eells david (13 Ergebnisse)

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.01.

Zustand: New. In.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: New.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st ed., 1st printing ; ; 272 pages : illustrations (some color) ; 28 cm ; ISBN 9780810934269, 9780890900604, 0810934264, 0890900604 OCLC 31088352 "Published on the occasion of the exhibition . organized by the Museum of Fine Arts, Houston, and the Metropolitan Museum of Art, New York, in collaboration with the High Museum of Art, Atlanta."--Title page verso; Exhibition held at Museum of Fine Arts, Houston, August 21-October 23, 1994 ; High Museum of Art, Atlanta, December 13, 1994-February 12, 1995 ; Metropolitan Museum of Art, New York, March 15-July 9, 1995 ; black cloth with gold designs and lettering ; in color photographic dustjacket ; In 1848, Gustave Herter arrived in America from Germany, fleeing political and economic chaos. His brother, Christian, joined him a decade later. By 1875 their firm, renamed Herter Brothers, was supplying the White House with furnishings, as it had been doing for some of America's wealthiest families since 1858. During this opulent period, Herter Brothers could claim to be the leading cabinetmaking and decorating firm in the country. The best of the Herter Brothers' furniture and interiors are displayed in 133 color and 167 black-and-white illustrations, including many close-up details as well as comparative work by rival fine cabinetmakers of the time in New York and Europe. Herter Brothers tells the story of the company from its earliest manifestations, when Gustave worked with other partners and alone, through his partnership with his brother, to Christian's years as head of the firm and the end of his tenure ; Katherine S. Howe is the director of the Rienzi house museum for European decorative arts in the Museum of Fine Arts, Houston.; Peter C. Marzio. Peter was the director of the Museum of Fine Arts in Houston, a post he held for almost three decades; born into a working-class immigrant family, becoming the first in his family to graduate from High School. At Juniata College he became inspired by the art and museum world, deciding to make this his career. He went on to earn a doctorate in art and American history from the University of Chicago. He served as curator of prints and drawings at the Smithsonian and then as director and chief executive officer of the Corcoran Gallery of Art, before becoming the director in Houston. ; Philippe de Montebello is a French and American museum director. He served from 1977 to 2008 as the director of the Metropolitan Museum of Art in New York. On his retirement, he was both the longest-serving director in the institution's history and the third longest-serving director of any major art museum in the world; He immigrated to the United States of America in the 1950s, and became a naturalized citizen of the US in 1955. He was educated in New York City at the Lycée Français de New York, graduated from Harvard University with a degree in art history, and earned an MA from New York University, after which he embarked on a career in Fine Arts. He became the Director of the Metropolitan Museum in 1977 and has become widely known as the public face of the museum.; Ned Rifkin joined the staff of the Hirshhorn Museum and Sculpture Garden in December 1986 as the first chief curator for exhibitions. ; Contents: A European context, 1840-80 : England / Simon Jervis. Germany / Hans Ottomeyer. France / Marc Bascou -- An introduction to the Herter Brothers / Katherine S. Howe -- From the Bowery to Broadway : the Herter Brothers and the New York furniture trade / Catherine Hoover Voorsanger -- Patronage and the artistic interior / Alice Cooney Frelinghuysen -- Herter Brothers furniture / Alice Cooney Frelinghuysen, Katherine S. Howe, Catherine Hoover Voorsanger ; FINE/FINE. Book.