Paperback. Zustand: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Covers betray fading and nicks and other signs of wear and imperfection commensurate with age. Binding is tight and structurally sound. Erstwhile owner's signature on inside front cover; interior pages unmarked. Sealed in plastic for shipping. Secure packaging for safe delivery.
Paperback. Zustand: Good. No Jacket. SIGNED and inscribed by the author. Shelf and handling wear to cover and binding, with general signs of previous use. Inscribed by author Edwin Davison on main title page. Slight rubbing to side of text block. Secure packaging for safe delivery. signed and inscribed by author.
Sprache: Englisch
Verlag: Museum of Latin American Art, 2017
ISBN 10: 098010808X ISBN 13: 9780980108088
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 56,07
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 204 pages. 12.50x10.50x1.00 inches. In Stock.
Verlag: Yale University Press, Newport News, VA, 1946
Anbieter: Dennis Holzman Antiques, Cohoes, NY, USA
Erstausgabe
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. Jones, Allan D., Jr., and Chavez, Edward A. (illustrator). First Edition. Size: Octavo (standard book size). 2-volume set (complete). Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. Edward Frisbee's copy: Volume I front free end paper has handwritten record of Frisbee's movements in WWII, Frisbee is photographed in Volume II, plate 339. Both volumes: navy gilt-stamped cloth over boards; Volume I: frontispiece painting by Allan D. Jones, Jr., (xxiii), 146 pages, Maps of Port Area and Camp Patrick Henry, 211 photographic plates, illustrated with 2 paintings by Edward A. Chavez; Volume II: frontispiece painting by Allan D. Jones, Jr., (xii), pages 147-330, Appendices, Index, plates 212-380 in between pages 316 and 317, illustrated with 2 paintings, one by Chavez, one by Jones. Both volumes: corners and spine ends bumped and worn, covers rubbed and scratched; Volume I: small stain on front cover. Illustrator: Jones, Allan D., Jr., and Chavez, Edward A. Quantity Available: 1. Shipped Weight: 4 lbs 7 oz. Category: Military & Warfare; Pictures of this item not already displayed here available upon request. Inventory No: 011365.
EUR 51,67
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New.
Zustand: Very good.
Verlag: Hampton Roads Port of Embarkation/Yale University Press--printed under the direction of Yale University Press, which holds the copyright, Newport News, VA, 1946
Anbieter: Ground Zero Books, Ltd., Silver Spring, MD, USA
Erstausgabe
Hardcover. Zustand: Good. Allan D. Jones (Paintings), and Edward A. Chavez ( (illustrator). Presumed First Edition, First printing. This is a 2 volume set. Ex-library with the usual library markings. Ex-US Army Center of Military History Library. Color frontis in each volume. Vol. I xxiii, [1], 146 and Maps of Port Area Camp Patrick Henry and photo section (unpaginated) and Vol. II, xii, 147-330 pages and unpaginated photo section. 380 numbered plates. Editor was Port historian. Contains Foreword, Introduction, List of Illustrations, and chapters on The Geographical and Historical Environment of the Port; The Development of the Port; Camp Patrick Henry; Embarkation; Debarkation, Prisoners of War; The Sailing for the Invasion of North Africa of Task Force "A," Commanded by Major General George S. Patton, Jr.; The Saga of the Contessa; The Sailing for the Invasion of Sicily and Italy of Task Force "B" with the Forty-fifth (Thunderbird) Division, Commanded by Major General Troy S. Middleton; Cargo Movement; Oversea Supply; Liberty Ships as Troop Transports; Cargo Security Officers; and The Women's Army Corps. Volume two of the set contains The Technical Services Quartermaster; Military Personnel; Civilian Personnel; Morale Services; Processing of Vehicles for Overeas; Training; Prisoner-of-War Command, Italian Prisoner-of-war Camp; German Prisoner-of-War Camp; The Port Surgeon; Intelligence and Security Division, The Baltimore Cargo Port of Embarkation; The Hampton Roads Port