emigré (14 Ergebnisse)

Softcover. Zustand: Very Good. Octavo. Red wrappers. Program presenting the music of Dessau, Eisler, Hartmann, Helfritz, Erich Itor Kahn, Krenek, Schönberg, and Wölpe in 3 concerts. with autobiographical essays, commentary, etc. Illustrated with portraits and facsimiles of autograph musical manuscripts. Signed.

8vo, (210x134mm), 128p. + adverts. A fine copy in original paperback. Essays by Michael Schmidt, Peter Bilak, Katherine McCoy, Randy Nakamura, Dmitri Siegel, Kenneth Fitsgerald, Anthony Keedy, Mr Keedy, David Ciabianca, and Maz Kisman.

Russian emigre (1914- ?). ANS, 8vo, to "Miss Bentley", envelope present, postmarked 24 April 1958. He asks her to cash a cheque for him to save him time. Image on application.

Couverture rigide. Zustand: Bon. Rare - Superb French edition signed in Brussels in 2015 : Le goût de l'encre Hazan / Musée d'Ixelles, 2015. Size : 29x25 cm Condition : small scratch in the jacket, please see scans. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

First Edition. Very good copy, loosely bound pages, edges somewhat dulled and creased. The pages are very clean and bright considering the age of the publication, with only slight yellowing noticeable around the margins. Remains particularly well-preserved overall. ; 8vo 8" - 9" tall; 20 pages; Description: 20p. 28cm. Russian publication of the Emigre Bund committee, which was first published in March 1909, ceasing with this issue in February 1911. This issue includes a report on the 8th conference of the Bund, an obituary to Paul Zinger, founder of the German Social Democratic Party and discussion of Antisemitism in Poland. Notes: "izdaniye Pogranichnogo komiteta Bunda" --front page. Subjects: Communism -- Socialism -- Soviet Union -- Russia -- Poland -- History -- Exile -- Bundism -- Emigre bund -- Russian Jewry -- Russian bundists -- Yiddishism -- Marxism -- Publications -- Periodicals -- Newspapers. 3 Kg.

37, (5)pp. Prof. illus. Lrg. folio. Self-wraps. Emigré, dedicated to visual communication, graphic design, typography, was published in Berkeley from 1984-2005, and known for creating some of the very first digital layouts and type designs. This issue is dedicated to the London graphic designer, Nick Bell.

Zustand: 1850-1900. Le Montagnard Emigré Souvenir de Chateaubriand Pour Chant et Piano et Piano Solo Par Alexandre CROISEZ op 145 A Mademoiselle Marie Garnier Paris chez Jules Heinz, Editeur J H 528 XIXe siècle 8 pages 33.5 x 26 cm Très bon état 026687 Chant et Piano.

Zustand: 1850-1900. Le Montagnard Émigré Souvenir de Chateaubriand Fantaisie pour Piano par Alexandre Croisez op 145 à Mademoiselle Marie Garnier Paris, Jules Heinz, Éditeur, J. H. 528. XIXème siècle 7 pages 34.3 x 26 cm Très bon état, annotations au crayon de papier 043579 Nouveau.

Zustand: 1800-1830. Le Montagnard Émigré Romance Pour Chant et Piano ou Harpe Paroles de Mr de Chateaubriant Par Henry KARR Paris, chez J. Meissonnier Editeur, 52 ca1820 2 pages 33.5 x 25.5 cm Très bon état 038598 Nouveau.

Hardcover. Zustand: Good. Scarce Russian émigré publication documenting the atrocities committed by the Austro-Hungarian (Habsburg) authorities against the Galician population during World War I. The first volume, titled Galician Golgotha, presents documentary evidence, eyewitness testimonies, and reports describing the persecution, mass arrests, and internment of Rusyns and Ukrainians in Austrian concentration camps such as Thalerhof and Terezin between 1914 and 1917. Published in the United States by Peter S. Hardy for the Russian émigré community, this edition had a very limited print run (reportedly under 500 copies). Copies are held by only a few major research institutions (Harvard, Yale, Hoover Institution). Black cloth binding with gilt title on cover and spine; original green illustrated dust jacket depicting a barbed chain and scenes of deportation. Clean inte firm binding, minor shelf wear and light ru J to jacket edges. An important and extremely rare documentary source on the wartime repressions of Eastern Slavs under the Habsburg Monarchy.

