elzevir (35 Ergebnisse)

Softcover. Zustand: Très bon. Couverture différente. Edition 2015. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Different cover. Edition 2015. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Zustand: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Jacket slioghtly torn and dirty.

Zustand: New. pp. 1181.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

56 Seiten. Original-Kartoniert. EOD Reprint. Sprache: Deutsch Gewicht in Gramm: 110 Reprint der Ausgabe Winterthur 1864.

Zustand: New. In.

Fotomechan. Neudr. d. Orig.-Ausg. Varsowie 1874. 8°. 221 S., 23 Bl. Ill., Ln. 2, Einband leicht fleckig.

Couverture rigide. Zustand: Très bon. Un volume in-18° (70 x 115mm), (4) 299 pp. Reliure en veau moucheté, dos à faux nerfs d'une pièce de titre, de filets, de fleurons et de chaînettes dorées, filet et guirlande sur les plats, tranches dorées (reliure ancienne). (marques d'usures sur les plats, restauration à un mors, quelques rousseurs, salissure en bas du titre, fine auréole brune en marge des dix dernières pages, étiquette grattée sur le contre plat). Vignette de titre gravée. Charmante impression elzévirienne tirée à mille exemplaires par les soins de JACOB l'aîné. Bel exemplaire grand de marges.

Kartoniert / Broschiert. Zustand: New.

Kartoniert / Broschiert. Zustand: New.

Gebunden. Zustand: New.

Zustand: Good. 12mo. 7 x 12.5cm. Full contemporary vellum binding, ivory color. Ribbed spine, decorated with gilt. Frontispiece, [26] , 388 , [3] pp. for the Table of Contents. Engraved frontispiece, showing Jupiter seated on a pedestal, opening an egg to release all creation.Renowned physician and scientist William Harvey is best known for his accurate description of how blood circulates through the body. While his published work on the circulation of blood is considered the most important of his academic life, Harvey also made significant contributions to embryology with the publication of his book Exercitationes de Generatione Animalium in 1651. In this book he established several theories that would set the stage for modern embryology and addressed many embryological issues including conception, embryogenesis, and spontaneous generation. In this famous collection of observations on embryology and generation, Harvey formulates "the first fundamentally new theory of generation since antiquity" by "shifting the focus to the egg itself as the primary generative agent." The fruit of a lifetime of experience, the treatise contradicts traditional Aristotelian views on generation by asserting that all life develops epigenetically, either literally in an egg or according to the analogy of the egg. This principle has had great importance in the history of embryology and led to the search for the mammalian ovum.OOCLC Number / Unique Identifier:560965412.Keynes no. 35.

Zustand: Good. 4to. 20.2 x 31 cm. Later tree calf binding with gilt spine, simulating at 17th century binding. [16], 224 pages : illustrations, plans ; 32 cm (fol.). Marginal repair on title page. Very good.OCLC no. 428081067.Nicolaus Goldmann (1611-1665) was a German mathematician and architect who taught these subjects at Leiden University from the 1630s until his death at the age of 53. He wrote various treatises on civil as well as religious architecture. The Leiden Elzevier family published his richly illustrated book on military architecture in Latin in 1643, and translated it into French for a new edition in 1645.In-4,première édition française illustré d'un titre gravé et de nombreuses gravures in-texte etcalculs de proportion. Reliure plein veau marbré pastiche dans le goût de l'époque. (trèslégères rousseurs, déchirures restaurées à la page de titre et à la dernière page, ex-donoau crayon sur la garde).

Hardcover. Zustand: Very Good. SCHAEFFER, Albrecht. Die Wand. Dramatische Phantasmorgie in einem Aufzug. Berlin, Otto von Holten, privately printed for Gotthard Laske, May 1922. 4to. 67 + [1] pages of text + colophon leaf with author s autograph signature in ink. First word of the title and the name of the recipient on colophon leaf printed in blue letters. Original publisher s half morocco binding with author s name and title in gilt lettering on spine; lightly worn. This dramatization of an interlude in Goethe's Italian journey is the first book privately printed for the noted Berlin bibliophile Gotthard Laske (1882-1936), a wealthy outfitter, who acted as a generous patron to authors, and commissioned a number of publications. Unique edition, beautifully printed in the New Elzevir type on hand-made paper, limited to 100 copies only: the present copy, number 10, was printed for Lilli Wolff, a member of a Berlin music publishing family. The subject of the play, written in 1919 by the wellknown German writer Albrecht Schaeffer (1855-1950), is Goethe s visit to his friend Heinrich Meyer at Stäfa on the Lake of Zürich in 1797 as part of his celebrated Italian journey. The action is set at the Alte Krone Inn, the main characters being Goethe, Meyer, and a young lady also lodging at the inn. Meyer, Privatdrucke von und für Gotthard Laske no 1; Katalog der Sammlung Kippenberg I,143; Wilpert & Gühring, Erstausgaben deutscher Dichtung 1600-1960, 36; for Laske, see Homeyer, Deutsche Juden als Bibliophilen und Antiquare, p.50. Signed by Author(s).

