Edited by michael al (42 Ergebnisse)
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Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.
- Softcover
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Paperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.
Sprache: Englisch
Verlag: Clarendon Press 1998
- Hardcover
Anbieter: Genesee Books, Rochester, NY, USAGenesee Books
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine.
Verlag: Yale University Press, New Haven 2000
- Softcover
Anbieter: Henry Hollander, Bookseller, Los Angeles, CA, USAHenry Hollander, Bookseller
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Softbound. Zustand: Very Good. Octavo, paper covers, lviii, 578 pp., glossary of names, glossary of terms, list of commentators, index of biblical and rabbinic sources, index of names, general index Foreword by David Hartman, "Introduction: The Jewish Political Tradition," Michael Walzer, "The Selection, Translation, and Present…ation of the Texts," Meneachem Lorberbaum and Noam J. Zohar, "Law, Story, and Interpretation: Reading Rabbinic Texts," Michael Fishbane.
Verlag: Jewish Socialist Critique, Berkeley 1979
- Softcover
Anbieter: Henry Hollander, Bookseller, Los Angeles, CA, USAHenry Hollander, Bookseller
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Softbound. Zustand: Good. Small octavo, soiled stapled paper covers, 96 pp. Articles are "Marx and the Jewish Question: A Respone to Julius Carlebach," Gary Ruchwarger, "The Holocaust Season: A Singer's Story," Karen Bogen, "This Passoveror Next I Will Nevr be in Jerusalem," Hilton Obenzinger, "Epilogue: The Reemrgence of Social…isim Among Jews," Arthur Liebman, "The War of Independence," Hannah Davis, "Waskowwrestling," David Forbes, "Grandmothers and Granddaughters: The Struggle for Women'sRights in Isrtael," Gershon Shafir.
Verlag: Outpost's Publication), (London 1972
- Softcover
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Softcover. Zustand: Near Fine. Softcover. Magazine. Octavo. 35pp. Stapled wrappers. Rubbing, near fine. Notable contributors include David Holbrook, A.L. Hendriks, Michael Ivens, John Fairfax, Tony Curtis, John Cotton, Wes Magee, and others.
Weitere BilderSprache: Englisch
Verlag: Ambit, 17 Priory Gardens, Highgare, London N6 5QY 1992
- Softcover
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Original Wraps. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Ambit Number 127, published in 1992. Illustrated throughout in monochrome. ***Very good in textured card monochrome-illustrated outer wrapper over thin white card covers. The edges of the outer wrapper are slightly rubbed. The top of the s…pine is slightly creased. No tears. Internally also very good with no inscriptions. Pages clean. Spine tight. ***244mm x 176mm. 96 pages. ***Contents: James Laughlin: Poems, Robert MacAulay; Vanessa Jackson: Drawings; Ann Gray: Poems; Martin Bax: Le Magasin des Gants, David Remfy; Rosemary Norman: Poems; Adrian Mitchell: Poems; Michael Foreman; Judith Kazantzis: The Glass Avenue, Laura Knight; Andzej Klimowski: The Story So Far; Josephine Wilson: Poems; Lomas / Eisa Sterberg: Money Doesn't Stink; E.A. Markham: Madeline; Elizabeth Smith: The Tzar, Lenin & Picasso; Lois Beeson: Poems; Jim Burns: Reviews; David Grubb: Poems; Sue Flynn: Disabled Vows; Ian Pollock: Drawings; Liz Dearden: Cut Woman Poems; Linda Sutton: Etchings; Anthony Edkins: Poems; Lomas / Belbin: Reviews; Ambit Nights Out; Felicity Napier: Poems; Richard Dyer: Poems / Pictures. ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting.' (Martin Bax interview with 3:AM magazine) ***An early 90s edition of the magazine in very nice, collectable condition. Of interest to collectors of AMBIT and poetry magazines in general. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Michael Foreman, Laura Knight et al (illustrator).