2pp., 4to. Aged and worn, but legible. A splendid effervescent letter, highly characteristic, written in demotic English in a close unruly hand. Tchelitchew was a close friend (lover?) of Edith Sitwell, and in addition to her brother Osbert, the letter contains references to Lincoln Kirstein (1907-1996), influential figure in New York culture, founder with George Balanchine of the New York City Ballet and the School of American Ballet, and the book he was writing on Tchelitchew, as well as to Tchelitchew's partner the writer Charles Henry Ford (1908-2002). (Kirstein had published a book on Tchelitchew's drawings in 1947, and would exhibition on him, with catalogue, in 1964, but the book discussed in the letter was not published.) The letter begins: 'My dear, dear Sweet Stephen, | We arrived here few days ago from Rome had most apauling [sic] weather on the way. After 2 montsh of heavenly, hot divine italian weather in the middst [sic] of the sublime landscape of "Castelli Romani" [] We lived in mddst of most lovely Corot [?] I love italy I think I am in love with Italy whatever she is!!! It is my real true love . . . . Dear Dear Stephen'. He would love him to visit, 'but helas, we have no more a house there we have only very vague planes [sic] about how and where to spend our Winter as I don't think I will be able to spend it in Paris: the weather is too awful here in winter and it is all so grey: and people are so [?]'. He returns to his love of 'italian beauty, loveliness, gayety "and forgetfullness". They are like the Cats: they attach themselves to you and - - - forget you as quick!' He thanks heavens that there are 'english people in the World they are the best friends one can have faithful loyal even when one doesnt see each other for years as you and geoffrey'. He compliments his appearance in 'your photos you are looking very well and I think it is better to gain some weight (as I try to do myself when one is too thin one has no physical resistance at all and all life is such terrible physical struggle'. He himself has 'no physical force at all onely my poor nerves as you know - - - - -'. The second page begins: 'Paris put on for us her most lovely april weather! - simply amazing divine faces are more smiling. Senses more elegant, boys have sensitife [aphroddisiacly?] hunted Faces so like so to [?] the "Animal beauty2 of Italy, so refined so sensitif too.' Regarding Stephen's 'drawings to exhibit in N. Y.' he suggests he write to 'Edwin Hewitt gallery (friend of Lincoln Kirstein and Osbert Sitwell) [] If Osbert could write about you to him you'll be sure to have a show there. Galleries are very difficult to obtain, especially for drawings'. He bemoans the 'Abstract Fashion', and complains that Kirstein is 'too busy being the director of City Center Opera and Ballet etc etc he is very important big figure "now I am awaiting for the book on me" - he is writing to appear sometimes during next year! He writes it all ready for two years but being all time distracted, he is too busy he probably will succede this year! I wouldn't bother about him, nor can you expect any commission in the Theater in U.S.A. as for that you have to belong to a Scenic Designers Union pay $500 initial fee' $10 a month % on all commissions, but before all you have to succede in passing a very complicated examination, full of mathematical perspectives etc. which I am afraid you are not too well acquainted with and it would be a terrible task to learn it all'. Tchelitchew 'left this wretched Union myself, as the theater in U.S.A. does not interest me at all it is all so commercial not like Europe.' He continues: 'Stephen dear what are your planes about this Spring and Summer. I am trying to show my new work. Paris as far as people and their work goes is not more the City we knew it is like a city filled with flys in September'. The letter concludes, with text upside-down, at the head of the first pa.

Two pages, cr. 8vo, bifolium, segment cut from bifoliate leaf, no obvious loss, fair condition, text clear and complete. "I called to enquire after the notice & took the liberty of sending you {last phrase insert] about the lectures I am now giving at the London Institution - & was surprised to hear that the Editor of the literary Gazette considers the subject perfectly exhausted - For I have the honour to tell you the view I now take of the origin of polytheism-worship- of animals - Mythology & Idolatry is quite new - for it traces the whole to the original coptic words or names by which the hieroglyphics ["were" excised] exhibiting the different applications of the power of the Supreme Being were termed - as far as I know no one ever went as far- tho' perhaps from Bacon to our time may authors have surmised that this might [underlined] be the case, but never any one has shown that this was [underlined] the case.-I hope therefore that the Editor will have the goodness to look over my paper once more - & favour me with inserting it in the next number. Note: Spineto's "Elements of Hieroglyphics and Egyptian Antiquities in a Course of Lectures delivered at the Royal Institution . . ." was published in 1829 by Colburn.

Twelve TLSs, 1-3pp. each, total 27pp., 4to. His subjects are predictable: his plays, his portraits, the contemporary theatre, performances (Brigadoon etc), actors, films, art exhibition, personal matters (eg his wife's ill heath, children), his writing activities,Popie's works (showing enthusiasm), drawing and writing activities, visitors to Glasgow (Hannan Swaffer writing articles on Scotland), portrait he did of Popie, the life of Novello (ghost-written then done in earnest by Popie), Edinburgh Festival, anecdotes, suggestions for theatrical books, insider gossip, anecdotes, etc etc. WITH one Copy TKLS, Popie to Millar. Note: Robins Millar (1889-1968) was a Canadian journalist, playwright, poet and writer. His plays were performed by theatres such as the Curtain Theatre, Glasgow, Scotland. He wrote short stories, many of which were published in the Glasgow Evening News. He was drama critic for the Daily Express. The University of Glasgow has a substantial archive of his Personal and Professional Papers.

Pas de couverture. Zustand: Bon. Rare - Art greeting card signed in May 2000. Size : 11.5x17 cm Condition : please see scans. Provenance : Gérard Leman collection. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.