E ueno (10 Ergebnisse)
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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
- Softcover
Anbieter: Verlag Traugott Bautz GmbH, Nordhausen, DeutschlandVerlag Traugott Bautz GmbH
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136 Seiten, broschiert.
Verlag: Verlag Traugott Bautz Nordhausen, 2006, 2006
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In den Warenkorb136 Seiten, broschiert, Einband leicht berieben und an den Kanten leicht verknickt, alte ISBN 978-3-88309-301-7, sonst guter Zustand.
- Hardcover
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hardcover. Zustand: Gut. 219 Seiten; 9784431402770.3 Gewicht in Gramm: 500.
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Zustand: New. In.
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Zustand: gut. 2005. Research and Development in Breast Ultrasound In deutscher Sprache. pages.
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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Ultrasonic examination of the breast has been a valuable diagnostic tool for more than half a century since J.J. Wild,T. Wagai,and others rst used it in 1950. The rst Int- national Congress on the Ultrasonic Examination of the Breast (ICUEB) was convened in… Philadelphia in 1979 by Goldberg (United States),Wells (United Kingdom),Wagai (Japan),Kobayashi (Japan),and Kossoff (Australia). Further congresses in the series have taken place every other year to discuss related theoretical and clinical discov- ies. These meetings led to the founding of the International Association for Breast Ultrasound (IABU) in 1991, and have contributed to improving ultrasonic exami- tion techniques and the associated medical bene ts. The 13th ICUEB was held in Kyoto,Japan,in April 2003. International events at that time the military operations in Iraq and the SARS outbreaks in several countries threatened attendance; however,only one oral presentation and one poster presen- tion had to be canceled,and an impressive 98% of our schedule proceeded as planned. Over the three days of the congress, participants made signi cant contributions through presentations and discussions, and we moved closer to a global mutual understanding.
Research And Development In Breast Ultrasound
Ueno, Ei (Editor)/ Shiina, T. (Editor)/ Kubota, M. (Editor)/ Sawai, K. (Editor)
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Hardcover. Zustand: Brand New. 2005 edition. 207 pages. 9.25x6.00x0.50 inches. In Stock.
Legal Design - Teoria e Prática - 3ª Ed - 2025
Coelho, Alexandre Zavaglia; Steinwascher, Aline Rodrigues e; Medeiros, André; Basan, Arthur Pinheiro; Haikal, Beatriz; Souza, Bernardo de Azevedo e; Calaza, Bruno; Feigelson, Bruno; Mills, Camila; Telles, Camila; Carvalho, Carla; Kathleen, Chrys; Batista, Cynara de Souza; Becker, Daniel; Pacheco, Daniela; Nybø, Erik Fontenele; Branco, Fellipe; Khayat, Gabriel Fernandes; Ueno, Gisele; Leonel, Guilherme; Barci, Heloísa; Moreira, Horrara; Lima, Juliana; Tatagiba, Laís; Sousa, Leonardo Sathler de; Coelho, Lillian de Souza Oliveira; Clementino, Marco Bruno Miranda; Villani, Mônica; Rosenvald, Nelson; Cardoso, Paula; Mourão, Pedro Borges; Gueiros, Pedro; Quinelato, Pietra Daneluzzi; Proto, Rhaissa Souza; Gugliara, Rodrigo; Júnior, Ruy Coppola; Xa
Verlag: Editora Foco Jurídico Ltda
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In den Warenkorbpaperback. Sobre a obra Legal Design - Teoria e Prática - 3ª Ed - 2025 "A expressão inglesa Legal Design, também conceituada de forma pioneira por Hagan, indica a viabilidade de implementação de técnicas de design ao direito no intuito de recolocar o indivíduo na centralidade das rotinas e dos processos levados a efeito na seara… jurídica. Trata-se de estudo bem mais amplo do que o Visual Law, por exemplo, e seu vasto campo de aplicação tem despertado grande interesse em tempos nos quais tanto destaque se dá ao que se convencionou chamar de "direito 4.0". A aliança entre a técnica propiciada pelo design e a dogmática jurídica tem o poder de simplificar e acelerar a compreensão dos instrumentos disponíveis no ordenamento, tornar documentos complexos mais acessíveis ao cidadão, melhorar a prestação jurisdicional, a atuação ministerial, a prática advocatícia, as rotinas empresariais (em vários segmentos) e, de modo geral, a