engraved cole (10 Ergebnisse)

No Binding. Zustand: Very Good. A splendid antique engraved portrait, circa 1850. Mounted/matted and ready to frame. Attractive and decorative.

No Binding. Zustand: Very Good. By John Paton Kay (illustrator). A splendid engraved portrait, printed in circa 1837. Plate Size Approx 10 x 7 Ins, 25 x 20 Cms. Engraved size approx 5 x 3 Ins, 13 x 8 Cms. Mounted and ready to frame. This is an excellent opportunity to purchase an attractive and decorative engraved portrait.

No Binding. Zustand: Very Good. Engraved By Cole (illustrator). A fine original engraving. Mounted and ready to frame, this is a wonderful opportunity to purchase this splendid portrait. Engraved for the New Universal Magazine.

No Binding. Zustand: Very Good. Engraved By Cole (illustrator). A fine original engraving with an elegant border. Mounted and ready to frame, this is a wonderful opportunity to purchase this splendid portrait. Engraved for the New Universal Magazine.

Zustand: Good. 30 cm one-sided page has 23 cm colour engraving. Vignette of Gloucester Cathedral. Some foxing and darkening, mainly to edges. Two larger spots at bottom right. No folds. From E. W. Brayley's "The Beauties of England and Wales." Detailed map shows indivdual buildings, allowing for an interesting comparison with your present-day map. Most streets and buildings named. 7 churches identified in a numbered key to one side. Dated in the plate. 3 coats of arms and a distance scale in furlongs and feet.

No Binding. Zustand: Very Good. Engraved By Cole (illustrator). A fine original engraving showing Boyle holding a book entitiled 'Boyle's Works' and pointing to various scientific materials. Mounted and ready to frame, this is a wonderful opportunity to purchase this splendid portrait. Engraved for the New Universal Magazine.

Hardcover. 4to. 28cm, xxi,282p., frontis, 66 black & white plates, original brown cloth, gilt titles & decoration on covers & spine, fine copy (AR). ~ A well-illustrated study of Italian art from the 13th to 16th centuries ; from Cimabue to Correggio. Thirty-seven artists are studied including Giotto, Lorenzetti, Verrocchio, Botticelli, Da Vinci, Michelangelo, Raphael and Titian. American engraver, Timothy Cole (1852-1931) was noted for his reproductions of Italian, Dutch, Flemish and English artists and his notes accompany his works.

No Binding. Zustand: Very Good. Original Antique Engraving. Original Illustration, Preserving Title Below. Benjamin Cole (1695-1766) Was An English Surveyor, Cartographer, Instrument Maker, Engraver And Bookbinder Living In Oxford. His Sons William And Benjamin Were Also Instrument Makers In London, While Another Son, Maximilian, Was An Engraver In Oxford.Benjamin Cole Had A Long-Standing Interest In Freemasonry And Engraved The Frontispiece To The 1756 Book Of Constitutions After Succeeding John Pine In 1743 As Official Engraver To The Grand Lodge. Cole Drew Up The Ward Maps For The First Edition Of The Historian And Topographer William Maitland's (C.1693-1757) Posthumous History Of London From Its Foundation To The Present Time (1769). (Cf. John Entick's New And Accurate History And Survey Of London Of 1766.) His Music Engravings Included A Collection By John Frederick Lampe With A Setting Of The Entered Apprentice's Song. In 1728/9, He Published A Copy Of The Old Charges With Speeches By Two Freemasons, Francis Drake And Architect Edward Oakley. His Illustrations Appeared In Books Ranging From Fables For Children To Manuals Of Military Drill, A Notable Work Being A Venture In Collaboration With Edward Oakley, The Magazine Of Architecture, Perspective, And Sculpture Which Provided An Introduction To Palladian Architecture. Cole Made A Wide Range Of Instruments That Are To Be Seen In Museums Throughout Britain.

No Binding. Zustand: Very Good. Original Antique Engraving. Original Illustration, Preserving Title Below. Benjamin Cole (1695-1766) Was An English Surveyor, Cartographer, Instrument Maker, Engraver And Bookbinder Living In Oxford. His Sons William And Benjamin Were Also Instrument Makers In London, While Another Son, Maximilian, Was An Engraver In Oxford.Benjamin Cole Had A Long-Standing Interest In Freemasonry And Engraved The Frontispiece To The 1756 Book Of Constitutions After Succeeding John Pine In 1743 As Official Engraver To The Grand Lodge. Cole Drew Up The Ward Maps For The First Edition Of The Historian And Topographer William Maitland's (C.1693-1757) Posthumous History Of London From Its Foundation To The Present Time (1769). (Cf. John Entick's New And Accurate History And Survey Of London Of 1766.) His Music Engravings Included A Collection By John Frederick Lampe With A Setting Of The Entered Apprentice's Song. In 1728/9, He Published A Copy Of The Old Charges With Speeches By Two Freemasons, Francis Drake And Architect Edward Oakley. His Illustrations Appeared In Books Ranging From Fables For Children To Manuals Of Military Drill, A Notable Work Being A Venture In Collaboration With Edward Oakley, The Magazine Of Architecture, Perspective, And Sculpture Which Provided An Introduction To Palladian Architecture. Cole Made A Wide Range Of Instruments That Are To Be Seen In Museums Throughout Britain.

Copper engraving. Good condition. Left margin trimmed close to image. Vertical fold lines. Uncoloured. Size: 51 x 37.5 cm. (20 x 15 inches).