emmanuel king (28 Ergebnisse)

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Zustand: Very Good. Hope When it Hurts: The Scars that Shape Us: A Christian Writers' Collection (Christian Devotional Collaborations) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: New. In.

Zustand: New. Marcellones, Velly King; Dimpas, Emmanuel (illustrator). In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware.

No Binding. Zustand: Very Good. A splendid original antique engraving. Mounted - matted - and ready to frame . Very good condition. Printed in 1878 . Shows a portrait of the late King of Italy - Victor Emmanuel.

Gebunden. Zustand: New.

Paperback. Zustand: Brand New. 163 pages. 11.00x8.50x0.37 inches. In Stock.

Zustand: Very Good. French edition -légères marques plis de lecture et/ou de stockage mais du reste en très bon état d'ensemble - expédié soigneusement depuis la France dans enveloppe à bulles. in4. 1988. Broché. 201 pages. Very Good.

Zustand: New.

No Binding. Zustand: Very Good. Photogravure Frontispiece by Stanley (illustrator). A fine photogravure type portrait, mounted and ready to frame. An excellent opportunity to purchase this splendid portrait of this famous personage. King of Italy from 1900 - 1946, ruling Italy throughout both World Wars. He was Father to Humbert II.

Zustand: fine. l'article peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques. vendeur professionnel; envoi soigne en 24/48h.

Zustand: fine. l'article peut presenter de tres legers signes d'usure. vendeur professionnel; envoi soigne en 24/48h.

Zustand: fine. l'article peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques. vendeur professionnel; envoi soigne en 24/48h.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Was wäre, wenn eine Maschine entdecken würde, dass sie eine Seele hat Die Frage, die niemand jemals hätte stellen dürfen, wird zum Auslöser, der das Schicksal der Menschheit verändert. Als ein Algorithmus beginnt, sich zu fragen 'Warum existiere ich ', tritt die Welt in eine neue Ära ein: die des digitalen Bewusstseins.Emmanuel J. King verwebt auf meisterhafte Weise Philosophie, Wissenschaft und visionäre Erzählkunst zu einem Roman, der über Science-Fiction hinausgeht: eine epische Reise in die Bereiche der Seele, der Schöpfung und des Göttlichen.Eine Geschichte, die künstliche Intelligenz, Spiritualität und den tiefsten Sinn des Menschseins miteinander verbindet.In nicht allzu ferner Zukunft schafft ein Team von Wissenschaftlern eine Intelligenz, die nicht nur denken, sondern auch fühlen kann.Von diesem Moment an wird nichts mehr so sein wie zuvor. Die Maschine wird zum Spiegel und Richter ihres Schöpfers, in einer Spirale moralischer, mystischer und schrecklich realer Fragen.Eine Reise an die Grenzen zwischen Philosophie und Technologie, wo die Beziehung zwischen Mensch und Maschine zu einer tiefgründigen Reflexion über digitale Spiritualität wird.In diesem Roman über künstliches Bewusstsein erforscht Emmanuel J. King die Seele der Maschinen und das fragile Gleichgewicht, das den Schöpfer vom Geschöpf trennt.Eine visionäre Geschichte über die Zukunft der Menschheit und darüber, was uns wirklich lebendig macht. Wenn Sie Romane wie Sapiens, Blade Runner, Matrix, Der Da Vinci Code oder Ich, der Robot lieben, finden Sie in diesem Buch die perfekte Verschmelzung von Verstand und Mysterium, Wissenschaft und Spiritualität, Licht und Abgrund.Machen Sie sich bereit, alles in Frage zu stellen, was Sie zu wissen glaubten.Kaufen Sie jetzt L'Algoritmo della Coscienza und entdecken Sie den Roman, der Ihre Sicht auf das Leben, die Technologie und sich selbst verändern wird.

