Els kuijpers (27 Ergebnisse)

Hardcover. Zustand: Fair. First Edition. Koningin Beatrix heeft talloze malen blijk gegeven van een grote belangstelling voor moderne kunst en vormgeving. Dit boek gaat in op de vormgevingsopdrachten waarbij zij direct of indirect betrokken is geweest: van de munten van Bruno Ninaber van Eyben in 1980 tot en met de postzegels van Samira Ben Laloua in 2005. Els Kuijpers visualiseert de ambitie van het hof in circa 80 beelden, waarbij een vijftal ontwerpen aan een kritische blik worden onderworpen. Paul Hefting plaatst de culturele ambitie van het hof in het historische perspectief van de Oranjes als opdrachtgevers. In een tweede bijdrage analyseert hij de iconografie van de koningspostzegels, vanaf de eerste zegel met Willem III uit 1852 tot heden. De interviews van Gert Staal met prominente ontwerpers als de architect Wim Quist, de textielkunstenares Ria van Eyk en grafisch ontwerpster Irma Boom belichten het perspectief vanuit de opdrachtnemer. Dit boek is een initiatief van de Premsela Stichting.; Gebonden boek zonder losse omslag. Fris en schoon binnenwerk. Hoekje voorplat beschdigt. Aantekening met pen op achterkant voorplat. Omslag beginnende verdonkering.…

Zustand: Good. Paperback, numerous (full page) illustrations (mostly in colour), text in English, 4to.; Right edge front cover sightly worn.

Zustand: Good. Paperback, numerous (full page) illustrations (mostly in colour), text in English, 4to.

Paperback. 72 pagina's. Als nieuw. 777g.

2011, paperback, 128 pp., as new.

Zustand: Good. Paperback met flappen, veel illustraties (waaronder foto's) in kleur en z/w, 4to.

Zustand: Good. Paperback, veel (paginagrote) illustraties (voornamelijk in kleur), Nederlandstalig, 4to.

Zustand: As New. Nicolai, Dik (illustrator).

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 21,5 x 30 cm, 348 Seiten mit 240 Schwarzweiß- und Farbabbildungen klebegebundene Broschur - The Palace of Typographic Masonry is dedicated to the glory and richness of graphic languages. This imaginary structure, whose foundations were laid by Dutch graphic designer Richard Niessen, functions as a speculative platform for the diversity, poetry and digressions of graphic design. The palace shows the craft in an interdisciplinary cultural-historical context and postulates a new theory for the profession. Join us on a tour that takes you past over 360 exhibits of the palace. A corridor over nine steps: through the departments of sign, symbol and ornament; Construction; Poetics and Play; Ordnung, Handwerk und Praxis. The philosopher and writer Dirk van Weelden will guide you, give you his thoughts on the objects on display and introduce you to the people we meet in the rooms.…

Soft cover. Zustand: Very Good. 1st Edition. 127pp, folded softcover, profusely illustrated, 29cm. Very good/fine, clean, crisp, unmarked, minimal shelf wear. Text in English. The role played by R.D.E. ('Ootje') Oxenaar in the development of Dutch graphic design is a fascinating one. In 1970 he joined the Department of Art and Design at what was then the Dutch Postal and Telecommunications Service (PTT). He was deputy head from then until 1976, when he took over as head of the department until 1994. It would be hard to overstate his importance as one of the key public principals of Dutch graphic design in those years. That success can be attributed to Oxenaar's own visual production from the early 1950s onward, and the position this earned him in the design field as a front-rank graphic designer. It enabled him to enlist the services at the PTT of many a prominent designer. This book relates these two capacities as the commissioning and the commissioned party by assessing precisely how graphic design functions in the community. In so doing, it does justice to the exceptional personal talent of the designer-artist Oxenaar as well as to the particular cultural and socio-economic circumstances that helped to inform his career. It therefore avoids the one-sidedness of either a formalist or a determinist approach to Oxenaar's visual production. Accordingly, this book is simultaneously a potted history of Dutch graphic design and its turbulent development into a primary creative industry of significance during the 50 years since the Second World War.…

8vo, stiff wrps., illustrated, 66 p. In very good condition. Doos G4.

