edward alexander moore (24 Ergebnisse)

Hardcover. Zustand: Very Good. 2. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Good. Cover cornors has light denting. Minor scuffing on spine.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Zustand: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Hardcover. Zustand: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Secure packaging for safe delivery.

Zustand: New. In.

Zustand: New. In.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Philadelphia: The John C. Winston Co., 1935. Undated, ca. 1930s. Very good copy in somewhat worn dustjacket. Children's adaptation of Dumas' classic, illustrated with color plates and black and white line drawings. Maroon cloth with color illustration mounted on the front cover, decorative endpapers, color illustrated dustjacket. Externally pristine with some light chipping to the far ends of the spine gilt, cover illustration very bright, good hinges, sound text block, title page partially separated from the bottom (still well attached), gift notation at top of front free endpaper, pages clean and otherwise unmarked. The mylar protected dustjacket has some edgewear and chipping but little paper loss. Hard Cover. Very Good/Good. 8vo - over 7¾" - 9¾" tall.

[48] pp.; 26 x 23.5 cm.; sewn bound; black-and-white & color; edition size 1500; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 19, 1989 - March 11, 1990. Curated and with text by Kerry Brougher. Artists include Francis Bacon, John Baldessari, William Baziotes, Alexander Calder, Willem de Kooning, Richard Diebenkorn, Mark di Suvero, Jean Dubuffet, Tim Ebner, Eric Fischl, Sam Francis, Alberto Giacometti, Hans Hofmann, Jenny Holzer, Neil Jenney, Wassily Kandinsky, Ellsworth Kelly, Anselm Kiefer, Franz Kline, Jannis Kounellis, Fernand Léger, Roy Lichtenstein, Morris Lewis, Henry Moore, Elizabeth Murray, Claes Oldenburg, Pablo Picasso, Jackson Pollock, Robert Rauschenberg, Gerhard Richter, Susan Rothenberg, Edward Ruscha, Joel Shapiro, Alexis Smith, David Smith, Frank Stella, Andy Warhol, Boyd Webb, Terry Winters, and Tom Wudl. Includes a collector's statement and exhibition checklist. Very Good. Dust soiling, yellowing, and light handling wear to dust-jacket. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Zustand: New. In.

