Sprache: Niederländisch
Verlag: Zaltbommel, Europese Bibliotheek 2001, 2001
ISBN 10: 9028814450 ISBN 13: 9789028814455
Anbieter: Antiquariaat Schot, Hendrik-Ido-Ambacht, Niederlande
Original publisher's paper-covered boards, pictorrial front- & backcover, square 8vo: 202pp., very richly illustrated, notes & references, general bibliography, index places & persons, credits illustrations, curriculum vitæ authors. Very fine copy - as new.
Sprache: Englisch
Verlag: Oxford University Press, Oxford, 2017
ISBN 10: 0198805853 ISBN 13: 9780198805854
Anbieter: PsychoBabel & Skoob Books, Didcot, Vereinigtes Königreich
Erstausgabe
EUR 93,16
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition, First Impression. First edition, first impression, very good hard cover, with unclipped dust jacket. Light shelf and handling wear to cover, content in 'as unread' condition. CN. Used.
Sydney, Art Gallery of New South Wales, 2022. 235 pp. Col. ills. & plts. Hardcover.Daniel Boyd (b. 1982) is one of Australia's most acclaimed artists. His practice is internationally recognized for its engagement with the colonial history of the Australia-Great Ocean (Pacific) region. Drawing upon intermingled discourses of science, religion, and aesthetics, Boyd's work reveals the complexities through which political, cultural, and personal memory is composed. Boyd's work traces his cultural and visual heritage - both Aboriginal and ni-Vanuatu - in relation to broader histories of colonial settlement and the Western art canon. Working with an idiosyncratic painting technique that partially obscures the composition, Boyd refigures archival imagery, art historical references, and his family photographs, forcing us to contend with histories that have been overlooked and hidden from view. Daniel Boyd: Treasure Island unpacks the ways in which Boyd holds a lens to colonial history, explores multiplicity within narratives, and interrogates blackness as a form of First Nations resistance. It provides a thoughtful and thought-provoking response to the current moment, when critical dialogues on ideas of community, connectivity, and cultural repatriation carry special urgency. With new writing by the exhibition curators and commissioned First Nations authors, the book offers critical insight into Boyd's practice as well as creative and experimental responses to his work by poets Jazz Money and Ellen van Neerven. [Worldcat].