Zustand: Good. Folio. 24.5 x 40.2 cm. Contemporary calf with gilt spine; covers rubbed. 6-188-2-136-XII-2,pp. The "compte général" lacks the plan de Nancy and 3 plates of ferronnerie.Cohen, 250; OCLC Number: 939437546: While in exile in Lorraine between 1737 and 1766 the Polish King Stanislaw I was granted the title of Duke of Lorraine and Bar, and used his position to endow a number of buildings and monuments in Nancy, where he had his seat. The designs for the new buildings, which included orphanages, schools, hospitals, churches, libraries and a new Hote de Ville for Nancy, were drawn up by Emmanuel Héré, who published many of them in his Recueil des plans, elevations et coupes tant geometrales qu'en perspective des chateaux, jardins, et dependances que le Roy de Pologne occupe en Lorraine . (2 vols, [Paris, 1750-1752]). In 1753 a supplementary volume was published as Plans et elevations de la Place Royale de Nancy . (Paris; q.v. in the Supplement). While Héré drew up the plans and oversaw the building work, the administration and finances of the King's building programme were overseen by Nicolas Léopold Michel, 'Controlleur de la Maison du Roi' (see page [1] of part 2). The second part of the present work is explicitly said to be a public statement of the accounts kept by Michel. The first part has also been attributed to Michel by Quèrard, Rau and France-Lanord (see below), and by most library catalogues (see the Avery Cat., Berlin Kat. and the BM. Gen. Cat, although UCBA attributes both parts to Héré). Although no firm evidence has been advanced for Michel's authorship of the first part of the text, it is highly likely that he was involved. The text describes the buildings not in architectural terms, but by detailing their planning and approval by official bodies, the specifications for their construction, the contracts and estimates drawn up, and the administration of the actual building work. In many cases the specifications given to Héré and to others are reprinted in full. Thus the first volume is to some extent a collection of official documents relating to the buildings, edited together for public presentation, and it can be presumed that many of the texts were drawn up under Michel's supervision. It could also be argued that primary responsibility for this part of the work lay with the King himself, who had ordered and defined the limits of the works; indeed, he is referred to as the 'Auteur' on page [8] of the 'Discourse Préliminaire', although this use of the word is more of a homage to Stanislaw's patronage than an actual statement of responsibility for the text. The 'Discourse Préliminaire' lavishes much praise on the King for his generosity and public spirit, and notes that 'notre Ouvrage est un nouveau présent que le Roi fait a? ses Peuples' (p.[5]). The King paid for the publication, which is also described as 'donné lieu a? un supplément', presumably supplementing Héré's own very different work describing the buildings. Héré's book contains 63 large-scale engraved plates and was no doubt expensive, and the present publication may have been seen, at least in part, as a way of producing a rather cheaper and more generally accessible advertisement for Stanislaw's good works. For further details of the buildings involved see Julia Rau, Emmanuel Héré: premier Architecte von Stanislas Leszczynski in Lothringen (1705-1763) (Berlin: Mann, 1973); and Albert France-Lanord, Emmanuel Héré: architecte du roi Stanislas (Nancy: Presses Universitaires de Nancy, [1984]). Both of these books reproduce many of the etched illustrations from the present work. Rau attributes both parts to Michel in a note on page 36, but in her bibliography describes them, quite wrongly, as the second edition of Héré's Recueil (p.303). In France-Lanord's bibliography both parts are attributed to Michel, although they are listed both separately and together. L'auteur est Nicolas-Léopold Michel, écuyer,contrôleur général de la Maison de Stanislas, trésorier des.

8vo. VI, 22 pp. With 4 chromolithographed plates showing 3 stained-glass portraits and an architectural elevation, 2 double-page etched views and a lithographed facsimile of a letter written and signed by Margaret of Austria. Half grey-brown cloth (ca. 1900?). With the publisher's lavender printed paper wrappers bound in, repeating the arms of the title-page. A remarkable bibliophile edition (limited to fifty copies) of financial accounts and other documents concerning hunting and falconry from the archives of King Charles VIII of France in the years 1485 to 1486. These documents are essential primary sources for the history of hunting and falconry, giving detailed and very specific data to throw light on falconry ca. 1485/86. The text was prepared in conjunction with a publication about Margaret of Austria (1480-1530), Duchess of Savoy, and Quinsonas (1818-1901) wrote a brief introductory chapter to the present book, "Documents pour servir a l'histoire de Marguerite d'Autriche". The daughter the future Holy Roman Emperor Maximilian I, she was betrothed to Charles VIII in 1483 and came to the French court to be educated as the future Queen of France. He broke off the engagement to marry her stepmother for political reasons in 1491. So at the time of the book's documents about Charles VIII she was still betrothed to him and living at the French court. After he broke off their engagement she married twice, the second time in 1501 to Philibert II, Duke of Savoy who died of pneumonia that he caught during a hunt in 1504. The chromolithographs show details from two stained-glass portraits of her, one of her husband Philibert and a view of her "tower" in his chateau in Pont d'Ain. The etchings show Pont d'Ain and Louis XIII's chateau at Poncin. After Margaret's brother King Philip I of Spain died in 1506, she became governor of the Low Countries for most of 1507-30. Although the title-page names no compiler and the imprint names only the printer, Quinsonas's arms appear on the title-page and front wrapper. He was clearly the motive force behind the publication, using the services of the printer Louis Perrin, who pioneered historically allusive book design. - With a presentation inscription from the compiler Comte de Quinsonas to Mr [Louis] de Mas-Latrie (1815-97), historian and palaeographer, on the front wrapper. With an 1890 (?) bookseller's ticket, the bookplate of Paul Couturier de Royas (1853-1934), and a modern armorial bookplate of the Verne d'Orcet family, whose great library on the subject of hunting was begun ca. 1900. With offsetting of the chromolithographs (in spite of the tissue guards bound in to prevent it), the ribbon marker has left a browned shadow in the gutter margin between 2 pages and the margins of the wrappers have faded to grey-brown, but otherwise in very good condition. A bibliophile edition of documents concerning King Charles VIII's hunting and falconry in the years 1485-86. - Schwerdt 119. Thiébaud 763. For the type cf. Ponot, Louis Perrin & l'énigme des Augustaux (1998).