503 pp.; 29.8 x 22 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Martin-Gropius-Bau, Berlin, May 8 - July 25, 1993. Traveled to the Royal Academy of Arts and the Saatchi Gallery, London, September 16 - December 12, 1993. Edited and with essays by Christos M. Joachimides, Norman Rosenthal, with co-ordinating editing by David Anfam. Additional essays by Brooks Adams, Richard Armstrong, John Beardsley, Neal Benezra, Achille Bonito Oliva, Arthur C. Danto, Abraham A. Davidson, Wolfgang Max Faust, Mary Emma Harris, Thomas Kellein, Donald Kuspit, Mary Lublin, Karal Ann Marling, Barbara Moore, Francis V. O'Connor, Stephen Polcari, Carter Ratcliff, Irving Sandler, Wieland Schmied, Peter Selz, Gail Stavitsky, and Douglas Tallack. Artists include Carl Andre, Richard Artschwager, Jean-Michel Basquiat, Jonathan Borofsky, James Lee Byars, Alexander Calder, John Chamberlain, Joseph Cornell, John Covert, Stuart Davis, Willem de Kooning, Charles Demuth, Arthur Dove, Marcel Duchamp, Dan Flavin, Sam Francis, Robert Gober, Arshile Gorky, Dan Graham, Philip Guston, David Hammons, Keith Haring, Marsden Hartley, Eva Hesse, Gary Hill, Jenny Holzer, Edward Hopper, Jasper Johns, Donald Judd, Mike Kelley, Ellsworth Kelly, Franz Kline, Jeff Koons, Sol LeWitt, Roy Lichtenstein, Robert Mangold, Brice Marden, Agnes Martin, Robert Morris, Gerald Murphy, Bruce Nauman, Barnett Newman, Georgia O'Keeffe, Claes Oldenburg, Jackson Pollock, Martin Puryear, Robert Rauschenberg, Man Ray, Ad Reinhardt, James Rosenquist, Mark Rothko, Edward Ruscha, Robert Ryman, Julian Schnabel, Richard Serra, Charles Sheeler, Cindy Sherman, David Smith, Frank Stella, Clyfford Still, James Turrell, Cy Twombly, Bill Viola, Andy Warhol, and Lawrence Weiner. Includes exhibition checklist, a list of artists in the exhibition, biographies of the artists, selected bibliography, author biographies, and an index of names. Text in English. Good. 5.5 cm. dog-ear to bottom right corner of recto and 9.5 cm. crease to top right corner of recto with bumping of corners. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Taschenbuch. Zustand: Neu. Neuware - Experience the American Civil War through the eyes of a common soldier in 'The Story of a Cannoneer Under Stonewall Jackson.' This historical account offers a compelling glimpse into the Confederate Army and the strategies employed during the conflict. Edward A. Moore vividly recounts his experiences as an artilleryman serving under the legendary Stonewall Jackson, providing valuable insights into the day-to-day realities of military life in Virginia. Dive into the campaigns and battles that defined this pivotal period in American history, gaining a deeper understanding of the challenges faced by soldiers on both sides. This enduring narrative illuminates a crucial chapter in military history, offering a unique perspective on the Civil War. A timeless story of courage, resilience, and the human spirit amidst the turmoil of war.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Hardcover. Zustand: Fine. No Jacket. xviii, 840 p. illus. (part col.) 24 cm. ISBN 9780153608001, 0153608005 OCLC 84872 LCCN 75005720 LC QH47 .C68 1968 Dewey 574 ; color photographic boards, no dusjacket ; [Student laboratory guide Lab.manual.and Teacher's manual. NOT present] ; The 1968 second edition of Biological Science: An Inquiry Into Life (BSCS Yellow Version), edited by John A. Moore and published by Harcourt, Brace & World, was a seminal high school textbook emphasizing inquiry-based learning, molecular biology, and evolution. It aimed to move beyond rote memorization, focusing on scientific investigation rather than just facts. Key details regarding this 1968 edition include: Focus on Inquiry: The text and accompanying laboratory guide emphasized investigation, challenging students to analyze data and formulate hypotheses rather than just observing. Content and Structure: It was designed for 10th or 11th-grade students, heavily incorporating modern biological findings from the 1950s and 60s, including molecular biology and genetics. Reception: While lauded for promoting scientific thinking, some contemporary reviews suggested that despite the title, the text still contained a "good deal of telling" rather than pure inquiry, and it was quite rigorous. Impact: This BSCS text was considered a landmark in reforming biology education in the United States, moving away from descriptive biology toward a process-oriented approach. The book was frequently revised and reapproved for use in classrooms throughout the late 1960s and 1970s. ; 5 Excellent presentation of evolution, integrating synthetic theory. "Marred by progressionist ideology and claims of link to cultural evolution." ; BSCS "Yellow Version" aka Biological Science: An Inquiry Into Life ; FINE. Book.

