Ellen lockhart (25 Ergebnisse)

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Zustand: New. This illustrated volume, researched and written by experts in the field, explores contemporary theatrical documents (playbills, set designs, musical scores) and images (paintings, prints and illustrations) in seeking to explain what counted as history and historical truth for the writers, performers and audiences of these plays. Editor(s): Burden, Michael; Heller, Wendy; Hicks, Jonathan. Num Pages: 224 pages, 74 colour illustrations. BIC Classification: 3JF; 3JH; AN. Category: (G) General (US: Trade). Dimension: 213 x 258 x 17. Weight in Grams: 680. . 2017. Paperback. . . . . Books ship from the US and Ireland.…

Staging History 17801840
Burden, Michael (Editor)/ Heller, Wendy (Editor)/ Hicks, Jonathan (Editor)/ Lockhart, Ellen (Editor)
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Zustand: New. pp. 256.

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Zustand: New. In English.

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Hardcover. Zustand: Brand New. 256 pages. 9.50x6.50x0.75 inches. In Stock.

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Zustand: New. Editor(s): Davies, James Q.; Lockhart, Ellen. Num Pages: 256 pages. BIC Classification: 1DBKESL; 3JH; HBJD1; HBLL; HBTB. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 28. Weight in Grams: 499. . 2017. Illustrated. Hardcover. . . . . Books ship from the US and Ireland.

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Zustand: New. A study of Italian stage works that reconsiders a crucial period of music history: the late eighteenth century through the early nineteenth century. It shows how enlightenment ideas influenced Italian theater and music and vice versa. Num Pages: 220 pages, 21 music ex, 10 b/w. BIC Classification: 1DST; 3JF; AS; AV; HPCD1. Category: (G) General (US: Trade). Dimension: 229 x 152. . . 2017. First. Hardcover. . . . . Books ship from the US and Ireland.…

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Sprache: Englisch
Verlag: University Of Chicago Press, Bodleian Library Nov 2016, 2016
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Taschenbuch. Zustand: Neu. Neuware - In the late eighteenth and early nineteenth centuries, historical subjects became some of the most popular topics for stage dramas of all kinds on both sides of the Atlantic. This collection of essays examines a number of extraordinary theatrical works in order to cast light on their role in shaping a popular interpretation of historical events.The medium of drama ensured that the telling of these histories - the French Revolution and the American War of Independence, for example, or the travels of Captain Cook and Christopher Columbus - were brought to life through words, music and spectacle. The scale of the productions was often ambitious: a water tank with model floating ships was deployed at Sadler's Wells for the staging of the Siege of Gibraltar, and another production on the same theme used live cannons which set fire to the vessels in each performance.This illustrated volume, researched and written by experts in the field, explores contemporary theatrical documents (playbills, set designs, musical scores) and images (paintings, prints and illustrations) in seeking to explain what counted as history and historical truth for the writers, performers and audiences of these plays. In doing so it debates the peculiar contradictions of staging history and re-examines some spectacular box office hits.…

Sprache: Englisch
Verlag: University of Chicago Press|Bodleian Library, 2016
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Zustand: New. This illustrated volume, researched and written by experts in the field, explores contemporary theatrical documents (playbills, set designs, musical scores) and images (paintings, prints and illustrations) in seeking to explain what counted as history and h.

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Zustand: New.

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Gebunden. Zustand: New. Über den AutorJames Q. Davies is associate professor of music at the University of California, Berkeley. He is the author of Romantic Anatomies of Performance. Ellen Lockhart is assistant professor of musicology.

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Hardcover. Zustand: Brand New. 218 pages. 9.50x6.25x0.50 inches. In Stock.

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Buch. Zustand: Neu. Neuware - What does it mean to hear scientifically What does it mean to see musically This volume uncovers a new side to the long nineteenth century in London, a hidden history in which virtuosic musical entertainment and scientific discovery intersected in remarkable ways. Sound Knowledge examines how scientific truth was accrued by means of visual and aural experience, and, in turn, how musical knowledge was located in relation to empirical scientific practice. James Q. Davies and Ellen Lockhart gather work by leading scholars to explore a crucial sixty-year period, beginning with Charles Burney's ambitious General History of Music, a four-volume study of music around the globe, and extending to the Great Exhibition of 1851, where musical instruments were assembled alongside the technologies of science and industry in the immense glass-encased collections of the Crystal Palace. Importantly, as the contributions show, both the power of science and the power of music relied on performance, spectacle, and experiment. Ultimately, this volume sets the stage for a new picture of modern disciplinarity, shining light on an era before the division of aural and visual knowledge.…

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Zustand: New. A study of Italian stage works that reconsiders a crucial period of music history: the late eighteenth century through the early nineteenth century. It shows how enlightenment ideas influenced Italian theater and music and vice versa.Klappentext.

