Eric naiman (33 Ergebnisse)

Zustand: Very Good. reprint. Paperback, VG+. xxxviii+154pp, edges a little rubbed & page margins slightly tanned, otherwise a nice copy. The author's third & unfinsihed novel, which paints an unflattering picture of life in Stalin's 1930s Moscow. Andrei Platonovich Platonov [ 1899 - 1951 ] Soviet Russian novelist, his works banned until thirty years after his death due to their skeptical attitude toward Stalinist policies. 300 grams.…

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No jacket. Indiana University Press, 2006. Paperback, 8vo, ix,310pp, illust. A good copy. 025321792X/0.6us . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).…

Zustand: New. In English.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In poor condition, suitable as a reading copy. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780295983417.…

Paperback. Zustand: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Stain along the top edge. Text is clear of markings and notations. Secure packaging for safe delivery.

Hardcover & Dust Jacket. Zustand: Very Good. 307 pp.

Zustand: New. How Soviet citizens in the 1920s and 1930s internalized Soviet ways of looking at the world and living their everyday lives. Editor(s): Kiaer, Christina; Naiman, Eric. Num Pages: 320 pages, 28 b&w photographs, 1 index. BIC Classification: 1DVUA; GTB; HBJD; HBLW; HBTB. Category: (P) Professional & Vocational. Dimension: 237 x 157 x 19. Weight in Grams: 524. . 2005. Paperback. . . . . Books ship from the US and Ireland. …

Hardcover. Zustand: Fine. FIRST EDITION with dust jacket + owners name - Rare and Collectable - will send out 1st class post within 12 hours of receipt of order.

Paperback. Zustand: Brand New. 310 pages. 9.00x6.00x1.00 inches. In Stock.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Brand New. 315 pages. 8.75x5.75x0.75 inches. In Stock.

Zustand: New. In English.

Zustand: New. 2019. Reprint. Paperback. . . . . . Books ship from the US and Ireland.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: New. Num Pages: 320 pages, 2. BIC Classification: 1KBB; 2AB; DSBH; DSK. Category: (G) General (US: Trade). Dimension: 235 x 156 x 25. Weight in Grams: 657. . 2010. hardcover. . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Neuware - What did it mean to live as a subject of early Soviet modernity In the 1920s and 1930s, in an environment where every element of daily life was supposed to be transformed by Soviet ideology, routine activities became ideologically significant, subject to debate and change. Drawing on original archival materials and theoretically informed, the essays in this volume examine ways in which Soviet citizens sought to align their private lives with the public nature of Soviet experience by taking the Revolution 'inside.' Topics discussed include the new sexuality, family loyalty during the Terror, the advertisement of Soviet commodities, the employment of domestic servants, children's toys and Pioneer camps, and narratives of self, ranging from diaries to secret police statements to monologues on the Soviet screen and stage. Bringing into dialogue essays by scholars in history, literature, sociology, art history, and film studies, this interdisciplinary volume contributes to the growing understanding of the Soviet Union as part of the history of modernity, rather than its totalitarian 'other.'.…

Zustand: New. How Soviet citizens in the 1920s and 1930s internalized Soviet ways of looking at the world and living their everyday lives.&Uumlber den AutorrnrnChristina Kiaer is Associate Professor of Art History at Columbia University and author of .

Hardcover. Zustand: Brand New. 304 pages. 9.50x6.50x1.25 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - This wide-ranging cultural history explores the expression of Bolshevik Party ideology through the lens of landscape, or, more broadly, space. Portrayed in visual images and words, the landscape played a vital role in expressing and promoting ideology in the former Soviet Union during the Stalin years, especially in the 1930s. At the time, the iconoclasm of the immediate postrevolutionary years had given way to nation building and a conscious attempt to create a new Soviet 'culture.' In painting, architecture, literature, cinema, and song, images of landscape were enlisted to help mold the masses into joyful, hardworking citizens of a state with a radiant, utopian future -- all under the fatherly guidance of Joseph Stalin.From backgrounds in history, art history, literary studies, and philosophy, the contributors show how Soviet space was sanctified, coded, and 'sold' as an ideological product. They explore the ways in which producers of various art forms used space to express what Katerina Clark calls 'a cartography of power' -- an organization of the entire country into 'a hierarchy of spheres of relative sacredness,' with Moscow at the center. The theme of center versus periphery figures prominently in many of the essays, and the periphery is shown often to be paradoxically central.Examining representations of space in objects as diverse as postage stamps, a hikers' magazine, advertisements, and the Soviet musical, the authors show how cultural producers attempted to naturalize ideological space, to make it an unquestioned part of the worldview. Whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.Not all features of Soviet space were entirely novel, and several of the essayists assert continuities with the prerevolutionary past. One example is the importance of the mother image in mass songs of the Stalin period; another is the 'boundless longing' inspired in the Russian character by the burden of living amid vast empty spaces. But whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.…

Kartoniert / Broschiert. Zustand: New. Portrayed in visual images and words, the landscape played a vital role in expressing and promoting ideology in the former Soviet Union during the Stalin years, especially in the 1930s. This title explores the expression of Bolshevik Party ideology through .

Zustand: New. Eric Naiman explores the significance and consequences of Nabokov s insistence on bringing the issue of art s essential perversity to the fore, particularly in Lolita, Pnin, Bend Sinister, and Ada.

Paperback. Zustand: Brand New. reprint edition. 320 pages. 10.00x8.00x0.75 inches. In Stock.

Buch. Zustand: Neu. Neuware - In an original and provocative reading of Vladimir Nabokov's work and the moral peril to which its readers are subjected, Eric Naiman explores the significance and consequences of Nabokov's insistence on bringing the issue of art's essential perversity to the fore. Nabokov's fiction is notorious for the interpretive panic it occasions in its readers, the sense that no matter how hard he or she tries, the reader has not gotten Nabokov right. At the same time, the fictions abound with characters who might be labeled perverts, and questions of sexuality lurk everywhere. Naiman argues that the sexual and the interpretive are so bound together in Nabokov's stories and novels that the reader confronts the fear that there is no stable line between good reading and overreading, and that reading Nabokov well is beset by the exhilaration and performance anxiety more frequently associated with questions of sexuality than of literature. Nabokov's fictions pervert their readers, obligingly training them to twist and turn the text in order to puzzle out its meanings, so that they become not better people but closer readers, assuming all the impudence and potential for shame that sexually oriented close-looking entails.In Nabokov, Perversely, Naiman traces the connections between sex and interpretation in Lolita (which he reads as a perverse work of Shakespeare scholarship), Pnin, Bend Sinister, and Ada. He examines the roots of perverse reading in The Defense and charts the enhanced attention to the connection between sex and metafiction in works translated from the Russian. He also takes on books by other authorssuch as Reading Lolita in Tehranthat inappropriately incorporate Nabokov's writing within frameworks of moral usefulness. In a final, extraordinary chapter, Naiman reads Dostoevsky's The Double with Nabokov-trained eyes, making. …

Hardcover. Zustand: Brand New. 320 pages. 10.00x8.00x0.98 inches. In Stock.