edmonds ernest (29 Ergebnisse)

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque. Salissures sur la tranche. Edition 2002. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Stains on the edge. Edition 2002. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Zustand: Gut. XV, 304 S. : Ill. ; 24 cm, Ex.-Libr., Good condition. Sprache: Englisch Gewicht in Gramm: 885.

hardcover. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket. Ex-library: label on spine; bookplate on pastedown; torn out labels on FEP; ink stamps on front matter, endpapers, edges of page block. Contents otherwise clean and sound; light wear to cover. Ex Library.

hardcover. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket. First Edition. Hard cover is sound with very slight signs of corner wear. Contents in very good clean condition. Library plate on front inside cover. Library stamps on prelims, some text-pages (with no obstruction of text) and page block. Illustrated with numerous diagrams and tables. Ex-Library.

Zustand: Used. pp. 192.

Zustand: Used. pp. 192.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9781907471483.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9781907471483.

hardcover. Zustand: Gut. 320 Seiten; 9781852335458.3 Gewicht in Gramm: 1.

Zustand: New. In English.

Zustand: New. In.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Gut. 192 Seiten nice ex library book Sprache: Englisch Gewicht in Gramm: 315 24,1 x 16,5 x 1,3 cm, Taschenbuch.

Paperback. Zustand: Brand New. reprint edition. 212 pages. 9.25x6.10x0.49 inches. In Stock.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book continues to explore the question of how Human-Computer Interaction (HCI) can learn from art. It considers how the HCI research agenda can be advanced by looking at art research and how HCI practitioners can improve creativity support and the amplification of that important human capability within their work. This book answers these questions from the perspective that interactive art has become a common part of life as a result of the many ways in which the computer and the Internet have facilitated it. HCI is as important to interactive art as color mixing is fundamental to painting. The book reviews recent work that looks at these issues through art research. In interactive digital art, the artist is concerned with how the artwork behaves, how the audience interacts with it, and, ultimately, how participants experience and engage with art. The values of art are deeply human and increasingly relevant to HCI as its focus moves from product design toward social benefits and the support of human creativity. The book examines these issues through a series of case studies and also brings together a collection of research results from art practice that illuminate this significant new and expanding area. In particular, this book points readers toward a much-needed critical language that they can use to describe, compare, and frame research in HCI support for creativity. This second edition updates the material where appropriate and adds a new case study.

Taschenbuch. Zustand: Neu. The Art of Interaction | What HCI Can Learn from Interactive Art | Ernest Edmonds | Taschenbuch | Synthesis Lectures on Human-Centered Informatics | xi | Englisch | 2026 | Springer | EAN 9783032142597 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

327 Seiten. 4°. Schutzumschlag unfrisch und mit zahlreichen Kratzern. O-Leineneinband mit Deckel- und Rückenprägung, O-Schutzumschlag. Text englisch und deutsch.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Computing, despite the relative brevity of its history, has already evolved into a subject in which a fairly large number of subdisciplines can be identified. Moreover, there has been a noticeable tendency for the different branches of the subject each to develop its own intellectual culture, tradition and momentum. This is not, of course, to suggest that any individ ual subdiscipline has become a watertight compartment or that developments in one branch of the subject have tended to take place in total isolation from developments in other related areas. Nevertheless, it does mean that a deliberate effort is required in order to bring different subdisciplines together in a fruitful and beneficial manner. Artificial Intelligence (AI) and Computer Supported Coopera tive Work (CSCW) jointly constitute a good example of two branches of computing that have emerged separately and given rise to largely distinct research communities and initiatives. On the one hand, the history of AI can be traced back to the 1950s, the term II Artificial Intelligence' being generally attributed to John McCarthy, who first used it in print in 1956. 'Computer Supported Cooperative Work', on the other hand, is a term of more recent coinage, having'been devised by Irene Greif and Paul Cashman in 1984.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - What can Human-Computer Interaction (HCI) learn from art How can the HCI research agenda be advanced by looking at art research How can we improve creativity support and the amplification of that important human capability This book aims to answer these questions. Interactive art has become a common part of life as a result of the many ways in which the computer and the Internet have facilitated it. HCI is as important to interactive art as mixing the colours of paint are to painting. This book reviews recent work that looks at these issues through art research. In interactive digital art, the artist is concerned with how the artwork behaves, how the audience interacts with it, and, ultimately, how participants experience art as well as their degree of engagement. The values of art are deeply human and increasingly relevant to HCI as its focus moves from product design towards social benefits and the support of human creativity. The book examines these issues and brings together a collection of research results from art practice that illuminates this significant new and expanding area. In particular, this work points towards a much-needed critical language that can be used to describe, compare and frame research in HCI support for creativity.

