Edward agate (13 Ergebnisse)
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Principles of Orchestration: With Musical Examples Drawn From his own Works
Rimsky-Korsakov, Nikolay; Shteinberg, Maksimilian Oseevich; Agate, Edward
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Principles of Orchestration: With Musical Examples Drawn From his own Works
Rimsky-Korsakov, Nikolay; Shteinberg, Maksimilian Oseevich; Agate, Edward
- Hardcover
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Verlag: royal opera, London, 1907
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Verlag: W.Bessel & Co, London
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Original Printed Wrappers. Zustand: Good. No Jacket. Comic Opera in Three Acts. Words taken from a a story by Gogol. Music by M.Moussorgsky. Completed and Orchestrated by N.Tcherepnin. English Version by Edward Agate. Complete Libretto. 36 pages. Stapled. Not dated.
Principles of Orchestration Wi
Rimsky-Korsakov, Nikolay; Shteinberg, Maksimilian Oseevich; Agate, Edward
- Hardcover
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Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Verlag: J. & W. Chester [1924?], London, 1924
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Stapled as issued. Size: 8vo. 12pp.
Principles of Orchestration: With Musical Examples Drawn From his own Works
Rimsky-Korsakov, Nikolay|Shteinberg, Maksimilian Oseevich|Agate, Edward
- Softcover
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Principles of Orchestration: With Musical Examples Drawn From his own Works
Rimsky-Korsakov, Nikolay|Shteinberg, Maksimilian Oseevich|Agate, Edward
- Hardcover
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Verlag: B. B. C., London,, 1929
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Paperback. Zustand: Very Good. First Edition. Wraps. 8vo. Wraps/ pamphlet. pp 36. Libretto for a performance which was broadcast on January 28 and 30 1929. Libretto by V. Bielsky, adapted from a story by Poushkin. Translated by Edward Agate. Very good indeed.
Verlag: J.B. Cramer
- Hardcover
- Noten
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Hardcover. Zustand: Good. No Jacket. An Ex-Library rebound Hardback without dust jacket, officially withdrawn, usual library stamps and markings. Published by J.B. Cramer, London. Undated but pre-decimalisation. Ready for immediate despatch from UK. 31A*.
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Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this wor…k, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Principles of Orchestration with musical examples drawn from his own works
Rimsky-Korsakow, Nicolas, and Steinberg, Maximiliam (Editor), and Agate, Edward (Translator)
Verlag: E. F. Kalmus Orchestra Scores, Inc, New York, 1933
- Hardcover
- Signiert
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Hardcover. xii, 333, [7] p. Includes: illustrations, diagrams. Footnotes. Preface dated 1912. Steinberg was the composer's son-in-law From Wikipedia: "Nikolai Andreyevich Rimsky-Korsakov (18 March [O.S. 6 March] 1844 21 June [O.S. 8 June] 1908) was a Russian composer, and a member of the group of composers known as The Five. He…was a master of orchestration. His best-known orchestral compositions Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. Scheherazade is an example of his frequent use of fairy tale and folk subjects. Rimsky-Korsakov believed, as did fellow composer Mily Balakirev and critic Vladimir Stasov, in developing a nationalistic style of classical music. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. However, Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. His techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner. For much of his life, Rimsky-Korsakov combined his composition and teaching with a career in the Russian military at first as an officer in the Imperial Russian Navy, then as the civilian Inspector of Naval Bands. He wrote that he developed a passion for the ocean in childhood from reading books and hearing of his older brother's exploits in the navy. This love of the sea might have influenced him to write two of his best-known orchestral works, the musical tableau Sadko (not his later opera of the same name) and Scheherazade. Through his service as Inspector of Naval Bands, Rimsky-Korsakov expanded his knowledge of woodwind and brass playing, which enhanced his abilities in orchestration. He passed this knowledge to his students, and also posthumously through a textbook on orchestration that was completed by his son-in-law, Maximilian Steinberg. Rimsky-Korsakov left a considerable body of original Russian nationalist compositions. He prepared works by The Five for performance, which brought them into the active classical repertoire (although there is controversy over his editing of the works of Modest Mussorgsky), and shaped a generation of younger composers and musicians during his decades as an educator. Rimsky-Korsakov is therefore considered "the main architect" of what the classical music public considers the Russian style of composition. His influence on younger composers was especially important, as he served as a transitional figure between the autodidactism which exemplified Glinka and The Five and professionally trained composers which would become the norm in Russia by the closing years of the 19th century. While Rimsky-Korsakov's style was based on those of Glinka, Balakirev, Hector Berlioz, and Franz Liszt, he "transmitted this style directly to two generations of Russian composers" and influenced non-Russian composers including Maurice Ravel, Claude Debussy, Paul Dukas and Ottorino Respighi." Fair. No dust jacket. Highlighting/underlining. Signed by previous owner. Signed by Timothy Leary Jr. in 1937 on fep! ! ! Some pencil marks/comments noted. Cover has some wear and soiling. Corners rubbed. Spine frayed. Lettering on spine faded.
