Edited with text by (105 Ergebnisse)

Soft cover. Zustand: Fine. 8vo, i-xiii, 285 pp, paperback, fine.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. 1st Edition. THIS IS A HEAVY BOOK AND POSTAGE MAY WELL BE MORE THAN THAT QUOTED BY ABE BOOKS WHICH IS FOR A SMALL LIGHT BOOK, ESPECIALLY IF ORDERING FROM OUTSIDE THE UK. PLEASE ASK FOR A POSTAGE QUOTATION BEFORE ORDERING TO AVOID DISAPPOINTMENT AT EXTRA CHARGES BEING REQUESTED. 256pp, well-illustrated, hard cover, 4to, bound in black cloth, silver lettered, dust jacket unclipped and good but with a stain within and some minor tears, the book is in good condition, Martin Secker & Warburg Ltd, London, 1980. * the most extensive collection of Beaton's work ever to be published. ILLUSTRATED (illustrator).…

Hard. Zustand: Good. Good. Publishers cloth. Hinges cracked. Neatly penned ownership inscription to half-title page verso. 662pp.

Hardcover. Zustand: Very Good Plus. Zustand des Schutzumschlags: Very Good Plus. First Edition. Inscribed by author on bookplate attached to front paste-down, DJ price-clipped, tips bumped, otherwise very clean, tight and bright. Signed by Author(s).

Hardcover. Zustand: Good. Undated edition. Firmly bound, maroon boards. Scuffing with small peeling on cover and spine. No jacket. with world Atlas of 31 pages in colour - 29 other colour plates - 88 pages of illustrations in half-tone - over 750 drawings in the text (illustrator).

Paperback. Zustand: Very Good +. 47 pgs. 8 1/4 x 10 1/2 in. Paper with color photo on cover. Numerous color illustrations. Text in Italian. Condition of the book is VERY GOOD+ ; cover bright and not scuffed, corners only very slightly worn, text very clean and bright, a very nice copy.

Zustand: New. pp. 1056.

Softcover. Zustand: Fine. First paperback edition. Small quarto. 143pp. Illustrated in both color and black and white. Pictorial wrappers. Just about fine, with a bit of wear along the edges. Published on occasion of the exhibition held at Barbican Gallery, London, October 5, 2000 to January 14, 2001. …

Soft cover. Zustand: Good. Firmly bound and clean. Programme for this opera that was performed in several British theatres in 1989. illustrataed with black and white photographs (illustrator).

Hardcover. Zustand: Good. Reprint. Firmly bound, decorated red cloth boards without a jacket, some handling wear including small fraying tears at the top and base of the back external hinge. 300 coloured illustrations, 8 photographic reproductions and 49 text figures (illustrator).

Hardcover. Zustand: Good. 1st Edition. Firmly bound, decorated green boards. Small scuffing on cover and spine. Crease on base corner of title page. No jacket. with twelve colour plates and over 900 illustrations in the text (illustrator).

Soft cover. Zustand: Good. Revised Edition. Firmly bound with light handling wear. 14 paintings by Monica Coleman are illustrated in colour (illustrator).

Hardcover. Zustand: Good. 1st Edition. Minor handling wear on the ends of spine. Foxing on back of front cover and end papers. Minor tear of paper between the bases of front end paper and title page.

Softback. 256pp Neat inscription to ffep. book.

Original cloth with dustjacket. Dustjacket a bit worn at edges, else a (very) good copy. Text in English with parts in Sanskrit. Please see description or ask for photos.

Original cloth with dustjacket. spine of the dustjacket a bit discolored, else in (very) good condition. Text entirely in Sanskrit. Please see description or ask for photos.

Hardback. Bound in black cloth with light fading to the spine 256pp Internally there is a neat inscription to the front free endpaper with a diagonal cut to the top right hand corner some creasing to the pages towards the rear otherwise a nice copy. book.

Original cloth with dustjacket. Some traces of use to the dustjacket, else in good condition. Please see description or ask for photos.