Taschenbuch. Zustand: Neu. The Art of Interaction | What HCI Can Learn from Interactive Art | Ernest Edmonds | Taschenbuch | Englisch | Springer | EAN 9783031010941 | Verantwortliche Person für die EU: Springer Nature Customer Service Center GmbH, Europaplatz 3, 69115 Heidelberg, productsafety[at]springernature[dot]com | Anbieter: preigu.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. Julian Brazleton (illustrator). Literary Classics Edition xiv, 655 p. illus. (facsim) 17 cm. LCCN 43051076 OCLC 944648 LC PS507 .W64 Dewey 810.82 ; grey-green boards with blue designs and lettering, in color dustjacket ; Contents: [1.] American fiction. The devil and Daniel Webster/ Stephen Vincent Bene?t -- Tom Whipple / Walter D. Edmonds -- The murders in the Rue Morgue / Edgar Allan Poe -- Missionary journeys / Willa Cather -- The duke and the daupin come aboard / Mark Twain -- The outcasts of Poker Flat / Bret Harte -- A preacher goes to war / John W. Thomason, Jr -- Uncle Remus / Joel Chandler Harris -- A last will / Williston Fish -- One arrowhead day / Harry Leon Wilson -- The skylight room / O. Henry -- Rupe Collins / Booth Tarkington -- Our new telephone / Ruth Gordon -- Some like them cold / Ring Lardner -- At the end of the car line / Ben Hur Lampman -- The Japanese / Ogden Nash -- Fifty grand / Ernest Hemingway -- The waltz / Dorothy Parker -- You mean common / Arthur Kober -- Address Unknown / Kressman Taylor. -- [2.] American verse. -- Paul Revere's ride / Henry Wadsworth Longfellow -- The Concord hymn / Ralph Waldo Emerson -- Death and General Putnam / Arthur Guiterman -- Home, Sweet Home / John Howard Payne -- To Helen / Edgar Allan Poe -- Annabel Lee / Edgar Allan Poe -- Battle hymn of the republic / Julia Ward Howe -- Nancy Hanks / Rosemary Bene?t -- Ethiopia saluting the colors / Walt Whitman -- As toilsome I wandered Virginia's woods / Walt Whitman -- Little boy blue / Eugene Field -- The last leaf / Oliver Wendell Holmes -- A visit from St. Nicholas / Clement C. Moore -- American laughter / Kenneth Allan Robinson -- Plain language from truthful James / Bret Harte -- Little Willie / Eugene Field -- The mystery of Gilgal / John Hay -- I hear America singing / Walt Whitman -- The old man and Jim / James Whitcomb Riley -- John L. Sullivan, the strong boy of Boston / Vachel Lindsay -- Afternoon on a hill / Edna St. Vincent Millay -- Miniver Cheevy / Edwin Arlington Robinson -- I have a rendezvous with death / Alan Seeger -- my sweet old etcetera / e. e. cummings -- Two-volume novel / Dorothy Parker -- Abraham Lincoln walks at midnight / Vachel Lindsay -- The maid-servant at the inn / Dorothy Parker -- The death of the hired man / Robert Frost -- Lament / Edna St. Vincent Millay -- Mending wall / Robert Frost -- Early moon / Carl Sandburg -- Stopping by woods on a snowy evening / Robert Frost -- Grass / Carl Sandburg -- Shenandoah Road / E.B. White -- Aged four / Mildred Focht -- Mr. Flood's party / Edwin Arlington Robinson -- To fight aloud is very brave / Emily Dickinson -- Song in exile / Alice Duer Miller -- Scum o' the earth / Robert Haven Schauffler -- My city / James Weldon Johnson -- Farewell, my friends / Clarence Day. -- [3.] American fact. -- The declaration of independence -- A letter from Franklin to Washington -- Under a cloud of sail / Richard Henry Dana -- Where I lived and what I lived for / Henry David Thoreau -- The hunting camp / Francis Parkman -- The only one / Maude Barnes Miller -- The death of John Quincy Adams / Carl Sandburg -- For us, the living / Alexander Woollcott -- The second inaugural address / Abraham Lincoln -- The Confederate army / John W. Thomason, Jr -- The first G.A.R. parade / Lloyd Lewis -- Three speeches / Oliver Wendell Holmes, Jr -- The Trawnbeighs / Charles M. Flandrau -- Thanksgiving proclamation / Wilbur L. Cross -- Mary White / William Allen White -- A wedding notice from the Fountain inn tribune / Robert Quillen -- A letter from Nicola Sacco to his son -- Mon pays / Edna St. Vincent Millay -- Coon hunt / E.B. White --A visit to London / Frank Sullivan -- The turtle / Ogden Nash -- The Norse travel again / W.L. White -- First fig / Edna St. Vincent Millay -- A talk to young men / Robert C. Benchley -- P.S. he got the job / Anonymous -- The new colossus / Emma Lazarus -- Inscription on the tomb of the unknown soldier ; FINE/VG. Book.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Computing, despite the relative brevity of its history, has already evolved into a subject in which a fairly large number of subdisciplines can be identified. Moreover, there has been a noticeable tendency for the different branches of the subject each to develop its own intellectual culture, tradition and momentum. This is not, of course, to suggest that any individ­ ual subdiscipline has become a watertight compartment or that developments in one branch of the subject have tended to take place in total isolation from developments in other related areas. Nevertheless, it does mean that a deliberate effort is required in order to bring different subdisciplines together in a fruitful and beneficial manner. Artificial Intelligence (AI) and Computer Supported Coopera­ tive Work (CSCW) jointly constitute a good example of two branches of computing that have emerged separately and given rise to largely distinct research communities and initiatives. On the one hand, the history of AI can be traced back to the 1950s, the term II Artificial Intelligence" being generally attributed to John McCarthy, who first used it in print in 1956. "Computer Supported Cooperative Work", on the other hand, is a term of more recent coinage, having'been devised by Irene Greif and Paul Cashman in 1984.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: New. In.