Weitere BilderAMBIT Magazine No. 126 (1991) - includes Pop Art Retrospective from Ambit: Hockney / Paolozzi / Caulfield / Donaldson / Jones / Blake / Anuand / Donaldson
Martin Bax (Edited by), Jim Burns, Jeff Nuttall, Kevin Crossley-Holland et al (Contributors)
Sprache: Englisch
Verlag: Ambit, 17 Priory Gardens, Highgare, London N6 5QY 1991
- Softcover
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Original Wraps. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Ambit Number 126, published in 1991. Illustrated throughout in monochrome. ***Very good in textured card monochrome-illustrated outer wrapper over thin white card covers. The edges of the outer wrapper are slightly rubbed. The top corner o…f the page block is slightly creased. No tears. Internally also very good with no inscriptions. Pages clean. Spine tight. ***244mm x 176mm. 96 pages. ***Contents: Jim Burns: Poems; Justine Rivers: Skin; Robert MacAulay; Judy Gahagan: Poem; John Emanuel: Drawings; Elaine Randell: Poem; Jonathan Treitel: Quest; Ken Cox: Drawings; Elaine Randell: Storm Damage; Laurie Preece: Pitures; Donal Atkinson Poems; Charles Shearer: Drawings; John Gower: Lillian; Mike Foreman; Edward Lowbury; Mary Knight: The Girl with the Unicorn; David Remfry; Herbert Lomas: Reviews; Florence Elon: From Frieda & William; Pop Art Retrospective from Ambit: Hockney / Paolozzi / Caulfield / Donaldson / Jones / Blake / Anuand / Donaldson; Joel Lane: The Death of the Witness; Laura Knight; Jeff Nuttall: Eyes IV; Jacqueline Lucas: Poems; William Hampton: To a Man Who Became a Storyteller; Ann Born / Vernon Scannell: Reviews; Duncan Chambers: Poems; Eric Mathieson: Reviews; Robert Magowan: Looking for Binoculars; Kevin Crossley-Holland: Poem. ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting. (Martin Bax interview with 3:AM magazine) ***An early 90s edition of the magazine in very nice, collectable condition. Of interest to collectors of AMBIT and poetry magazines in general. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Michael Foreman, Laura Knight et al (illustrator).
Verlag: The Eighteenth-Cenrury Ireland Society, Ireland 2001
- Softcover
Anbieter: The Bookstore, Belfast, Vereinigtes KönigreichThe Bookstore
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Soft cover. Zustand: Very Good. Very good condition.Very light crease to front cover. Light marks to covers.
Verlag: Constable & Co Ltd, 1964
- Hardcover
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Hardcover. Zustand: Very Good. 1st Edition. Constable & Co, London, 1964. Hard Cover. no jacket First edition, gilt titles to spine with blue boards, 191 pages with errata, from the private library of James Richmond the well respected Theologian, Academic and Author with his name stamp to fep, just a couple neat annotations Othe…rwise covers and inside in VERY GOOD CLEAN TIGHT READING ORDER. Full refund if not satisfied. 24 hour dispatch. If not pictured in this listing, a scan of the actual book is available on request.
- Hardcover
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hardback, large 4to, 192pp, bilingual text in English and German, numerous illustrations, clean and tight, no inscriptions, Very Good / Very Good dustwrapper. ISBN: 3775718095.
Verlag: Partisan Review, New Brunswick, New Jersey 1970
- Softcover
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Softcover. Zustand: Fine. First edition. Pictorial wrappers. 471-585pp. Subtle impressions from someone using it as a writing surface on the front cover, else fine. Poetry, short stoires, art, by Joyce Carol Oates, Arthur Schlesinger, Jr., Philip Guston, Michael Harrington, Howard Zinne, Irving Weinman, Russell Banks, George Lev…ine, et al. Books reviews of *The Lives and Loves of Mr. Jiveass Nigger* by Cecil Brown: Maureen Howard; *Local Anaesthetic* by Gunter Grass: Richard Howard"; and more.
- Softcover
Anbieter: Springhead Books, Rochester, Vereinigtes KönigreichSpringhead Books
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Soft cover. Zustand: Very Good. This volume will be of enormous interest and value to the growing number of people qualified both in the established and the new training societies for analysts and therapists, or studying to enter them. Within it theory and practice are closely interwoven, demonstrating how theories and models em…erge, both from the study of earlier pioneering publications and from day to day experience. xiv, 335 p. ; 23 cm. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.
Weitere Bilder- Softcover
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Soft cover. Zustand: Very Good. 1st Edition. Technical and scientific analysis of how to preserve/conserve The Buddhas at Bamiyan in Afghanistan following their destruction by the Taliban. Well-illustrated in colour throughout with some reproductions of historic photographs in b & w. Wear to tips of spines. Nil else of note. 4to…, 280p, 1.24kg. Illustrated (illustrator).