Zustand: Good. Folio sheet. 47.5 x 30 cm. Lithographed printer's marks and manuscript. Plate 36 from Bilder-Hefte zur Geschichte des Bücherhandels und der mit demselben verwandten Künste und Gewerbe by Heinrich Lempertz. Jean, son of Abraham, born in 1622, had since 1647 been in partnership with his father and uncle at Leiden, and when they died Daniel, son of Bonaventure, born in 1626, joined him. Their partnership did not last more than two years, and after its dissolution Jean carried on the business alone until his death in 1661. In 1654 Daniel joined his cousin Louis (the third of that name and son of the second Louis), who was born in 1604, and had established a printing press at Amsterdam in 1638.From 1655 to 1666 they published a series of Latin classics in 8vo, cum notis variorum; Cicero in 4to; the Etymologicon linguae Latinae; and in 1663 a magnificent Corpus Juris Civilis in folio in two volumes. Louis died in 1670, and Daniel in 1680. Besides Bonaventure, another son of Matthieu, Isaac, born in 1593, established a printing press at Leiden, where he carried on business to 1625; but none of his editions attained much fame. The last representatives of the Elzevir printers were Peter, grandson of Joost, who from 1667 to 1675 was a bookseller at Utrecht, and printed seven or eight volumes of little consequence; and Abraham, son of the first Abraham, who from 1681 to 1712 was university printer at Leiden.

Zustand: Good. 24mo. 6 x 10.4cm. Earlier full red morocco inset on later red morocco . AEG. Provnance: George A. Zabriskie. with his bookplate.OCLC Number: 222915357.Notes: Engraved title page.Description: [14], 15-511, [19] p. ; 11 cm.Contents: G. Buchanani vita ab ipso scripta biennio ante mortem --Psalmorum Davidis paraphrasis poetica --Jephthes, sive, Votum, tragoedia --Baptistes, sive, Calumnia, tragoedia --Franciscanus & fratres --Elegiarum liber --Sylvarum liber --Hendecasyllab[o?]n liber --Iamb[o?]n liber --Epigrammatum libri iii --Miscellaneorum liber --De sphæra mundi lib. v --Euripidis Medea --Eiusdem Alcestis.

Paris, Silvestre, 1842. [viii],214 pp. Printed wrappers. (spine broken; wrappers damaged).

12°. - 14:7,5 cm. 4 Blätter, Seiten 215-588. Pergamenteinband der Zeit mit Rückentitel. - Ohne Teil 1. Innen sauber. Einband nur minimal fleckig. Enthält: "La Baccinata - Il Dialogo trà due soldati del Duca di Parma - La Disgratia del Conte d'Oliuarez - La Rete di Vulcano - L'Anima". - 3670.

12°. - 13,2:7,2 cm. 10 Blätter, 578 (falsch 576) Seiten, 1 Blatt. Pergamenteinband der Zeit. - Vereinzelt leicht fleckig und gering gebräunt. Anfangs und am Schluß mit winzigen Wurmspuren. Titel mit altem Besitzvermerk, in der ersten Hälfte alte kleine Anstreichungen mit grüner Tinte. Einband gering fleckig und mit vereinzelten kl. Wurmlöchlein. Willems 1215: "L'édition de 1657 mérite donc le préférence sur celle de Leyde, bien qu'elle soit inférieure à cette dernière au point de vue typographique". - 6367.

First edition. First edition. Engraved title. 316, [16] pp. 16mo. Contemporary vellum. Somewhat soiled Engraved title. 316, [16] pp. 16mo.

Zustand: Good. Contemporary calf. 16mo. 5 x 10.5 cm. ([8] 589, [3] p.) : ill. Shaved at top with loss of some headers and folios.Engraved title page with small tears and loss.OCLC Number / Unique Identifier:797454668.

First Elzevir edition, first printing ("et la plus belle") with all points as enumerated by Williems. [24] leaves, including engraved title page; 304 pp., [4] leaves (Index). 1 vols. 24mo. Willems, p. 107 Full 18th-century red morocco, covers decorated with 3 gilt-rolled fillet borders, spine in six panels, gilt-stamped with repeated device in 5, lettered in one, blue moie silk endpapers, all edges gilt. Slight rubbing at extremities, else about fine [24] leaves, including engraved title page; 304 pp., [4] leaves (Index). 1 vols. 24mo First Elzevir edition, first printing ("et la plus belle") with all points as enumerated by Williems.