Couverture souple. Zustand: Très bon. Barbezat, 8 rue Godefroy, Lyon, automne 1944. " Numéro américain." In-4 broché, couverture illustrée à rabats, 266 p. Composition photographique de Blanc et Demilly. (Imprimé par Audin). Composé à la main en caractère Garamont, tiré à 2150 exemplaires, numérotés de 1 à 2150 sur pur fil Johannot à la forme. Rousseurs sur les tranches, sinon bel exemplaire, non coupé. Au sommaire : Gertrude STEIN; Langage et littérature américains (trad. R.L. Istre) - Dorothy BAKER; Le jeune homme à la trompette (trad. M. Duhamel) - Erskine CALDWELL ; L'homme de dieu (trad. G Magnane) - Donald Henderson CLARK; Autobiographie de Frank Tarbeaux (trad. M. Duhamel) - Peter CHENEY; La môme vert-de-gris ( trad. M. Duhamel ) - Ernest HEMINGWAY; C'est aujourd'hui vendredi (trad. M. Duhamel ) - Horace MAC COY; On achève bien les chevaux ? (trad.M. Duhamell) - Walter EDMONDS; La resurrection de Solly Moon (trad. M. Duhamel) - William FAULKNER ; Wash ( trad. R.N. Raimbault ) - Norah ZEAL HURSTON; La calebasse de Jonas (trad. M. Duhamel) - Henry MILLER ; Mona (trad. H. Fluchère) - Damon RUNYON; Lily de Saint-Pierre (trad. M. Duhamel) - William SAROYAN; Amour, amour Parmi les pauvres Déjà tombé amoureux d'une naine ( trad. M. Duhamel) Moi sur la terre Chère Gréta Garbo (trad. J Havet) Comme le soleil (trad. J de Frotté) - Nathanael WEST; Miss Lonelyhearts (trad. M. Sibon) - Thorton WILDER ; Le ciel est ma gare d'arrivée (trad. M. Duhamel) - Thomas WOLFE; Point de porte (trad. R.N. Raimbault et Ch.P Vorce) - Richard WRIGHT; Le départ de « Big Boy » (trad. M. Duhamel).