Sprache: Englisch
Verlag: Boydell, Woodbridge 1997
- Hardcover
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Hardcover. Zustand: Very Good. No Jacket. Proceedings of a Conference held at Durham in 1995. Burgundy cloth, pp.191 with contributions from 13 scholars on a pretty diverse range of topics. This copy comes from the LIbrary of the late Dr John Kenyon, Librarian at The National Museum of Wales, archaeologist, and castles scholar.…His signature is neatly inside the cover.
Weitere BilderSprache: Englisch
Verlag: Ambit, 17 Priory Gardens, Highgate, London N.6. 1985
- Softcover
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Original Wraps. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. Ambit Number 100, published in 1985. Illustrated throughout in monochrome and occasional colour. Cover artwork by Peter Blake. ***Near fine in textured card monochrome-illustrated outer wrapper over thin white card covers. The edges of the… outer wrapper are just slightly rubbed. No bumps or creases. No tears. Internally also near fine with no inscriptions. Pages clean. Spine tight. ***248mm x 176mm. 192 pages. ***Contents: please see scan of back cover. ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting.' (Martin Bax interview with 3:AM magazine) ***A mid 80s edition of the magazine in very nice, collectable condition - this being a bumper-sized double issue. Of interest to collectors of AMBIT and poetry magazines in general. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Peter Blake, Michael Foreman, Vanessa Jackson et al (illustrator).
Weitere BilderSprache: Englisch
Verlag: Ambit, 17 Priory Gardens, Highgate, London N.6. 1985
- Softcover
- Erstausgabe
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Original Wraps. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. Ambit Number 100, published in 1985. Illustrated throughout in monochrome and occasional colour. Cover artwork by Peter Blake. ***Near fine in textured card monochrome-illustrated outer wrapper over thin white card covers. The edges of the… outer wrapper are just slightly rubbed. No bumps or creases. No tears. Internally also near fine with no inscriptions. Pages clean. Spine tight. ***248mm x 176mm. 192 pages. ***Contents: please see scan of back cover. ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting.' (Martin Bax interview with 3:AM magazine) ***A mid 80s edition of the magazine in very nice, collectable condition - this being a bumper-sized double issue. Of interest to collectors of AMBIT and poetry magazines in general. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Peter Blake, Michael Foreman, Vanessa Jackson et al (illustrator).
- Hardcover
- Erstausgabe
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Fine, like new & unread hardcover w/ minimal shelf wear, crisp pages, no marks. DJ is fine & unclipped. See photo, ships same day or next day.
Sprache: Englisch
Verlag: Cambridge University Press 2022
Serie: Cambridge Companions to Religion, Buch 79 von 91. Buch 79 von 91 - Cambridge Companions to Religion
- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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Zustand: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.
Van Doesburg & the international avant-garde : constructing a new world
edited by Gladys Fabre and Doris Wintgens Hötte ; with essays by Marc Dachy [et al.]
- Softcover
Anbieter: Papier Mouvant, Houilles, FrankreichPapier Mouvant
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Zustand: Comme neuf. 264 pages : illustrations (some coloured) ; 21,0 x 27,0 x 2,4 cm || Texte anglais || Sans aucune inscription.
Weitere BilderSprache: Englisch
Verlag: Barbican Art Gallery in association with Weidenfeld and Nicolson., London. 1986
- Hardcover
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Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1986. First edition. Hardback edition. Barbican Art Gallery in association with Weidenfeld and Nicolson. London. 1986. First edition. Hardback edition. Hardback, quarto; grey cloth-bound boards, dust jacket. 256 pages. Illustrated in colour and b&w. English. 285x235mm.…1.5kg. Very good, in very good dust jacket; light shelf wear to jacket, tear along the lower forecorner of rear panel, slight yellowing to white jacket, not price-clipped; very slight spotting to endpapers. The catalogue for the expansive retrospective of Beaton's work at the Barbican in 1986. The exhibition, which featured some 700 objects, looked at Beaton's photography, fashion work, theatre and film designs, literature, paintings, drawings and objects. It recreated the creative world of the artist. The well illustrated catalogue includes essays by leading experts on Beaton. Beaux Books specialises in fine and rare books on art and culture in the 20th and 21st centuries. We welcome questions about our books and we are happy to provide any extra images. Buy with confidence from an experienced bookseller.