of Embarkation and the Middle East; Combat Experiences of Ships' Officers. Appendices: Battle Memorandum; Decorations Awarded; Letter from Chief of Transportation; T C Troop Units trained at the Port; and Statistical Summary. Hampton Roads Port of Embarkation was the Army command structure and distributed port infrastructure in the Hampton Roads area of Virginia supporting movement of personnel and cargo overseas. It had been activated as the Newport News Port of Embarkation in World War I, deactivated, then reactivated 15 June 1942. Hampton Roads Port of Embarkation (HRPOE or HRPE was the third largest United States Army Transportation Corps port of embarkation in terms of passengers and second in terms of cargo tonnage on the East Coast of the United States during World War II. Until June 1942 Hampton Roads was a sub-port of the New York Port of Embarkation. Hampton Roads Port of Embarkation, administratively based in Newport News, Virginia, included the exclusively cargo sub port of Baltimore. The port, along with its Baltimore cargo port and the Philadelphia cargo port that was a sub port of the New York Port of Embarkation (NYPOE), was mainly focused on shipments to the Mediterranean and European areas. Troops were temporarily quartered in embarkation camps where the port was responsible for ensuring final outfitting before embarkation with HRPOE's Camp Patrick Henry being capable of housing 24,100 troops. Shortly after its activation 15 June 1942 the port was responsible for combat loading the Western Task Force of the North African invasion assault convoy. All of the combat loaded ships from the United States bound for North Africa, except Seatrain New Jersey with the 39th Combat Team embarked at the NYPOE, were loaded at the HRPOE. The port was again called on to combat load the reinforced 45th Infantry Division for Sicily. HRPOE had developed an efficient plan in which combat loaded ships were loaded in two "flights" whereby the first group would practice debarkation in the Chesapeake while the second group loaded and the second group would practice as the first refueled and topped off supplies. During the period of its operation as of August 1945 its passenger total was 725,880 and cargo tonnage was 12,521,868 and its subsidiary Baltimore cargo port accounted for 6,504,028 tons.
Verlag: Los Angeles: The Institute of Cultural Inquiry, 1997, 1997
Anbieter: Cole & Contreras / Sylvan Cole Gallery, Sitges, B, Spanien
Erstausgabe Signiert
A fascinating and wonderfully-illustrated monograph--with contributions by various scholars--devoted to Georges Bataille's magisterial erotic surrealist novel, Histoire de l'Oeil (first published pseudonymously in 1928). This is ONE OF ONLY 100 COPIES WITH THE UNEXPURGATED COVER, which was "cleaned up" for the trade edition. All of Masson's lithographs executed for the first edition of Histoire de l'Oeil are reproduced, as are the etchings Bellmer made for the second. There are many other related illustrations as well. This is ONE OF FEWER THAN 30 NUMBERED COPIES OF THE DELUXE EDITION, WITH A PORTFOLIO OF 13 ORIGINAL SIGNED AND NUMBERED PRINTS (etchings, aquatints, lithographs, woodcuts, photoengravings, mixed media) by Deborah Cullen, Sophie Sanders & Rudzani Nemasetoni, Edward Fausty, Shigeku Kumabe, Wei Jane Chir, Andrew Davis, Esteban Chavez, Marjorie Van Dyke, Kelly Driscoll, Lance Lumar, Richard Nelson, Peter Mayer, and Scherer & Ouporo. Square 4to. The book is in the original wraps, in the original folding paper envelope. It is housed with the prints in the original luxurious cloth case, with a mounted glass eye (!)--complete with movable eyelid and eyelash--staring out from the cover. FINE AND BRIGHT WITH NO DEFECTS. 75 copies of this deluxe edition were announced, but in the end fewer than 30 were actually assembled. A stylish and impressive tribute to one of the intellectual milestones of the 20th century, the Histoire de l'Oeil, widely considered not only the best surrealist work of fiction but also the most important erotic novel written since 1900.