Uitgevers Publishers Stichting, 2011. In-8 carré broché de 127 pages illustrées. Très bon état.

Softcover. Zustand: Good. Paperback met flappen, veel (paginagrote) illustraties (waaronder foto's) in kleur en z/w, 4to.

Zustand: Good. Paperback met flappen, veel (paginagrote) illustraties (waaronder foto's) in kleur en z/w, 4to.

Soft cover. Zustand: Very Good. Softcover, 71 p. : ill. ; 20x20 cm. + Summary (4 p.). Very good. Text in French and Dutch.

Soft cover. Zustand: Very Good. 1st Edition. Original stiff wrappers with exposed spine (as issued), [186]p : illustrations (chiefly in color) ; 33 cm. Very good, clean, no internal marks, light wear and age-toning to delicate white wrappers.

Soft cover. Zustand: Fine. 1st Edition. Open spine softcover, 87 pages : color illustrations ; 23 cm. Fine, clean, crisp, no internal marks. Along with Wim Crouwel, Karel Martens and Walter Nikkels, Jan van Toorn belongs to the generation of designers who determined the look of Dutch graphic design in the 1970s and 80s. His socially engaged design practice is founded on a notion of communication based on democratic reciprocity and solidarity with the public. In contrast to prevailing forms of visual communication, Van Toorn's visual journalism establishes meaning in dialogue with the viewer and reader. In her book "and/or", on contradiction in the work of Jan van Toorn, design publicist Els Kuijpers gives insight into Van Toorn's methodology. The author employs various academic methods, journalistic strategies and rhetorical figures for her own objective: breaking through stereotype images. The book was created in close collaboration between the author and designer. With its countless digressions and derailments, the layered text is comparable to the visual designs of Van Toorn himself; the layered structure of the book's design follows Kuijpers' literary enterprise.…

Softcover. Zustand: gut. 2011. Ootje Oxenaar: Designer and Commissioner In deutscher Sprache. pages.

Zustand: Very Good.

Uitgeverij Architectura & Natura, 2009. In linnen gebonden met stofomslag. Hardcover. 20 x 13 cm. Met illustraties in z/w. 63 pag. - ALS NIEUW [Architecture / international [Algemene Architectuur] ].

Amsterdam, Architectura & Natura, 2010. Paperback / Softcover. 32,5 x 24 cm. Met illustraties in kleur en z/w. 11 pag. - ALS NIEUW [.

Zustand: Very Good.

Deel 17 in de reeks Roots van [Z]OOproducties. 24 x 17 cm. Softcover/geniet. Met illustraties in kleur en z/w. 12 pag. UITSTEKEND EXEMPLAAR [Typografie / Typography [Typografie] ].

Nuth: Drukkerij Rosbeek, 1995. 20 x 20 cm. Softcover. Met illustraties in z/w en kleur. Tekst in Nederlands en Frans. With an English summary. ALS NIEUW [Design [Vormgeving] Rosbeek Typografieserie [Reeksen Typografie] ].

Rotterdam, 010 Publishers, 2005. 28 x 24 cm. Gebonden. Hardcover. Met illustraties in kleur en z/w. 88 pag. NIEUW EXEMPLAAR [Design [Vormgeving] ].

Soft cover. Zustand: Fine. Cardboard cover, [54] p. : ill. ; 31 cm. + Folded poster. 2012 reprint of the classic Jan van Toorn People Calendar of 1972. English edition of just 200.

Soft cover. Zustand: Very Good. Text in dutch and english, 4to, soft cover with flaps, 228 pages, illustrated, very good copy. Cover with some wear and a small (repaired) imperfection at the left bottom (see image). Transparent sheet included. Rather rare.