Eastman bert (9 Ergebnisse)

Soft cover. Zustand: Near Fine. No Jacket. 1st Edition. 4pp. 12mo. Within beautifully decorated sewn paper covers with paper title label to the upper wrapper. . Copy No. 36 of just 100 numbered published as a New Year Greeting for the Millenium. A lovely unmarked oopy. BERT EASTMAN (illustrator).

Soft cover. Zustand: Fine. 1st Edition. Limited edition/fine press book: one of less than 150 copies and signed by Ray Greenblatt. Set in type by E.R. Weiss and printed in black (decorated in yellow) on handmade Khadi paper from India. Alternate leaves consist of two and four folding pages, p.22. Three-colour linocut by Bert Eastman inspired by a relief sculpture of the sun. Contained within a card holder. Yellow silk ribbon ties. Fine copy. Bert Eastman (illustrator). Signed by Author(s). …

Copy number '9' of an edition of 100 copies published privately; a further 150 copies were for sale. Set in 14pt Fournier. Decorative wrappers over paper covers, printed and decorated label to the front panel of the wrapper. 7¼" x 6", pp.[12] with a line drawing from 'Puppetry Today' and colour illustrations of the tiger. A booklet in Very Good condition with small paper loss at leading edge of the rear panel of the wrapper. One of the series of booklets 'To Greet the New Year'; in this case the sixth, for 2000.…

Hardcover. Zustand: Fine. First Edition. Hardback. No Dust Jacket. 8vo. pp [5], [1]. Original publisher's blue cloth over decorative Elizabeth Friedlander papered boards, with paper title label on upper cover. Limited edition of 180 numbered copies, this being no.19. Signed by Bert Eastman (on colour linocut) in pencil. Including a 2pp flier about the book. Handmade paper set by hand in Lectura. Fine. Signedes.…

First Edition. First Edition. One of 150 numbered copies (this being No. 10), SIGNED by the author. With a three-color linocut illustration by Bert Eastman. Printed by letterpress on handmade Khadi paper. 6.25 x 11.5 inches, hand-sewn exposed binding with ribbon ties, housed in a stiff paper sleeve with paper label. About Fine. Signed.…

Copy number '12' of an edition limited to 180 copies. Printed on 200 gsm Velin Arches paper using Lectura type designed by Dick Dooijes. Quarter bound in green buckram with original Elizabeth Friedlander patterned paper, from the Curwen Press, over bevelled boards, printed and decorated paper label to the front cover, green endpapers. 11½" x 7½", pp. [12] with a coloured linocut SIGNED by Bert Eastman, tipped in. A book in Fine condition.…

Copy number '59' of an edition of 'less than' 150 copies printed on paper from the Magnani mill at Pescia, Italy. SIGNED by Molly and Bert Eastman who wrote and illustrated the book. The text is letterpress printed from hand-set Bembo type. Curwen patterned paper covered boards and endpapers, with cloth spine edges, hand bound using black thread over the board edges, printed paper label to the spine. 6¾" x 8¼", pp. [2, blank] [title page] [blank] [1-2] 3-21 [3, blank] [colophon] [1], with 16 illustrations. A book in Fine condition.…

Hardcover. Zustand: Fine. 1st Edition. Handset in 24pt. Bembo Italic and printed on one side of the page only. Number 20 of less than 150 copies printed on Magnani paper illustrated with 14 copper relief etchings and linocuts in colours. Bound by Chris Hicks Japanese-style with a scarlet cloth spine, Curwen patterned paper-covered boards. Cloth slipcase. A fine copy. Fragments of glass and pottery discovered in a garden over the years.…

Hardcover. Zustand: Fine in Fine Archival Case. Limited Edition/Unique Binding. Limited Edition/Unique Binding. Hardcover. Art binding by Julie H.B. Stackpole, a fine hand bookbinder based in mid-coast Maine. After getting a BA at Kirkland College, Julie Beinecke Stackpole studied bookbinding with Kathryn Gerlach in Vermont, in Ascona Switzerland, at the Camberwell School of Arts & Crafts in London, and with Roger Powell in England. She established her studio, the Merlicorn Bindery, on Nantucket in 1975, which she moved to Maine in 1985. She specializes in one-of-a-kind creative ne binding, all aspects of rare book restoration, and general hand bookbinding. Tight, bright and unmarred. Full leather binding in grey and dark sea-green goatskins; onlays of various leathers, all embossed with lino-cuts (representing various elements of water-sea, clouds, rain, streams, waves, currents); in blind lettering at spine; sewn on raised bands, endpages marbled by the binder, leather hinges, colored topstain, hand-sewn headbands; matching archival box, hand-marbled title page (wave-form). 8vo. np. Illus. (color and b/w plates). Errata tipped in.…