Edward bond screenwriter (9 Ergebnisse)

DIE SEE Original-Programmheft des Residenztheater, Bayerisches Staatsschauspiel, Dt. von Harald Mueller in der Inszenierung von Luc Bondy. Premiere 30.11.1973 Pb. schmal 8° mit vielen Fotos, gut erhalten - von Edward Bond mit Datum 22.5.10 eigenhändig signiert.

SAVED Eyre Methuen Ltd. London 1976, 127 SS. illustriertes Pb. kl. 8°, gut erhalten - mit eigenhändiger Widmung, Empfehlung, Datum, Unterschrift signiert (in gleicher Form, mit gleicher Widmung, Unterschrift "LEAR" London 1972, Euro 65,-).

OLLYS GEFÄNGNIS Ein Stück in drei Teilen für Fernsehen und Theater. Deutsch von Christa Schuenke. Suhrkamp Theatertext, Frankfurt am Main 1. Auflage 1993, ERSTAUSGABE (EA), 100 SS. PB, 4°, gut erhalten. - von Edward Bond mit Datum 1.2.11 eigenhändig signiert.

First Draft script for an unproduced film. With a few annotations in manuscript pencil. Based on Ibsen's 1892 play, considered one of his most revealing works, about Halvard Solness, a master builder who returns to his hometown to construct a church with a towering steeple. Iit is revealed Solness has a great fear of heights. Yet he climbs the steeple for the grand unveiling of the building, only to fall to his death. Edward Bond was an English writer, and director, famous for his many plays which lead to the end of theater censorship in the UK, including "Saved" (1965). Though not wholly concerned with cinema, he produced several screenplays in his life, including an adaptation of Vladimir Nabokov's "Laughter in the Dark" (1968). Set in Europe 1900. Red titled wrappers, noted as First Draft on the front wrapper, dated May 13, 1975, with credits for screenwriter Edward Bond, and playwright Henrik Ibsen. Title page present, dated May 13, 1975, noted as First Draft, with credits for playwright Ibsen and screenwriter Bond. 106 leaves, with last page of text numbered 101. Mechanical duplication. Pages Near Fine, wrapper Near Fine bound with three gold brads.…

KUNSTPOSTKARTE (seine Büste) mit eigenhändigem Jahr, Unterschrift signiert.

Pas de couverture. Zustand: Bon. Rare - Signed letter. Cambridge, November 1, 1994. + Handwritten envelope. + Photo 21x15 cm (recent print). Size : 20x15 cm Condition : please see scans. Provenance : Gérard Leman collection. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

Vintage borderless reference photograph from the 1966 film, showing a sex scene between actors Jane Birkin and Gillian Hills, with David Hemmings looking on on the right. Provenance stamps and annotations in manuscript pencil and ink on the verso. Michelangelo Antonioni's first English-language film, marking the beginning of the final phase of his work, co-produced by companies in Italy, the United States, and the United Kingdom, featuring an international cast. The director's brash use of color, set design, nonstandard editing techniques, and typical emphasis of atmosphere over plot would carry over into the two major films that followed, "Zabriskie Point" (1970) and "The Passenger" (1975). Winner of the Palme d'Or. Nominated for the Academy Awards for Best Director and Best Screenplay. Set and shot on location in London. 10 x 8 inches. Near Fine. Criterion Collection 865. Ebert I. Grant UK.…

Five vintage borderless reference photographs from the 1966 film, showing a scene with David Hemmings staging a photoshoot with a topless Vanessa Redgrave Michelangelo Antonioni's first English-language film, marking the beginning of the final phase of his work, co-produced by companies in Italy, the United States, and the United Kingdom, featuring an international cast. The director's brash use of color, set design, nonstandard editing techniques, and typical emphasis of atmosphere over plot would carry over into the two major films that followed, "Zabriskie Point" (1970) and "The Passenger" (1975). Winner of the Palme d'Or. Nominated for the Academy Awards for Best Director and Best Screenplay. Set and shot on location in London. 9.75 x 8 inches. Near Fine. Criterion Collection 865. Ebert I. Grant UK. …

Vintage borderless double weight photograph of Michelangelo Antonioni on the set of the 1966 film, with provenance stamp of film scholar and author "J. P. Berthome" on verso. Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar. Michelangelo Antonioni's first English-language film, marking the beginning of the final phase of his work, co-produced by companies in Italy, the United States and the United Kingdom and featuring an international cast. The director's brash use of color, set design, non-standard editing techniques, and typical emphasis of atmosphere over plot would carry over into the two major films that followed, "Zabriskie Point" (1970) and "The Passenger" (1975). In his 2009 essay on the film, Danny Lyon notes, "It is apt that through [his established] style Antonioni made a movie that is perhaps closest to communicating the myth of the swinging Sixties scene but also the confusion of the time. . Britain's new and very chaotic [cultural] revolution was perhaps most effectively captured by an Italian." Winner of the Palme d'Or. Nominated for two Academy Awards for Best Director and Best Screenplay. 10 x 8 inches. Light edgewear and creasing in far corners, else Near Fine. Criterion Collection 865. Ebert I. Grant UK/Italy.…