Weitere BilderSprache: Englisch
Verlag: Ambit, 17 Priory Gardens, Highgate, London N6 5QY 1982
- Softcover
- Erstausgabe
Anbieter: Orlando Booksellers, Lincoln, Vereinigtes KönigreichOrlando Booksellers
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EUR 53,80
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Original Wraps. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First Edition. Ambit Number 91, published in 1982. Caribbean Special issue. Illustrated throughout in monochrome. Cover design by Alan Kitching. ***Very good in textured card monochrome-illustrated textured wrappers over thin white card covers. The edges… of the outer wrapper are slightly rubbed and there are a few light foxing marks. No bumps or creases. No tears. Internally near fine with no inscriptions. Pages clean. Paper stock just slightly tanned. Spine tight. ***245mm x 180mm. 96 pages. ***Contents - work by: Linton Kwesi Johnson; Sam Selvon; Edward Kamau Brathwaite; Ray Povey; Grace Nichols; Lynda Nkem Chinaka; Amryl Johnson; E. A. Markham; Elyse Dodgson and Company; S. E. Ashman; A. L. Hendriks; Michael Foreman; John Agard; Edgar White; Les Johnson; Andrew Salkey; Peter Fraser; James Berry; Errol Lloyd; Howard Fergus; Lynford French; Caryl Phillips; John La Rose; Charles Shearer; John Figueroa; David Nathaniel Haynes. ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting.' (Martin Bax interview with 3:AM magazine) ***An early 80s edition of the magazine in very good condition - this being a special Caribbean issue. Of interest to collectors of AMBIT and poetry magazines in general. An uncommon issue of the magazine. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Michael Foreman, Errol Lloyd, Ray Povey et al (illustrator).
Weitere BilderAMBIT Magazine No. 40 (1969 - Ten Year Celebratory Issue) - includes "The House of Over-Dew" by Stevie Smith and "Why We are in Vietman" by Eduardo Paolozzi
Martin Bax (Edited by), Stevie Smith, John Horder, Gavin Ewart, Jim Burns et al (Contributors)
Sprache: Englisch
Verlag: Ambit, 17 Priory Gardens, Highgate, London, N.6. 1969
- Softcover
- Erstausgabe
Anbieter: Orlando Booksellers, Lincoln, Vereinigtes KönigreichOrlando Booksellers
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut bis sehr gut
EUR 53,80
EUR 23,21 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Original Wraps. Zustand: Near Fine. No Jacket, as Issued. First Edition. Ambit Number 40, published in 1969. Illustrated throughout in monochrome. Cover illustration by Eduardo Paolozzi, with the cover Robin Ray. With a seven-page poem "The House of Over-Dew" written and illustrated by Stevie Smith, and an eight-page spread enti…tled "Why We Are In Vietnam" by Eduardo Paolozzi. ***Near fine in glossy card stapled covers. The covers are just very slightly rubbed. No bumps or creases. No tears. Internally also near fine with no inscriptions. Pages clean. No marks. Spine tight. ***250mm x 185mm. 60 pages. ***Contents - work by: Stevie Smith; John Horder; Oswell Blakeston; Gavin Ewart; Juan-Agustin Palazuelos; Jim Burns; Eduardo Paolozzi; James Raimes; Boleslaw Tabotski; Martin Bax; David Trotter; Peter Angeles; Henry Graham; Mike Foreman; Henry Woolf; Stella Coleman; Taner Baybars; Oliver Stallybrass. ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting.' (Martin Bax interview with 3:AM magazine) ***A collectable 1960s edition of the magazine in near fine condition - this issue of particular interest for collectors of the poetry and illustrations of Stevie Smith, who features, and for collectors of AMBIT and poetry magazines in general. An uncommon issue of the magazine. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Eduardo Paolozzi, Robin Ray, Stevie Smith, Michael Foreman et al (illustrator).
Verlag: The Enitharmon Press, London 1982
- Hardcover
- Erstausgabe
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USABetween the Covers-Rare Books, Inc. ABAA
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Sehr gut
EUR 45,33
EUR 4,84 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. Black cloth, spine stamped in gilt. Fine in fine dust jacket. One of 550 copies of which 450 are for sale. Contains the first appearance of "Little Whale Song" by Ted Hughes and "Sweeney's Praise of Farranan" by Seamus Heaney.