Zustand: Very Good. Amstelodami [Amsterdam]: Apud Ludovicum Elzevirium, 1650. Tertia editio prioribus auctior & emendatior. Quarto (20cm); 18th-century maroon morocco over marbled paper-covered boards, elaborate gilt spine in six compartments, marbled endpapers; [12],168,191pp. (collated complete, but please see note); woodcut publisher's Minerva emblem on title page, woodcut initials throughout. Some scuffing to extremities with brief exposure at corners, else a Very Good, internally fresh and sound example. The second volume issued with the title page "Appendix, Continens Obiectiones Quintas & Septimas in Renati Des-Cartes Meditationes," Amstelodami: Apud Ludovicum Elzevirium, 1649. The third edition of Descarte's Meditations on First Philosophy, published shortly after his death in February, 1650. The contents include his six Meditations as well as the seven objections from the author's contemporaries, each followed by his response. This copy is a bibliographical peculiarity, the pagination and collation differing from all the other copies described in OCLC, Willems, and Library Hub. The standard pagination for all other copies of this third edition (and the four subsequent Elzevier editions that followed) is: [12],191,164, usually followed by the 88pp. Epistola, with a collational formula: *4 **2 A-Z4 Aa4 a-v4 x2 aa-ll4. This copy is issued without the Epistola and the pagination and collation are otherwise nearly identical, but in a different order: *4 2*2 A-X4 a-v4 x2 Y-2A4. According to the bibliographical listing of the copy at St. Andrew's, "The Elzevirs printed Descartes' philosophical works in quarto format six times between 1644 and 1677, and the parts of each ed. were sold together and separately, in many different combinations." However, this does not explain away the inconsistencies in the pagination or why there are no other examples that conform to this collation. A curious example, worthy of further research. See Willems 1107, describing this as the first edition in quarto format.

133 x 75 mm. (5 1/4 x 3"). 10 volumes. VERY PRETTY 18TH CENTURY RED MOROCCO, GILT, covers with French fillet border, raised bands with gilt lettering, spine compartments with central floral sprig framed with curling brackets terminating in ivy leaves, spray of daisies on either side, gilt turn-ins, marbled endpapers, all edges gilt. Frontispiece portrait and engraved title in "De Rhetorica," woodcut printer's devices on titles of other volumes, woodcut headpieces, tailpieces, and decorative initials. Engraved title with contemporary ink signature of "Arn. [illegible due to ink blot]"; another title page with evidence of removal of early inscription; four titles or flyleaves with 18th century ink signature of "Nicoll"; two volumes with two or three marginal notations in an 18th century hand. Willems 535; Rahir 530; Schweiger II, 106; Dibdin I, 400; Brunet II, 8; Graesse II, 157. A couple of rust spots in one volume, occasional mild foxing or faint corner creases, other insignificant defects, but very close to fine internally. Spines a bit sunned and slightly rubbed, minor wear to joints, boards with trivial chafing and soiling, but none of these problems of significance, and the delightful set very well preserved and making an especially pleasing appearance on the shelf. This is a particularly pleasing set of what Dibdin deems "a very beautiful and correct edition" of Cicero. Dibdin states further that "bibliographers . . . dwell with rapture on the beauty of the paper and brilliancy of the type; and critics allow that its correctness is equal to its beauty." It is one of the highlights of that golden period (1622-52) when the chief glories of the vast Elzevir corpus of works was produced in Leyden by Louis Elzevir's son, Bonaventure, in partnership with a grandson, Abraham. Britannica says that this partnership's "small editions in 12mo, 16mo, and 24mo, for elegance of design, neatness, clearness and regularity of type, and beauty of paper, cannot be surpassed." The bibliographers are unanimous in their praise of this sought-after "Works" of Cicero. And these 10 exceptionally pretty volumes would enhance a small space on any library shelf.

Very good. Original fold lines. Exhibits faint offsetting. Size 4.75 x 5 Inches. This is a finely-engraved miniature map of Italy, with Sicily, Sardinia and Corsica, printed in a 1661 Elzevir edition of Philipp Clüver's Introductionis in Universam Geographiam . The map shows place names drawn from of antiquity, derived from classical sources, including Pliny, Strabo, and Julius Caesar. It therefore depicts the Italy known to Ancient Rome. Mountains are indicated pictorially. A Mystery Engraver? A Woman? None of the maps appearing in the Elzevir edition of Clüver's Introductionis in Universam Geographiam are signed by an engraver. For a miniature map, this is not unusual - very often this work was executed by journeyman engravers, who would not have the right to apply their imprint to the work. However, it is very possible that the matriarch of the Elzevir firm - Eva van Alphen - did this work herself. She is known to have been an accomplished engraver, having been credited with a beautiful Dutch Bible map after Visscher ( Orbis Terrarum Tabula Recens Emendata et in Lucem Edita per N. Visscher ). At the time that their edition of Clüver was produced, Eva's husband Jean was in failing health and upon his 1661 death she took over the direction of the firm. The excellent work here may well be hers. Publication History and Census The map was engraved for inclusion in Philipp Clüver's Introductionis in Universam Geographiam . Though he did not live to see it in print, Cluver's text would be one of the most popular of the seventeenth century, which was printed in many editions starting in 1624 but continuing well into the 18th century. This example appeared in a 1661 edition of the book, published by the house of Elzevir. Signed by Author(s).