Buch. Zustand: Neu. Neuware - Experience the American Civil War through the eyes of a common soldier in 'The Story of a Cannoneer Under Stonewall Jackson.' This historical account offers a compelling glimpse into the Confederate Army and the strategies employed during the conflict. Edward A. Moore vividly recounts his experiences as an artilleryman serving under the legendary Stonewall Jackson, providing valuable insights into the day-to-day realities of military life in Virginia. Dive into the campaigns and battles that defined this pivotal period in American history, gaining a deeper understanding of the challenges faced by soldiers on both sides. This enduring narrative illuminates a crucial chapter in military history, offering a unique perspective on the Civil War. A timeless story of courage, resilience, and the human spirit amidst the turmoil of war.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Hardcover. Zustand: Good. No Jacket. 314 pages ; OCLC 927145016 (online version); art nouveau design with sunflowers and in green and brown on brown cloth ; no dustjacket ; "Reading with appreciation is a fine art. This volume contains some of the gems of literature which the race has learned to love. Some of the 'old fashioned selections' and some of the most charming new short classics, are offered as a basis for study and appreciation. The average pupil will study his reading lesson with zest if he is given some definite work to do. In these studies, the brief introduction to each selection is intended to whet the pupil's appetite.The exercises following each study make his study definite and to the point. Helpful notes are added wherever necessary, and additional readings are given. ; Selections include: The American Boy -- The Light That Is Felt -- The Tiger The Brahman, And The Jackal -- A Kind Word -- Little Brown Hands -- The Lame Man And The Blind Man -- The Owl And The Pussy-cat -- September -- The Arab And His Camel -- The Shepherd Boy And The Wolf -- Needless Pain -- Because He Loves Us -- Marjorie's Almanac -- The Brown Thrush -- Truth -- God Bless Our Flag -- The Quails -- The Discontented Stonecutter -- The Cloud -- All Things Beautiful -- Labor -- The Matsuyama Mirror -- Work While You Work -- The Pen -- The Quest -- God Bless The Commonplace -- A Bright Chinese Boy -- The Grapevine Swing -- Beautiful Joe -- Forget-me-not -- October's Bright Blue Weather -- Daisies -- So Much Of Goodness -- The Breaking In Of Black Beauty -- The Children's Hour -- The Magic Mill -- The Corn Song -- Daniel Webster's First Case -- The Day Is Done -- The Image And The Treasure -- Somebody's Mother -- Look For Goodness -- The Code Barbarian -- The Discontented Pendulum -- True Success -- Which Loved Best? -- Hope -- The Story Of King Midas -- T Is The Last Rose Of Summer -- Home, Sweet Home -- The Fight -- A Simple Recipe -- The Angels Song -- A Visit From St, Nicholas -- Ring Out, Wild Bells! -- Beauty In Common Things -- Letters Of Recommendation -- A Song For Flag Day -- The Stone In The Road -- Answer To A Child's Question -- Paul Revere's Ride -- The Dream Of Home -- The Choice Of Hercules -- Thomas Jefferson's Ten Rules -- After The Shipwreck -- The Lost Camel -- The Planting Of The Apple Tree -- We Should Smile -- The Humbug -- Sky-born Music -- The Pebble And The Acorn -- The Tree -- Service -- The Sleeping Beauty -- A Wholesome Tongue -- The Village Blacksmith -- Genuine Heroism -- The Legend Of Indian Corn -- Robert E. Lee -- The City Mouse And The Country Mouse -- Our Birth--The First Roses -- A Little Sermon -- Four-leaf Clover -- Love's Nobility -- A Prayer -- Casabianca -- Be What Thou Seemest -- Thor And The Giants -- The Spider And The Fly -- The Mouse And The Moonbeam -- The Schoolhouse And The Flag -- The Snow-image -- Index Of Authors ; Numerous Biblical references appear in Searson's Studies in Reading (1923), but the movement is toward secular stories with a moral emphasizing social values. This reader, published after World War I, begins with a poem, "The American Boy." It is a dialogue between a father and son about patriotism. According to the author of this reader, the influence of the story "The Poor Little Match Girl" "founded many an orphan home and organized hundreds of societies for relief of the worthy poor," which indicates an emphasis on philanthropy and social work during the era of the Social Gospel.80% of selections taught traditional values."-- Sharon Vincz Andrews ; signature of a youthful Gerald Grout, later a Kansas Ophthalmologist ; GOOD. Book.

Zustand: Good. Oblong 4to. 27 1x 21 cm. 5 vols., engraved titles and 249 plates (only of 250, lacking Hillingdon House plate from vol.1), the odd spot or foxing mark but largely clean internally, contemporary red straight-grain morocco, blind-stamped and panelled with gilt, a little rubbed, corners bumped,.OCLC Number / Unique Identifier:1009029252:At head of publisher's original (part) wrappers: New copper-plate magazineEditor and principal engraver: John WalkerEngravings by J. Walker, William Walker, T. Medland, Birrell, B.T. Pouncy, James Greig, James Heath, G. Walker, William Ellis, Fitler, Barrett, J. Storer, Roberts, J. Widnell, J. Roffe, and T. Tagg; after J.M.W. Turner, Paul Sandby, Thomas Girtin, Thomas Hearne and Thomas Malton, Esther Acklom, Miss Berniers, Edward Francis Burney, Charles Catton, Jr., Richard Corbould, George Cuit, Edward Dayes, Arthur Benoni Evans, Thomas Girtin, Harraden, John Hassell, J. Hornsey, H. Jeayes, Thomas Malton, John Meheux, Conrad Martin Metz, James Moore, Francis Nicholson, John Nixon, Rev. Robert Nixon, William Orme, Alexander Reid, Philip Reinagle, Humphry Repton, Paul Sandby, Thomas Sandby, William Watts, Francis Wheatley and othersImprints undated; years of publication from monthly issues.Originally issued in 125 parts, each consisting of two plates and two letterpress leaves. Each cumulated volume contains 50 plates with associated letterpress, an index leaf and engraved title page; vols. 1, 4 and 5 have an "Advertisement" leaf; v. 5 also has a general index.Plates include great houses and significant architectural structures from various places in the British Isles. Each plate includes names of engraver and artist, but these are not indexed.Title pages are engraved; signed (v.1): Milns scrt. Puke sc.Vol. 2 with imprint: London : printed for Harrison and Co. Pater-Noster Row. & J. Walker, engraver. No. 16, Rosomans Street, Clerkenwell; v. 3-5 with imprint: London : printed for J. Walker, engraver. No. 16, Rosomans Street, ClerkenwellVol. 4: "Printed by S. Gosnell, Little Queen Street, Holborn."Vols. 4 & 5 with alternative title: Elegant cabinet.