Verlag: The Enitharmon Press, London 1982
- Hardcover
- Erstausgabe
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USABetween the Covers-Rare Books, Inc. ABAA
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut bis sehr gut
EUR 45,33
EUR 4,84 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Hardcover. Zustand: Near Fine. Near Fine. First edition, one of five hundred copies printed. Fine in about fine dustwrapper with very faint sunning on spine.
Weitere BilderSprache: Englisch
Verlag: Editions Poetry London / Nicholson & Watson, London 1945
- Hardcover
- Erstausgabe
- Zeitschrift
Anbieter: Orlando Booksellers, Lincoln, Vereinigtes KönigreichOrlando Booksellers
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 77,71
EUR 23,21 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Hardcover. Zustand: Very Good. No Jacket. First Edition. Vol. 2, No. 10 - February 1945 - the tenth issue in the original series of the historic Poetry magazine, designed and edited by Tambimuttu. First impression of the true first edition, and the only issue of the magazine issued in hardcover, actually published in February 19…45, although the book states 'Published in December 1944' - publication was delayed due to operating under wartime conditions. With an eight page introductory piece by the editor Tambimuttu, and dedicated to the memory of the poet Keith Douglas, who was killed in action during the invasion of Normandy in the summer of 1944. The book contains three stunning full-page colour lithographs by Gerald Wilde, one of which is a double-page centre-fold, to accompany T. S. Eliot's "Rhapsody on a Windy Night". In addition, there are eight-pages of drawings by Mervyn Peake which were used to illustrate "The Rime of the Ancient Mariner", which was published the year before by Chatto & Windus (including the plates suppressed and not used by Chatto). There is also a full-page handwritten poem by Augustus John. ***Very good in light beige cloth-covered boards with gilt titles to the spine (There is also a variant issue of the book in blue cloth). The gilt is still nice and bright. The boards are clean - just slightly marked with age and handling. Edges of boards very slightly rubbed. Corners slightly creased. No reading lean to the binding. Spine tight. Page block edges clean. Internally near fine with no inscriptions. Pages clean, with just some very light foxing to the front endpaper and pastedown. Illustrations bright and clean. The lithographs are printed on high grade cartridge paper, printed from the original stones by the Baynard Press, whereas the text of the magazine is on thin wartime economy paper. No creases or tears. No dustwrapper. ***258mm x 192mm. x prelim-pages plus 264 pages. ***Contents: Poems, Illustrations, Prose, Art, Radio, Music, Points of View, Correspondence. Poems by various poets including Michael Hamburger, Henry Miller, Alan Ross, Stevie Smith, R.S. Thomas etc. Illustrations: three full-page colour lithographs including a two-page centrefold of T. S. Eliot's "Rhapsody on a Windy Night" by Gerald Wilde, and eight full-page drawings for "The Ancient Mariner" by Mervyn Peake. Also a full-page reproduction of a handwritten poem: "The Antiquary, 1944" by Augustus John. ***First impression of the true first edition, published during the Second World War in February 1945, although the book states December 1944. Of interest to collectors of poetry first editions, the publications of Poetry London, collectors of the illustrations of Mervyn Peake, and of the artwork of Gerald Wilde. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Mervyn Peake (Illustrations), Gerald Wilde (Lithographs and dustwrapper) (illustrator).
