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Zustand: very good. Essays by Jean Fisher and Wilma Sütö. Amsterdam : De Appel, 1995. Orig. printed wrappers. 15 pp. : ills. 21x19 cm. Dutch & English text - This publication accompanied the 1995 exhibition at art gallery De Appel in Amsterdam, which brought together Rosângela Rennó, Marie José Burki, Vong Phaophanit, and Roy Villevoye. Curated by Edna van Duyn, the exhibition presented four artists whose practices critically examined photography, memory, cultural identity, and the politics of representation. The show ran from 17 February to 9 April 1995 and focused on how images function as carriers of social and historical meaning rather than as neutral documents. Rosângela Rennó (b. 1962, Belo Horizonte, Brazil) was already gaining international recognition in the 1990s for her conceptual use of found photographs and archival material. Instead of producing new images, Rennó worked with discarded or forgotten photographic archivessuch as police files, family albums, institutional records, and anonymous snapshotsto expose the power structures behind image production and circulation. Her installations often erase, crop, or partially conceal images, transforming them into traces of memory and loss. This exhibition introduced her critical archival approach to a wider European audience and helped establish her as a key figure in contemporary conceptual photography. Condition : very good copy. ISBN 9789073501256. Keywords : PHOTOGRAPHY.…

Bound, blue cardboard, illustrated dustjacket, 180 x 240mm., 88 pages, full colour illustration. *** With a drawing of the hands of Barbara and the mention « For Barbara and René from Michael » signed and dated 22-06-2010 ISBN 9783775721301. Although originally trained as a photographer and graphic designer, Belgian artist Michael Borremans (* 1963 in Geraardsbergen) has made a name for himself with absurdly ominous drawings and enigmatic paintings. In 2005, Borremans first presented a film projection as an integral part of a room-filling installation at the Berlin Biennale. His films shifting tableaux vivants with poetic titles, in which Borremans very gradually creates an oppressive atmosphere with subtle camera workare closely related to his two-dimensional works in terms of form and subject. Using a fixed camera position or slowly zooming in, he focuses on certain details of the scenery, body parts, faces, or clothing. It remains unclear who these people are or what they are doing. As in his paintings, the images in Borreman???s films balance on the fine line between a recognizable, everyday reality and a bizarre dream world. Exhibition schedule: De Appel Arts Center, Amsterdam, September 8 November 4, 2007 CAV, Centro de Artes Visuais, Coimbra, Portugal, March 15 - June 8, 2008. 600 g.…