elisabeth tonnard (5 Ergebnisse)

Hardcover. Zustand: Brand New. 196 pages. 8.75x6.00x0.75 inches. In Stock.

Zustand: Very good.

Paperback, 120 pages, NL / ENG., 240 x 170 mm, Nieuw / New, illustr. in kleur / color. ISBN 9789464448191. A little promotion for Daylight, a book that was published of Truus van den Boezem?s photography work. I wrote a short essay for the book, in Dutch, but an English translation is included. It was published at the initiative of Marianne Kleijwegt by the Verbeke Foundation on the occasion of Truus? centennial birthday (age 100 ! ). The editing, design and production is by Marie Verboven. The book is presented alongside an exhibition of Truus? work at the Verbeke Foundation from May 12 to November 3, 2024.*****Een kleine promotie voor Daylight, een boek dat is verschenen over het fotografiewerk van Truus van den Boezem. Voor het boek heb ik een kort essay geschreven, in het Nederlands, maar er zit een Engelse vertaling bij. Het verscheen op initiatief van Marianne Kleijwegt door de Verbeke Foundation ter gelegenheid van Truus? honderdjarig bestaan. De redactie, vormgeving en productie is door Marie Verboven. Het boek wordt gepresenteerd naast een tentoonstelling van Truus? werk bij de Verbeke Foundation van 12 mei tot en met 3 november 2024. 500 g.

Oorspronkelijk uitgevers omslag, 14 PP. Genummerde oplage van 126 ex. gesigneerd 0 g.

No Binding. Zustand: As New. Grey clam-shell box containing 128 single-sided sheets. Archival inkjet prints. 5 x 7 inches each. - First edition. One of numbered 20 numbered and signed copies. "Interior Monologue pairs images of Parisian apartment interiors from a real-estate catalogue with texts found in the "literary phrases" section of Grenville Kleiser's Fifteen Thousand Useful Phrases. The project presents abandoned remnants of speech, paired to images that are likewise abandoned: orphaned photos from a real-estate catalogue, snapped by ever so many unidentified photographers. Texts and imag es look as though they are quite established on their pages, and in a healthy relationship towards each other. This soon proves false. Each element seems to be speaking for itself. The scripts do not function as descrip tions; and no knowledge is gained from the information gathered. The development of a narrative is cut short on each page. Meanwhile the reader cannot avoid relating images and texts, and interpreting the images by means of the texts. Even if the combinations of texts and images are determined by chance: the phrases are in alphabetical order and the images are in the order that the magazine they come from presented them in.".