Weitere BilderSprache: Englisch
Verlag: Editions Poetry London / Nicholson & Watson, London 1945
- Hardcover
- Erstausgabe
- Zeitschrift
Anbieter: Orlando Booksellers, Lincoln, Vereinigtes KönigreichOrlando Booksellers
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 77,71
EUR 23,21 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Hardcover. Zustand: Very Good. No Jacket. First Edition. Vol. 2, No. 10 - February 1945 - the tenth issue in the original series of the historic Poetry magazine, designed and edited by Tambimuttu. First impression of the true first edition, and the only issue of the magazine issued in hardcover, actually published in February 19…45, although the book states 'Published in December 1944' - publication was delayed due to operating under wartime conditions. With an eight page introductory piece by the editor Tambimuttu, and dedicated to the memory of the poet Keith Douglas, who was killed in action during the invasion of Normandy in the summer of 1944. The book contains three stunning full-page colour lithographs by Gerald Wilde, one of which is a double-page centre-fold, to accompany T. S. Eliot's "Rhapsody on a Windy Night". In addition, there are eight-pages of drawings by Mervyn Peake which were used to illustrate "The Rime of the Ancient Mariner", which was published the year before by Chatto & Windus (including the plates suppressed and not used by Chatto). There is also a full-page handwritten poem by Augustus John. ***Very good in light beige cloth-covered boards with gilt titles to the spine (There is also a variant issue of the book in blue cloth). The gilt is still nice and bright. The boards are clean - just slightly marked with age and handling. Edges of boards very slightly rubbed. Corners slightly creased. No reading lean to the binding. Spine tight. Page block edges clean. Internally near fine with no inscriptions - just a small pencil price at the top of the front free endpaper and a bookseller's label to the bottom of the front pastedown. Illustrations bright and clean. The lithographs are printed on high grade cartridge paper, printed from the original stones by the Baynard Press, whereas the text of the magazine is on thin wartime economy paper. Top corners of some pages slightly creased - otherwise, no creases or tears. No dustwrapper. ***258mm x 192mm. x prelim-pages plus 264 pages. ***Contents: Poems, Illustrations, Prose, Art, Radio, Music, Points of View, Correspondence. Poems by various poets including Michael Hamburger, Henry Miller, Alan Ross, Stevie Smith, R.S. Thomas etc. Illustrations: three full-page colour lithographs including a two-page centrefold of T. S. Eliot's "Rhapsody on a Windy Night" by Gerald Wilde, and eight full-page drawings for "The Ancient Mariner" by Mervyn Peake. Also a full-page reproduction of a handwritten poem: "The Antiquary, 1944" by Augustus John. ***First impression of the true first edition, published during the Second World War in February 1945, although the book states December 1944. Of interest to collectors of poetry first editions, the publications of Poetry London, collectors of the illustrations of Mervyn Peake, and of the artwork of Gerald Wilde. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Mervyn Peake (Illustrations), Gerald Wilde (Lithographs and dustwrapper) (illustrator).
Verlag: [no publisher], Munich, Germany 1967
- Hardcover
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USABetween the Covers-Rare Books, Inc. ABAA
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut bis sehr gut
EUR 58,93
EUR 4,84 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Hardcover. Zustand: Near Fine. Magazine. Quarto. 70pp. Very good or better with small corner bump, light rubbing and hint of edgewear. Literary magazine produced in Germany with contributions from Charles Bukowski ("The Flower Love" and "I Met a Genius"), Curt Johnson, John D. McCall, Douglas Blazek, Emile Glen, Tobi Dress, Geor…ge Blake, Sam Bradley, Charles Farber, Michael Butler, and others.
Verlag: The National Poetry Foundation / University of Maine at Orono, (Orono, Maine) 1986
- Softcover
- Erstausgabe
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USABetween the Covers-Rare Books, Inc. ABAA
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut bis sehr gut
EUR 58,93
EUR 4,84 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Softcover. Zustand: Near Fine. First edition, wrappered issue. Octavo. 628pp. Spine creased, near fine. Poetry anthology featuring work by Bob Perelman, Michael Palmer, Kit Robinson, David Bromige, Clark Coolidge, Michael Gottlieb, Tom Beckett, Ray Di Palma, and many others.
Weitere BilderSprache: Englisch
Verlag: Cacklegoose Press/The Hermitage, London 1994
- Hardcover
Anbieter: Matthew Butler Books PBFA, Badminton, Vereinigtes KönigreichMatthew Butler Books PBFA
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenVerbandsmitglied: PBFA
Zustand: Gebraucht - Wie neu
EUR 119,55
EUR 29,02 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Hardcover. Zustand: As New. No Jacket. Subscribers edition, numbered 118/350. The Green Frog Service was commissioned from Wedgwood by Catherine the Great in 1773. The original Service of 944 pieces contained 1222 different views of Britain. 770 pieces survive at The Hermitage. Green cloth covers in slipcase, large quarto, pp.42…4 with over 1,200 b/w photographs and a good number of pages of colour plates. Includes list of artists from whose work the transfers were made. Fascinating stuff if distracting to catalogue! Came from Library of one of Subscribers.
