eric william simon (18 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Zustand: Very Good. 15th Revised edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Homberger, Eric / Janeway, William / Schama, Simon, ed. The Cambridge mind: ninety years of the Cambridge review, 1879-1969. Edited by Eric Homberger, William Janeway, and Simon Schama. Boston: Little, Brown, 1971, stated First American edition, 315pp., very good dust-jacket, light wear, cover price $8.50, very good light red hardcover, light wear to spine. Dust-jacket design by Sarah El Bindari.

Hardcover. Zustand: Very Good. First Edition. Little Brown, 1070. Frist edition. Unclipped dust jacket has minor tears and wear along edges and corners. Clean, unmarked copy. From the library of Prof. Roger Stuewer, historian of physics, UMN.

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Used: Very Good. 1st American Edition. Cloth, 315p, light fading to spine, else VG.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. Clean, unmarked copy with firm hinges, sharp corner. DJ has nominal wear. TM.

Zustand: Good. First edition copy. . Good dust jacket. (University of Cambridge, Periodicals, History).

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Hardcover. First Thus Edition. Octavo, 315 pages. In Very Good minus condition with a Very Good minus dust jacket. Spine coral pink with black lettering. Exterior has slight wear including faint sunning, minimal soiling and minor edge wear. Clipped corners to the flaps. Boards have very slight wear including slight sunning. Text block has slight wear including head edge colored black and slight age toning to the fore/tail edges. Few notations interiorly. Illustrated. First Thus edition. NOTE: Shelved in Netdesk Column O, ND-O. 1388508. FP New Rockville Stock.

Zustand: Neuf.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First American edition. 315pp. Illustrated from photographs. A couple small soil spots on topedge, slight sunning at the foot of the spine, near fine in a very good dust jacket with creased tears, and rubbing at the folds.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First American edition. 315pp. Illustrated from photographs. Small soil spot on topedge, near fine in a very good dust jacket with light edgewear, and modest rubbing. Advance Review Copy with publisher's slip laid in.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st ed., 1st printing ; ; 272 pages : illustrations (some color) ; 28 cm ; ISBN 9780810934269, 9780890900604, 0810934264, 0890900604 OCLC 31088352 "Published on the occasion of the exhibition . organized by the Museum of Fine Arts, Houston, and the Metropolitan Museum of Art, New York, in collaboration with the High Museum of Art, Atlanta."--Title page verso; Exhibition held at Museum of Fine Arts, Houston, August 21-October 23, 1994 ; High Museum of Art, Atlanta, December 13, 1994-February 12, 1995 ; Metropolitan Museum of Art, New York, March 15-July 9, 1995 ; black cloth with gold designs and lettering ; in color photographic dustjacket ; In 1848, Gustave Herter arrived in America from Germany, fleeing political and economic chaos. His brother, Christian, joined him a decade later. By 1875 their firm, renamed Herter Brothers, was supplying the White House with furnishings, as it had been doing for some of America's wealthiest families since 1858. During this opulent period, Herter Brothers could claim to be the leading cabinetmaking and decorating firm in the country. The best of the Herter Brothers' furniture and interiors are displayed in 133 color and 167 black-and-white illustrations, including many close-up details as well as comparative work by rival fine cabinetmakers of the time in New York and Europe. Herter Brothers tells the story of the company from its earliest manifestations, when Gustave worked with other partners and alone, through his partnership with his brother, to Christian's years as head of the firm and the end of his tenure ; Katherine S. Howe is the director of the Rienzi house museum for European decorative arts in the Museum of Fine Arts, Houston.; Peter C. Marzio. Peter was the director of the Museum of Fine Arts in Houston, a post he held for almost three decades; born into a working-class immigrant family, becoming the first in his family to graduate from High School. At Juniata College he became inspired by the art and museum world, deciding to make this his career. He went on to earn a doctorate in art and American history from the University of Chicago. He served as curator of prints and drawings at the Smithsonian and then as director and chief executive officer of the Corcoran Gallery of Art, before becoming the director in Houston. ; Philippe de Montebello is a French and American museum director. He served from 1977 to 2008 as the director of the Metropolitan Museum of Art in New York. On his retirement, he was both the longest-serving director in the institution's history and the third longest-serving director of any major art museum in the world; He immigrated to the United States of America in the 1950s, and became a naturalized citizen of the US in 1955. He was educated in New York City at the Lycée Français de New York, graduated from Harvard University with a degree in art history, and earned an MA from New York University, after which he embarked on a career in Fine Arts. He became the Director of the Metropolitan Museum in 1977 and has become widely known as the public face of the museum.; Ned Rifkin joined the staff of the Hirshhorn Museum and Sculpture Garden in December 1986 as the first chief curator for exhibitions. ; Contents: A European context, 1840-80 : England / Simon Jervis. Germany / Hans Ottomeyer. France / Marc Bascou -- An introduction to the Herter Brothers / Katherine S. Howe -- From the Bowery to Broadway : the Herter Brothers and the New York furniture trade / Catherine Hoover Voorsanger -- Patronage and the artistic interior / Alice Cooney Frelinghuysen -- Herter Brothers furniture / Alice Cooney Frelinghuysen, Katherine S. Howe, Catherine Hoover Voorsanger ; FINE/FINE. Book.

Zustand: Comme neuf. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.