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Zustand: New. In English.

Hardcover. Zustand: Brand New. 95 pages. 8.50x5.75x0.50 inches. In Stock.

Zustand: New. This book illuminates the politics of Renaissance theatre culture and playbook publication by analysing how and why playhouses came to be referred to as 'public' or 'private'. Series: Early Modern Literature in History. Num Pages: 95 pages, 2 black & white illustrations, biography. BIC Classification: 1DBKE; 2AB; DSBD; DSGS. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 10. Weight in Grams: 286. . 2015. Hardback. . . . . Books ship from the US and Ireland.…

hardcover. Zustand: Neu. Neu Neuware, Importqualität, auf Lager - At the start of the seventeenth century a distinction emerged between 'public', outdoor, amphitheatre playhouses and 'private', indoor, hall venues. This book is the first sustained attempt to ask: why Theatre historians have long acknowledged these terms, but have failed to attest to their variety and complexity. Assessing a range of evidence, from the start of the Elizabethan period to the beginning of the Restoration, the book overturns received scholarly wisdom to reach new insights into the politics of theatre culture and playbook publication. Standard accounts of the 'public' and 'private' theatres have either ignored the terms, or offered insubstantial explanations for their use. This book opens up the rich range of meanings made available by these vitally important terms and offers a fresh perspective on the way dramatists, theatre owners, booksellers, and legislators, conceived the playhouses of Renaissance London.…

Zustand: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 1st edition. 280 pages. 6.00x0.69x9.00 inches. In Stock.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Studies of early modern English drama in print and performance have often prioritized - or even fetishized - first editions and first performances. Challenging ingrained assumptions about chronology, this collection focuses critical attention on the various ways that Renaissance drama was repeated and renewed. Ranging widely across the period, from the 1580s to the early 1700s, the chapters examine canonical plays and authors-including Shakespeare and Ben Jonson-outside of the contexts in which they are ordinarily viewed. The chapters also demonstrates the significance of texts, authors, and forms of evidence that have been critically neglected, from lost plays and music manuscripts to playgoers' diaries and multi-author 'nonce' anthologies. As a whole, the collection opens up new areas of study and offers fresh perspectives on questions of temporality, commerce, aesthetics, agency, and canon-formation.…