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Buch. Zustand: Neu. Neuware - This path-breaking study of stage works in Italian musical performances reconsiders a crucial period of music history. Through an interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music, and vice versa. As Lockhart reveals, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770-1830. Taking as its point of departure a repertoire of Italian ballets, melodramas, and operas from this period, Animation, Plasticity, and Music in Italy traces its core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism.…

Verlag: Los Angeles Institute of Contemporary Art Los Angeles, CA, 1985
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In den Warenkorb78 pp.; 27.9 x 21.6 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1985 issue of JOURNAL, edited by Lane Relyea. Edited by Jeremy Gilbert-Rolfe and John Johnston. Contents include: "Multiplicity, Proliferation, Reconvention," by Jeremy Gilbert-Rolfe and John Johnston; "Two Crowds with Shape of Reason Missing," by John Baldessari; "Century," by Robert Ryman; "To a Swan," by David Shapiro; "Multiplicity, Proliferation, Reconvention," The Editors; "Idea as Multiplicity," by Gilles Deleuze; "On Line," by Peter Halley; "Notes on the Kaleidoscope and Stereoscope," by Jonathan Crary; "Thomas Nozkowski: Painting and Proliferation," by Joseph Masheck; "Mass, Crowd and Pack," by Michel Feher; "Lui/un Autre," by Gary Parent; "Some Notes on Proliferation, Process, History," by Sandy Cohen; "Nature," by Kimball Lockhart; "False Works," by Gregory Rukavina; "L'enfant-Bulle," by Jean Baudrillard; "America's Borders Are Everywhere," by Allan Sekula; "The Ditmarsh Tale of Lies," by the brothers Grimm; "To a Swan," a poem by David Shapiro; "Travelog: Excerpts from Plato's Cave, Rothko's Chapel, Lincoln's Profile," by Mike Kelley; "Feature: Multiplicity, Proliferation, Reconvention," edited by Jeremy Gilbert-Rolfe, and Johnston; "Dialog: The Procession of Undine," by T.S. Martin; "Comment: Spitting Out An Eyeful at the Film Feast," by Ellen Kaufman "Proposals," by Dennis Balk and by James Casebere. Cover by John Baldessari. Very Good. Bumping of bottom right corner of publication with 2.5 cm. dog-ear to verso. Light edgewear. Contents clean and unmarked.…

Verlag: Los Angeles Institute of Contemporary Art Los Angeles, CA, 1985
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In den Warenkorb78 pp.; 27.9 x 21.6 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1985 issue of JOURNAL, edited by Lane Relyea. Edited by Jeremy Gilbert-Rolfe and John Johnston. Contents include: "Multiplicity, Proliferation, Reconvention," by Jeremy Gilbert-Rolfe and John Johnston; "Two Crowds with Shape of Reason Missing," by John Baldessari; "Century," by Robert Ryman; "To a Swan," by David Shapiro; "Multiplicity, Proliferation, Reconvention," The Editors; "Idea as Multiplicity," by Gilles Deleuze; "On Line," by Peter Halley; "Notes on the Kaleidoscope and Stereoscope," by Jonathan Crary; "Thomas Nozkowski: Painting and Proliferation," by Joseph Masheck; "Mass, Crowd and Pack," by Michel Feher; "Lui/un Autre," by Gary Parent; "Some Notes on Proliferation, Process, History," by Sandy Cohen; "Nature," by Kimball Lockhart; "False Works," by Gregory Rukavina; "L'enfant-Bulle," by Jean Baudrillard; "America's Borders Are Everywhere," by Allan Sekula; "The Ditmarsh Tale of Lies," by the brothers Grimm; "To a Swan," a poem by David Shapiro; "Travelog: Excerpts from Plato's Cave, Rothko's Chapel, Lincoln's Profile," by Mike Kelley; "Feature: Multiplicity, Proliferation, Reconvention," edited by Jeremy Gilbert-Rolfe, and Johnston; "Dialog: The Procession of Undine," by T.S. Martin; "Comment: Spitting Out An Eyeful at the Film Feast," by Ellen Kaufman "Proposals," by Dennis Balk and by James Casebere. Cover by John Baldessari. Very Good. 3.2 cm. dog-ear with bumping to top right corner of cover and publication, light bumping of top left corner, light rubbing of covers and cover edges. Contents clean and unmarked. Includes 1985 advertising rate card.…