Interaction | What HCI Can Learn from Interactive Art | Ernest Edmonds | Taschenbuch | xv | Englisch | 2018 | Springer | EAN 9783031010941 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering.

4°. 327 S. Mit Orig.-Schutzumschlag, zahlreiche Abbildungen, gut erhaltenes Exemplar (von insgesamt 1000), beigelegt 2 Ausstellungskataloge: George Rickey & Fré Ilgen Park Ryo Sook Gallery 2001 und Fré Ilgen "No-Thinness" The Dragon Series 2002 New York, Maxwell Davidson Gallery Sprache: Deutsch Gewicht in Gramm: 550.

Zustand: very good only. Steve Willats (ed.), Control Magazine Issue Six, Control Magazine, London, circa 1972. 24 pp. 310 x 228mm. Includes contributions by the editor, Jan Kopinski, Stroud Cornock, David Bugden, Jack Shotbolt, G.C.Mallen, Ernest Edmonds, Andy McKay, John Sharkey.Condition: scratch to front cover as seen, toning to edges of covers, ding top right corner and some rubbing to bottom right corner, very good only.

First edition of the second book published by the Marine Research Society of Salem, Massachusetts. Large octavo, bound in three quarter morocco, gilt titles and tooling to the spine, cartographic endpapers, illustrated, frontispiece. In fine condition. The second volume published by the Marine Research Society of Salem, Massachusetts, The Pirates of the New England Coast contains accounts of the beginnings of English piracy and the famed pirates Dixey Bull, John Rhodes, Thomas Pound, William Kidd, John Quelch, Samuel Bellamy, John Phillips, and Henry Morgan, among others.

Edition originale tirée pur fil sur Johannot à 2150 exemplaires (N°1530). Au sommaire de ce numéro consacré aux écrivains américains : Gertrude Stein : Langage et littérature américains - Dorothy Baker : Le jeune homme à la trompette - Erskine Caldwell : L'homme de Dieu - Donald Henderson Clarke : Autobiographie de frank Tarbeaux - Peter Cheney : La Môme vert-de-gris - Ernest Hemingway : C'est aujourd'hui vendredi - Horace Mac Coy : On achève bien les chevaux ? - Walter Edmonds : La résurection de Solly Moon - William Faulkner : Wash - Norah Zeale Hurston : La calebasse de Jonas - Henry Miller : Mona - Damon Runyon : Lily de Saint-Pierre - William Saroyan : Amour, amour. ; Moi sur la terre ; Chère Greta Garbo ; Comme le soleil - Nathanael West : Miss Lonelyhearts - Thorton Wilder : Le ciel est ma gare d'arrivée - Thomas Wolfe : Point de porte - Richard Wright : Le départ de "Big Boy". Plusieurs textes originaux proviennent de la bibliothèque de Sylvia Beach. On trouvera encarté à la fin de l'ouvrage 6 prospectus pour des publications de chez Marc Barbezat, imprimés en 2 couleurs (1 pour des oeuvres de Jean Genet, 1 pour Franz Kafka, 1 pour Dessins de Jean Martin, 1 pour Arthur Rimbaud, 1 pour Federico Garcia Lorca et 1 pour Henri Michaux illustré d'un de ses dessins).