4°. 327 S. Mit Orig.-Schutzumschlag, zahlreiche Abbildungen, gut erhaltenes Exemplar (von insgesamt 1000), beigelegt 2 Ausstellungskataloge: George Rickey & Fré Ilgen Park Ryo Sook Gallery 2001 und Fré Ilgen "No-Thinness" The Dragon Series 2002 New York, Maxwell Davidson Gallery Sprache: Deutsch Gewicht in Gramm: 550.

Zustand: very good only. Steve Willats (ed.), Control Magazine Issue Six, Control Magazine, London, circa 1972. 24 pp. 310 x 228mm. Includes contributions by the editor, Jan Kopinski, Stroud Cornock, David Bugden, Jack Shotbolt, G.C.Mallen, Ernest Edmonds, Andy McKay, John Sharkey.Condition: scratch to front cover as seen, toning to edges of covers, ding top right corner and some rubbing to bottom right corner, very good only.

First edition of the second book published by the Marine Research Society of Salem, Massachusetts. Large octavo, bound in three quarter morocco, gilt titles and tooling to the spine, cartographic endpapers, illustrated, frontispiece. In fine condition. The second volume published by the Marine Research Society of Salem, Massachusetts, The Pirates of the New England Coast contains accounts of the beginnings of English piracy and the famed pirates Dixey Bull, John Rhodes, Thomas Pound, William Kidd, John Quelch, Samuel Bellamy, John Phillips, and Henry Morgan, among others.

Edition originale tirée pur fil sur Johannot à 2150 exemplaires (N°1530). Au sommaire de ce numéro consacré aux écrivains américains : Gertrude Stein : Langage et littérature américains - Dorothy Baker : Le jeune homme à la trompette - Erskine Caldwell : L'homme de Dieu - Donald Henderson Clarke : Autobiographie de frank Tarbeaux - Peter Cheney : La Môme vert-de-gris - Ernest Hemingway : C'est aujourd'hui vendredi - Horace Mac Coy : On achève bien les chevaux ? - Walter Edmonds : La résurection de Solly Moon - William Faulkner : Wash - Norah Zeale Hurston : La calebasse de Jonas - Henry Miller : Mona - Damon Runyon : Lily de Saint-Pierre - William Saroyan : Amour, amour. ; Moi sur la terre ; Chère Greta Garbo ; Comme le soleil - Nathanael West : Miss Lonelyhearts - Thorton Wilder : Le ciel est ma gare d'arrivée - Thomas Wolfe : Point de porte - Richard Wright : Le départ de "Big Boy". Plusieurs textes originaux proviennent de la bibliothèque de Sylvia Beach. On trouvera encarté à la fin de l'ouvrage 6 prospectus pour des publications de chez Marc Barbezat, imprimés en 2 couleurs (1 pour des oeuvres de Jean Genet, 1 pour Franz Kafka, 1 pour Dessins de Jean Martin, 1 pour Arthur Rimbaud, 1 pour Federico Garcia Lorca et 1 pour Henri Michaux illustré d'un de ses dessins).