experiência que se tem com o Direito. Não se trata, portanto, somente do festejo à dimensão estética embora esta seja igualmente relevante que o bom design proporciona. Foram estabelecidas seis subdivisões estruturais entre os capítulos: (i) na Parte I, são discutidos os fundamentos do Legal Design, apresentando seus conceitos, princípios e metodologias estruturantes; (ii) na Parte II, são apresentados modelos e experiências práticas de aplicação em diferentes setores, como seguros, fintechs, saúde e Poder Judiciário; (iii) na Parte III, enfatiza-se a comunicação jurídica e a centralidade do usuário, explorando linguagem simples, UX, marketing jurídico e visualização persuasiva; (iv) na Parte IV, reúnem-se relatos sobre laboratórios, magistraturas, universidades e iniciativas institucionais voltadas à inovação jurídica; (v) na Parte V, abordam-se competências, ferramentas e transformações que moldam a prática profissional, incluindo Visual Law, Detox Law, nudges e inteligência artificial; (vi) na Parte VI, destacam-se produções acadêmicas e novas perspectivas, reafirmando o papel da pesquisa científica na consolidação e evolução do Legal Design. Além dos textos, a obra está composta por conteúdos complementares em vídeo, que podem ser acessados pela leitura de QR Codes. Vários autores apresentam, em contato mais direto com o público, comentários de aprofundamento sobre seus respectivos temas com o objetivo de reforçar o que está posto no texto". Trecho de apresentação dos coordenadores.
Weitere Bilder???????????. ?????????????. [Kakkoku rengogun Pekin-jo sokogeki. Shin no eki Kokai gekisen dai panorama zu]. [Allied Forces Attack on Beijing. The Battle of Yellow Sea Panorama in the Sino-Japanese War].
[PANORAMAS OF EMPIRE - THE YELLOW SEA AND BOXER REBELLION AT TOKYO'S UENO PANORAMA HALL].
Verlag: ???????. [Ueno Panoramakan]. 1890s -1900s., [Tokyo]., 1890
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In den WarenkorbTwo folded large handouts, one illustrated in black and white, the other black and white and blue ink, 45.7 x 60.5cm, captions in Japanese and English. Paper age toned with some closed tears and minor holes neatly repaired with washi on the verso. Two fascinating fold-out handouts produced by the Ueno Panorama Hall, a popular Me…iji Era Tokyo entertainment space opened in 1890. The 1890s to the early years of the twentieth century were the heyday of the panorama as a public spectacle. An early form of virtual reality, 19th century panoramas were huge images painted on the walls of a circular room to give the viewer (who stood in the middle of the room) the sense of being present at a dramatic event. Both exhibitions engaged well-known artists to draw the illustrations. The Boxer Rebellion exhibition engaged Nomura Yoshimitsu (????) and the Yellow Sea Battle exhibition commissioned T?j? Sentar? (?????). These souvenir publications feature circular drawings of two panoramas shown at the Ueno Panorama Hall: an 1898 panorama depicting the 1894 Battle of the Yellow Sea during the Sino-Japanese War, and another depicting scenes from the Boxer Rebellion and the allied occupation of Beijing following the 1900 siege of the foreign legations. Both have texts in (slightly shaky) English as well as in Japanese, and both provide explanations of the various scenes and events depicted in the panoramas. The Battle of the Yellow Sea panorama (reproduced in blue, black and white) features dynamic scenes of exploding and sinking ships, while the Boxer Rebellion panorama (reproduced in black and white) shows battle scenes unfolding in the intricately reconstructed cityscapes of Beijing. The pamphlet front cover features military flags of Japan, the US and other Allied nations. The pamphlets provide a vivid example the role of panoramas as vehicles for popularising nationalist sentiments. They use dramatic images of victory over China to illustrate Japan's growing military might. The text accompanying the panorama of the Battle of the Yellow Sea ends with the words "thus the Japanese squadrons gained the most honourable victory, before in the presence of World-powers [sic]". By the time the Boxer Rebellion panorama was shown, though, the panorama hall was losing appeal as moving pictures emerged and Japan acquired its first cinemas. The Ueno Panorama Hall closed its doors in 1909.