[28] pp.; 27.8 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held [June 6 - 24], 1960. Foreword by Martha Jackson. Texts "Junk Culture as Tradition" by Lawrence Alloway, and "Some Observations on Contemporary Art" by Allan Kaprow. Artists included Anthea Alley, Stephen Antonakos, Hans Arp, Hubert Berke, Jose Bermudez, Ronald Bladen, Lee Bontecou, Harry Bouras, George Brecht, Alberto Burri, Alexander Calder, John Chamberlain, David Chapin, Chryssa, Christo Coetzee, Bruce Conner, Joseph Cornell, Roy De Forest, Sari Dienes, James Dine, Enrico Donati, Tom Doyle, Jean Dubuffet, Claire Falkenstein, Dan Flavin, Jean Follett, Peter Forakis, William Giles, Charles Ginnever, Mathias Goeritz, Red Grooms, Grover Hendricks, Edward Higgins, Robert Indiana, Paul Jenkins, Jasper Johns, Zoltan Kemeny, Yffe Kimball, Yves Klein, Irving Kriesberg, Bernard Langlais, John Latham, John Little, Hubert Long, Anthony Magar, Robert Mallary, Glen Michaels, Manolo Millares, Renee Miller, Henry Moore, Louise Nevelson, Claes Oldenburg, George Ortman, Alfonso Ossorio, Lil Picard, Arnaldo Pomodoro, Leo Rabkin, Robert Rauschenberg, Irwin Rubin, Salvatore Scarpitta, Kurt Schwitters, Richard Stankiewicz, Takis, Antonio Tapies, Alice Terry, Sofu Teshigahara, Stanley Vanderbeek, Robert Whitman, May Wilson and Wilfred Zogbaum. Includes eight installation images by Rudolph Burckhardt and checklist of the exhibition with prices listed. Very Good. Light rubbing of covers and edges with 7.1 cm. of yellowing to recto. Contents are clean and unmarked.

London, Gouldinf & D'Almaine, s.d. / Dublin, Marcus Moses, s.d. / London, C. Lonsdale, s.d. / London, J. Duff & Co, s.d. / London, Alexander Lee & Lee, s.d. / London, Cramer, Addison & Beale, s.d. / s.d. / London, J. Balls & Son, s.d. / Edinburgh, Alexander Robertson, s.d. / London, J. Dean, s.d. / London, S. Chappell, s.d. / London, Royal Harmonic Institution, s.d. / London, J. Alfred Novello, s.d. / London & Edinburgh, Cramer, Addison & Beale, Alexander Robertson, s.d. / London, Cramer, Addison & Beale, s.d. / London, Lensdale & Mills, s.d. / London, R. Mills, Paris, Pacini, s.d. / etc., etc. 2 volumes in-4, 107 ff. et 133 ff. numérotés (encre et plume), reliure plein maroquin bordeaux de l'époque, dos et plats ornés (dos un peu frottés). Ex-dono à Mademoiselle Bréald (?). A collection of 64 musical scores of the XIXth century, finely bound in 2 volumes. / Recueil de 64 partitions musicales du XIXe siècle, bien reliées en deux volumes. * Voir photographies / See pictures. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.