Eleanor levine (12 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Soft cover. Zustand: Good+. Paperback. Binding sound, text clean, light shelfwear; some rear pages slightly dogeared, else very good. SIGNED BY AUTHOR with inscription. Signed by Author(s). Book.

Soft cover. Zustand: As New. Softcover, 160 pgs. As new.

Zustand: New. 2020. paperback. . . . . . Books ship from the US and Ireland.

Collection of 3 full-color British front-of-house photographs from the UK release of the 1955 US film. Based on the biography by Marjorie Lawrence, about her rise to stardom in the Paris Opera scene, and her decline due to infantile paralysis. With help from her devoted husband, she returns to singing and does so for wounded servicemen, with flourish. 8 x 10 inches. Faint creases, else Near Fine.…

Taschenbuch. Zustand: Neu. Neuware - In Waitress at the Red Moon Pizzeria Eleanor Levine has crafted a collection of poetry that will challenge her readers to view their pasts through a new lens: one that is untainted by regret, shame, or fear. She invites her readers to reflect on the honesty in the desire, love, and pain that have driven their lives by following the journeys of narrators using the same lens to view their own lives. A daughter worries about her father buried deep in the ground, alone except for the cicadas that cover the ground every seventeen years. A mother attends Wagnerian acupuncture lessons and struggles to maintain the sanctity of her children's Jewish heritage even as it slips into the cracks of passing time. A sister laments the monotony of her brother's chosen lifestyle but wonders if the commotion of her own life merits any higher worth. A woman faces rejection and acceptance from the women she desires as sexual and emotional companions. The quiet moments of life are on display in this collection that refuses to accept that the past is something to be ashamed of. Deeply personal and joyfully candid, Waitress at the Red Moon Pizzeria is an invitation to look beyond the mistakes and missteps that lead us to believe our histories might be nightmares.…

Zustand: New. &Uumlber den AutorEleanor Levine spent twenty years running The Eleanor Levine Newsletter in New York City where she interviewed Abbie Hoffman after he came out of hiding, John Kennedy, Jr., Liz Smith, John Ashbery, Quentin Crisp, Noam .

116 pp.; 21.5 x 28 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. Essays by David Antin, Lizzie Borden, Jack Burnham, John McHale, and Suzanne Delehanty. Includes works by Vito Acconci, Sonia Andrade, Ant Farm, Eleanor Antin, David Askevold, John Baldessari, Lynda Benglis, Jim Byrne, Pierpaolo Calzolari, Colin Campbell, Peter Campus, Giuseppe Chiari, Fernando França Cocchiarale, Andrea Daninos, Douglas Davis, Antonio Dias, Juan Downey, Ed Emshwiller, Valie Export, Terry Fox, Howard Fried, Seiichi Fujii, Anna Bella Geiger, Michael Geissler and Video Audio Mediem, General Idea, Frank Gillette, Dan Graham, Sakumi Hagiwara, Martha Haslanger, Michael Hayden, K.H. Hödicke, Nancy Holt, Rebecca Horn, Mako Idemitsu, Taka Iimura, Joan Jonas, Allan Kaprow, Nobuhiro Kawanaka, Hakudo Kobayashi, Masao Komura, Beryl Korot, Paul Kos, Ernie Kovacs, Shigeko Kubota, Richard Landry, Les Levine, Alvin Lucier, Urs Lüthi, Ivens Olinto Machado, Andy Mann, Toshio Matsumoto, Kyoto Michishita, Robert Morris, Philip Morton, Fujiko Nakaya, Bruce Nauman, Dennis Oppenheim, Jean Otth, Nam June Paik, Giulio Paolini, Ulrike Rosenbach, Reiner Ruthenbeck, Daniel Sandin, Ira Schneider, Eric Siegel, Richard Serra, Nina Sobel, Keith Sonnier, Lisa Stelle, Skip Sweeney, Telethon, Top Value Television, Steina and Woody Vasulka, Bill Viola, Wolf Vostell, Morihiro Wada, Andy Warhol, William Wegman, Peter Weibel, Katsuhiro Yamaguchi, Keigo Yamamoto, and twenty-two broadcast commercials. Includes exhibition checklist and a selected bibliography. Good. Light bumping to top and bottom right corners of publication. Rubbing of cover edges. 1 cm. tear to bottom edge of recto with adjacent 6.5 cm. crease. Light yellow foxing to title page with yellowing of inside of recto. 1 mm. mark on the table of contents and on page 116. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

