edward munch (23 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Near fine. First Edition. A dense and profusely illustrated monograph on the symbolist prints of Munch from the Vivian and David Campbell Collection. Published to accompany and exhibition at The Art Gallery of Toronto, Ontario, 28 February to 28 May, 1997. 236pp. Indexed and with a detailed artist's chronology and select bibliography. Wraps. Square 4to. Illustrated wraps. Mild handling wear. Overall clean, bright.

Zustand: Good. - Small quarto, 10 inches high by 7-5/8 inches wide. Softcover, bound in grayish green wraps, titled in white on the front cover. The covers are rubbed, the corners creased and the book's spine has been reinforced with brown Kraft tape. 52 pages, with 45 full-page illustrations in color and black & white. The pages are soiled & lightly creased with a few stains. Good. The text is in Norwegian, English, French, and German.

paperback. Zustand: fine. Introduction by Thomas Messer. October 1965 - January 1966. Numerous illustrations, some in full color. Slim 4to, pictorial wrappers. New York: Guggenheim, (1965). Fine.

paperback. Zustand: Very Good.

Gebunden. Opb., 16 + 45s., guter Zustand. [AZC2,2]., Deu 400g.

19 x 12 cm, Ppbd. Mit 46 Graphiken, 15 Textseiten. Mit leichten Gebrauchsspuren. Sprache: Deutsch Gewicht in Gramm: 550.

Broschierte Ausgabe. Zustand: Wie neu. 1. Auflage. 80 Seiten Das Buch ist in exzellentem, sauberen Zustand, ungelesen. Lagerungsbedingt leicht verformt mit leichten Randlesuren. Sonst sauberes und wohlerhaltenes Exemplar. ISBN: 9780893816841 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 1001.

In-4 ( 280 X 200 mm ) de 128 pages, broché sous couverture illustrée. Illustrations hors-texte. Bon exemplaire Beaux-Arts.

Gr. 8° Broschiert. Zustand: Gut. Illustrierter broschierter Einband, 25 x 17 cm, leichte Gebrauchsspuren, Seiten minimal gebräunt, durchweg sauber, voll intakt. Einführung in die Ausstellung, Lebensdaten, Biografie, Verzeichnis von 102 ausgestellten Werken und 60 Werkabbildungen, z. T. in Farbe + Beilage: Faltblatt zur Ausstellung. Stichworte: Edward Munch, Grafik, Kunst, Ausstellungskatalog 18 Bll. + 62 Abb. Deutsch 250g.

First edition, first printing. Fine in near fine, slightly spine faded dustjacket.

Privater Name auf Vorsatz. Kanten leicht berieben, innen guter Zustand. Softcover. Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Origi.Pappband, kl.4°, 44 Seiten, 25 Farbabbildungen und einer Cd: 60min Spielzeit. Guter Zustand.

Soft cover. Zustand: Very Good. 46 pages.

Zustand: Good. 8vo. 112 pp. Soft cover. Fold out flaps. Very Good. Color plates throughout. 8vo. 24 pp. Soft cover. Very Good. Color plates throughout. From the Collection of the Art Historian Peter Selz (1919-2019).

287 S. Hardcover. 4°. Sauberes Exemplar ohne Stempel oder Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: deu.

Zustand: Good. [Exhibition brochure]. 8vo. [8 pp.]. Single white and color illustrated sheet, folded into fourths. Good with marginal toning along sides. Color plates. Includes artist chronologies for Edward Munch and Harald Sohlberg. Brochure created to accompany the exhibition "Edward Munch & Harald Sohlberg: Landscapes of the Mind" from October 12, 1995 through January 14, 1996 in New York, NY at the National Academy Museum. From the Collection of the Art Historian Peter Selz.

Pb, in engl. Sprache, 82 S., Z 2 (gut) Sprache: eng.

8° , Broschiert. Zustand: Gut. 16x22 cm, ca. 200 S. mit vielen Abb., gutes Exemplar Sprache: Deutsch Gewicht in Gramm: 550.

Gr.8°, 93 S. mit vielen farbigen und s/w Abbildungen, farbig illustrierter Orig.-Karton. Erste Ausgabe.- Gutes Exemplar.

Affiche couleurs reproduisant la lithographie Madonne par Edward Munch, 79 x 50 cm, exposition à Paris, Galerie Berggruen du 12 octobre au 17 décembre 1983. Imp. Clot Bramsen et Georges, Paris.

Hardcover. Zustand: g- to vg. First edition. Folio (13 1/2 x 9 1/2"). 495, [1]pp. Original red and gilt-stamped tan cloth, with red and gold lettering to spine. Front free endpaper inscribed and signed by an NSDAP official, with a nazi stamp. Original wrappers bound in. Originally published in 15 parts between July 1932 and October 1933 to comemorate the 15th German Gymnastics Festival in Stuttgart, this work is lavishly illustrated throughout with hundreds of photogravures depicting gymnasts competing, gymnastic officials, cityscapes, etc. After the January 1933 issue, there are more and more photographs showing Adolf Hitler, and other nazi leaders. Binding foxed and partly darkened along edges. Text in German, gothic script. Binding in overall good- to good, interior in very good condition.

No Binding. Zustand: Very Good. Original poster of Edward Munch's "The Scream". 50 X 70 CM, in very good condition. Edvard Munch ( 12 December 1863 23 January 1944) was a Norwegian painter. His best known work, The Scream (1893), has become one of Western art's most iconic images. His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family. Studying at the Royal School of Art and Design in Kristiania (today's Oslo), Munch began to live a bohemian life under the influence of the nihilist Hans Jæger, who urged him to paint his own emotional and psychological state ('soul painting'). From this emerged his distinctive style. Travel brought new influences and outlets. In Paris, he learned much from Paul Gauguin, Vincent van Gogh and Henri de Toulouse-Lautrec, especially their use of color. In Berlin, he met the Swedish dramatist August Strindberg, whom he painted, as he embarked on a major series of paintings he would later call The Frieze of Life, depicting a series of deeply-felt themes such as love, anxiety, jealousy and betrayal, steeped in atmosphere. The Scream was conceived in Kristiania. According to Munch, he was out walking at sunset, when he 'heard the enormous, infinite scream of nature'. The painting's agonized face is widely identified with the angst of the modern person. Between 1893 and 1910, he made two painted versions and two in pastels, as well as a number of prints. One of the pastels would eventually command the fourth highest nominal price paid for a painting at auction. As his fame and wealth grew, his emotional state remained insecure. He briefly considered marriage, but could not commit himself. A mental breakdown in 1908 forced him to give up heavy drinking, and he was cheered by his increasing acceptance by the people of Kristiania and exposure in the city's museums. His later years were spent working in peace and privacy. Although his works were banned in Nazi-occupied Europe, most of them survived World War II, securing him a legacy.