Seventeenth Edition. Near fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Prelims and plate edges slightly foxed. Remains remarkably well-preserved overall. Physical description; xiv, 356 pages : illustrations (part color) ; 23 cm. Subjects; Botany Great Britain. Grasses Great Britain. Sedges Great Britain. 1 Kg. …

Hard. Zustand: Good-. Good-. Contemporaneous half calf and marbled boards. Covers lightly rubbed. Gilt lettering to spine. Foxed. One leaf ripped and repaired. 476pp. Illustrated with plates and b/w engravings within text. (illustrator).

Zustand: New. pp. 1056.

Hard. Zustand: Near fine in very good dust ja. Near fine in very good dust jacket. 644pp. Illustrated with photographs and line drawings within text. (illustrator).

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 144 Seiten/pp. - This first monograph on the films and video installations of Austrian artist Lukas Marxt (born 1983) focuses in particular on Marxt s current project, which has already taken him to California, Nevada and Utah, and in which he delves into the partly suppressed history of the United States in the context of the military-entertainment complex.…

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 20 x 29,5 cm, 80 pages, 90 color illustrations - A case study about concept cars and former modernist memories (artist's book).

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 19 x 24 cm, 140 pages, 148 colour & b/w illustrations - Mathieu Mercier's work explores the relationship between contemporary mass-produced consumer objects and their aesthetic origins in early 20th-century art and design. He frequently employs common household and industrial materials to create his sculptural, photographic, and wall-based works.…

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 104 Seiten/pages with 80 color & 2 bw. illustrations- Published to accompany an exhibition at David Nolan Gallery, Jonathan Meese showcases the painting, drawing and sculpture of the German artist (born 1970). Addressing certain uneasy aspects of German political history, Meese s work adopts ideological symbols only to empty them of meaning.…

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 240 pgs, 150 bw. illustrations - The first comprehensive publication on these projects, this book presents extensive photographic documentation alongside a multivocal account by its participants.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 240 pgs / 50 color & 100 bw. illustrations - The first comprehensive publication on APTART, this book presents extensive photographic documentation of all their activities alongside archival texts from contributing artists and documents from the time. Main essays by Margarita Tupitsyn and Victor Tupitsyn offer a detailed elucidation of the movement s history and guiding concepts; and further analysis is provided by contributions from Alexandra Danilova and Elena Kuprina-Lyakhovich, Maja and Reuben Fowkes, Richard Goldstein, Sven Gundlakh, Ilya Kabakov, David Morris and Valerie Smith. …

Hardcover. Zustand: Gut bis sehr gut. Z : 144 pp., 133 color illustrations - Three genres dominate Van Gogh's work from the beginning of his career to its end: the figure, the landscape and the still life. Van Gogh in Provence argues that Van Gogh's achievements as a modernist are best understood in relation to these traditional loyalties. Using vibrant colors, surging brushstrokes and daring compositions to give established motifs new, expressive form, Van Gogh built a modern house on a traditional foundation.…

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 236 pages/Seiten, 57 color illustrations/Farbabbildungen - No Two Alike is a two-volume publication which documents an exhibition curated by Ulrike Meyer Stump as part of Cincinnati's 2018 FotoFocus Biennal, with its general theme Open Archive. " The exhibition restages the historic encounter between Karl Blossfeldt s plant photographs and Francis Bruguière s light designs held at the Warren Gallery in London in 1929 and juxtaposes it with the Photograms and Negatives series by contemporary artist Thomas Ruff. The combination of Blossfeldt's biomorphism and Bruguière's abstraction offers clues for the understanding of British modernism, and offers insight into the role photography and photobooks played in the British avant-garde. Throughout his career, Thomas Ruff has expressed great interest in the history of photography and has repeatedly shown a special affinity with Blossfeldt (particularly in his Negatives series); Bruguière's abstract light compositions, on the other hand, have strong formal ties to Ruff's photograms. "No two alike" expresses the three artists' mutual interest in the variant as a creative principle, also advancing the idea that each of these bodies of work presents a variant of the other.…