[unpaginated]; 23.2 x 14.8cm.; glue bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed TriQuarterly issue 32, edited by Lawrence Levy and John Perreault. Features artists projects by "Anti-Object" artists Ira Joel Haber, Lawrence Weiner, Joseph Beuys, Christo, Agnes Denes, Marjorie Strider, Douglas Huebler, Gregg Powell, Brenda Miller, John Baldessari, Gilbert & George, LeAnnn Bartok Wilchusky, Vito Acconci, Hans Haacke, Richard Serra, Will Insley, Phil Berkman, Michael Crane, Michael Kirby, Spephen Zaima, Eleanor Antin, Jan Sullivan, Nancy Holt, Adrian Piper, Robert Barry, Richard Long, Sol LeWitt, Robert Smithson, Joseph Kosuth, Alice Aycock, A. Ribé, Daniel Buren, Rafael Ferrer, Scott Burton, and Les Levine. Cover features 5 loose wallet-size photos of Tri-Quarterly 32 (imagined with printed rather than corrugated cardboard covers) featuring a cover with Robert Smithson's "Spiral Jetty" housed in a pocket affixed to corrugated cardboard covers. Includes contributor biographies. Very Good / Fine. 7 mm. tear and 4 mm. loss to tipped in envelope on recto. 8 mm. light soiling of recto. Light edgewear and wear to corners. 8 cm. crease with 1 mm, tear to bottom right corner of title page. Contents clean and unmarked.…

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…

[52] pp.; 53 x 28.5 cm.; loose leaves; black-and-white; edition size 2000; unsigned and unnumbered; offset-printed A tabloid style artists' project based on notions of exchange between Huebler and fifty artists. Text from cover: "50 signed original copies of this statement, (priced at $150 each), will constitute the only from of this piece for an indeterminate period of time. When the entire edition has been sold, presumably to 50 different 'owners', the net proceeds resulting from its sale will be used to structure and execute its final destiny." Text from first interior page: "After a period of months had passed no collector had purchased PART I of this work so it was re-designed in the following way: fifty people, not necessarily artists, were asked to accept the statement that constituted PART I in exchange for 'something of yours that you value as being worth $150.' As no 'net proceeds' resulted from the exchanges the 'final destiny' of the piece takes the form of the publication 'of all documents that accumulate as a result of its completion.' An edition of 2,000 newspaper type publications has been printed in order to bring the information concerning this work to a more general and larger audience at a very low cost." Incorporates the works of Eleanor Antin, Cazolari, Salvo, Alighiero Boetti, Hanne Darboven, Tim Zuck, David Askevold, John Goodyear, Lawrence Weiner, Roger Mazurquil, Charles Harper, Saul Ostrow, David Blume, Les Levine, Jack Burnham, Robert MacDonald, Carolyn Kite, Braco Dimitrijevic, John Pearson, Lucy Lippard, Tadashi Maeyama, Knimsa Kuriyama, Shyoji Kaneko, Kodo Tanaqua, Toshiyuki Sunohara, Hideharu Sato, Jum Mizukami, Hiroshi Kawatsu, Yutaka Matsuzawa, Gerald Ferguson, Boezem, Stanley Brouwn, Jan Dibbets, Adriaan Van Ravesteijn, Donald Burgy, Robert Barry, Christopher Cook, Edward Ruscha, Robert Cumming, Agnes Denes, Adrian Piper, Hans Haacke, John Baldessari, Sol LeWitt, Konrad Fischer, Daniel Buren, Gilbert & George, Bernd & Hilla Becher, Jaroslaw Kozlowski, Richards Jarden. Reference : No. A1973.03 in "Ed Ruscha : An Archive of Projects [Other Stuff]" by Robert Dean, Al Ruppersberg, David Platzker, Michael Friend. New York, NY : Gagosian, 2022, pp. 133. Fine. As issued, clean and unmarked. …

New York: Anna Canepa Video Distribution, Inc. and M.L. D'Arc Gallery, [1976]. Quarto (27.8 × 20.4 cm). Original pictorial staple-stitched wrappers (Video still from Lee Levine's "Landscape II"); 23, [1] pp. Very good. Catalog of Anna Canepa's distribution company. Canepa was among the first and most influential mediators of video art. In line with this new art form and its media-specific characteristics, new pathways had to be developed between artists and audiences. On the one hand, video art still required a curatorial practice similar to that provided by traditional galleries; on the other hand, it also demanded a business model akin to film distribution in the movie industry. As the medium itself transcended the conventional materials and forms of art, it simultaneously went beyond their specific modes of distribution. (Cf. Wulf Herzogenrath, Videokunst in Deutschland 1963-1982, Stuttgart 1982, p. 16). The clearly and simply designed catalog, whose blue typewriter typography continues the color of the wrapper, lists video artworks by the following artists, plainly structured and with detailed information: Eleanor Antin, Terry Fox, Taka Iimura, Allan Kaprow, Les Levine, Dennis Oppenheim, Charlemagne Palestine, Roger Welch. As of September 2025, KVK, OCLC list four copies in North America.…