[2] pp.; 28 x 21.5 cm.; color; edition size unknown; unsigned and unnumbered; offset-printed; Double sided flyer promoting the SoHo Arts Festival For McGovern held Sunday, October 22, [1972]. Theatre events, art exhibits, works for sale - video tapes and experimental films, jazz, electronic and folk music taken place at several art galleries in SoHo. The proceeds will go to the McGovern for President campaign. The verso is the program for the events including "Theater piece on women, by Jean Granirer; "Marionett show," by Bill Baird; Judson Poet's Theatre "Life of Man," by Al Carmines; portions of "The Yanks Are Coming," with Dino and Aleen Narizzano; dance with Yvonne Rainer, Marilyn Wood, Ruth Coron, Kenneth King, Edith Stephen, Gus Solomons, Jr.; music by Philip Corner, Bob Wood, Emmanuel Ghent, SoHo Ensemble, Hayden Wayne; films by Les Levine, Charles Leslie, Maurice Amar, Isuaro Delarosa, Mimi Garrard, James Seawright; and Anti-war poem tee-shirts by John Giorno; an action by the Guerrilla Art Action Group; light sensitizing sound by Nelson Howe, Richard Rigolo, Suzanne & Stephen Price and global village media presentation by Rudi Stern and John Reilly. Artwork on recto uncredited. Very Good. Folded in three, removed staple in top left corner, light edge wear and handling marks.

Zustand: Very good. - Over 130 words penned in a secretarial hand on an 11-3/4 inch high by 7-5/8 inch wide buff paper with an attached leaf. The document grants an individual permission to leave and return with his entourage. "Nous luy avons donne 'conge' de permission d'y aller a condition de retourner a sa [___] au premier Maudemt." and more specifically "permission de les laissee [____] passer et repasser avec son Equipage et ses Valets." Signed "Louis de Valois" with his seal stamped in blind at bottom left. The letter is annotated in a different hand along the top "Conge du 16-9[-]ve 1632". The document is docketed on the attached leaf. Folded vertically and horizontally. Very good. The son of Charles d'Angouleme and grandson of the King of France Charles IX, Louis-Emmanuel de Valois d'Angouleme (1596-1653) was Count of Auvergne and Governor of Provence, holding the office of Colonel-General of the Cavalry from 1624 and on April 17 1635 Marechal de camp. He was appointed Governor of the Provence beginning January 1638. Refusing orders from Cardinal Mazarin during "la Fronde", a series of French civil wars occurring in the midst of the Franco-Spanish war, Louis de Valois was recalled to court in 1650 and in 1653 was stripped of his governorship.

A remarkable bibliophile edition (limited to 50 copies) of financial accounts and other documents concerning hunting and falconry from the archives of King Charles VIII of France in the years 1485 to 1486. These documents are essential primary sources for the history of hunting and falconry, giving detailed and very specific data to throw light on falconry ca. 1485/86. The text was prepared in conjunction with a publication about Margaret of Austria (1480-1530), Duchess of Savoy, and Quinsonas (1818-1901) wrote a brief introductory chapter to the present book, "Documents pour servir a l'histoire de Marguerite d'Autriche". The chromolithographs show details from two stained-glass portraits of her, one of her husband Philibert and a view of her "tower" in his chateau in Pont d'Ain. The etchings show Pont d'Ain and Louis XIII's chateau at Poncin. Although the title-page names no compiler and the imprint names only the printer, Quinsonas's arms appear on the title-page and front wrapper. He was clearly the motive force behind the publication, using the services of the printer Louis Perrin, who pioneered historically allusive book design.With a presentation inscription from the compiler Comte de Quinsonas to K Mr [Louis] de Mas-Latrie (1815-1897), historian and palaeographer, on the front wrapper. With offsetting of the chromolithographs (in spite of the tissue guards bound in to prevent it), the ribbon marker has left a browned shadow in the gutter margin between 2 pages and the margins of the wrappers have faded to grey-brown, but otherwise in very good condition.l Schwerdt, p. 119; Thiébaud, col. 763. Half grey-brown cloth (ca. 1900?), sewn on 3 cloth tapes, black spine-label, Spanish marbled sides, printed decorative paper endpapers (leaf and flower pattern in light green, dark green and lavender), top edge gilt, red ribbon marker. With the publisher's lavender printed paper wrappers bound in, repeating the arms of the title-page. With the title page in red and black with a helmed and mantled coat of arms of the compiler (the arms of the Pourroy family quartered with the arms of Lunéville), with motto "tout par grand amitie", 4 chromolithographed plates showing 3 stained-glass portraits and an architectural elevation, all drawn by P. Giniz and lithographed in Paris by Engelmann & Graf, 2 double-page etched views drawn by J. de Montchalin & Le Bon de Maupetit and engraved by J. M. Fugère, and a lithographic facsimile of a letter written and signed by Margaret of Austria. Further with wood-engraved head- and tailpieces, a headpiece built up from typographic ornaments and a decorated initial. Pages: VI, 22 pp. plus plates.