dutch painter (40 Ergebnisse)

First Edition. Near fine copy in the original publisher's gilt-blocked cloth, edges very slightly toned. Corners sharp with an overall tight, bright and clean impression. Provenance; from the library of Charles Edward Forbes, Forbes Library Northampton, Massachusetts, with his bookplate. Physical description; x, 112 p., [16] leaves of plates : ill., ports. ; 19 cm. Notes; Includes bibliographical references (p. [xii]) and index. Subjects; Rembrandt van Rijn (Dutch painter, draftsman, and printmaker, 1606-1669). Rembrandt Harmenszoon van Rijn (1606-1669). Rembrandt (1606-1669). Painters, Dutch 17th century Biography. Draughtmsen, Dutch 17th century Biography. Printmakers, Dutch 17th century Biography. Artists Netherlands Biography. Genres; Bibliography. Biography. Illustrated. 3 Kg.

First Edition. Near fine copy in the original title-blocked pictorial cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Series; Medical history ; Supplement no. 2. Physical description; xiv, 110 p., [21] p. of plates : ill. ; 26 cm. Notes; Includes bibliographic references and index. Subjects; Rembrandt van Rijn (Dutch painter, draftsman, and printmaker, 1606-1669). Anatomy lesson of Dr. Tulp. Tulp, Nicolaas (1593-1674) Portraits. Rembrandt Harmenszoon van Rijn (1606-1669). Anatomy lesson of Dr. Tulp. Tulp, Nicolaas (1593-1674). Tulp, Nicolaas (1593-1674) Portraits, etc. Rembrandt. Anatomy lesson of Dr. Tulp. Rembrandt Studies. Tulp, Nicolaas (1593-1674) Studies. Tulp, Nicolaas (1593-1674) Portraits Portraits, etc. Rembrandt Harmenszoon van Rijn (1606-1669) Anatomy of Dr. Tulp. Rembrandt Harmenszoon van Rijn (1606-1669) Criticism and interpretation. Rembrandt (1606-1669). Anatomy of Dr. Tulp. Painters, Dutch 17th century. Anatomy, Artistic. Emblems and Insignia. Emblems Netherlands History 17th century. Medicine in Art. Anatomical lllustration. Portraits. Art History. Anatomy history. Rembrandt Van Rijn Nicolaus Tulpius Nicolaes Tulp. Anatomy (Human). Art Theory Treatises and criticism 17th century. Genres; Bibliography. Biography. History of Medicine. Illustrated. 3 Kg.

First edition hard back binding in publisher's original terracotta paper covered boards, white title lettering to the terracotta cloth spine and to the front cover. Folio 14'' x 10¼''. Contains 64 printed pages of text with 46 reproductions, including 12 in full colour. Spotting to the end papers and in Good condition, no dust wrapper. Member of the P.B.F.A. ART [Flemish and Dutch].

First edition hard back binding in publisher's original lemon cloth covers, black title lettering to the spine. 4to. 11½'' x 10''. Contains 301 pp with over 35 original letters together with 65 paintings and 30 drawings throughout. Fine condition book in Fine condition dust wrapper, unused new book. Heavy volume weighing 2. kg, extra postage and insurance will be requested over and above our default setting for destinations outside the UK. Member of the P.B.F.A. ISBN 9781905711604 ART [Flemish and Dutch].

Hard back binding in publisher's original royal purple cloth covers, oxidised and faded title and author lettering to the spine and the upper panel. Folio. 12'' x 9¼''. Contains printed pages of text with colour tinted illustration to every right hand leaf. Reference or working condition copy with splitting of the cloth to the upper spine edge, a little thumb soiling to some margins, small stain to the top edge of the early pages. Member of the P.B.F.A. ART [Flemish and Dutch].

Stipple engraving, from "Encyclopedia Londoniensis", some off setting,

No Binding. Engraving, from Walpole's "Anecdotes",

No Binding. Engraving, from Walpole's "Anecdotes", 1762,

Publisher's original colour illustrated card wrap covers [softback]. 4to 11'' x 8½''. Contains 98 printed pages of text with monochrome and colour artwork with French text descriptions. Minimal rubs to the cover edges, surface scratches to the cover. In near Fine clean unopened condition, no dust wrapper as published. Member of the P.B.F.A. ART [Flemish and Dutch].

POEN DE WIJS (Großer Kunstbildband) Einführung / introduction by Hans Redeker. Steltman Editions Amsterdam, 1. Auflage 1987, ERSTAUSGABE, gebunden (Hardcover Oln. 4°) mit vielen ganzseitigen farbigen Farbabbildungen seiner Gemälde, mit Schutzumschlag, ohne Beilagen, gut erhalten - VORZUGSAUSGABE, im Impressum eigenhändig signiert und nummeriert # 62/300 (ges. 1500).

First edition in publisher's original illustrated card wrap covers (soft back). 8vo. 8'' x 5¼''. Full printer's code 1 2 3 4 5 6 7 8 9 10. Contains 178 pp with 21 monochrome illustrations on coated art paper. In Very Good condition, no dust wrapper as issued. Member of the P.B.F.A. ART [Flemish and Dutch].

PAINTINGS FROM 1975-1981 (Großer Kunstkatalog) Edition Buus, Sweden 1982, Pb. 4 to, mit ganzseitigen, farbigen Reproduktionen seiner Gemälde, gut erhalten - von Martin Engelman mit Empfehlung, Datum 14.1.83, Unterschrift signiert.

First edition hard back binding in publisher's original navy paper covers, white lettering to the spine. 8vo. 8½'' x 6''. ISBN 0448231670. Contains vi, 208 printed pages of text with monochrome illustrations throughout. From the library of Kitty [Dorothy] Black [1914-2006], successful theatre administrator, internationally acclaimed and distinguished translator of continental plays who eventually became a leading play agent. Fine condition book, in Very Good condition price clipped dust wrapper with shallow rubs to the spine tips and corners. SIGNED by the author 'Ken Wilkie' to the front free end paper. Dust wrapper supplied in archive acetate film protection, this protects and prolongs the life of the paper, it is not adhered to the book or to the dust wrapper. Member of the P.B.F.A. ART [Flemish and Dutch].

Pas de couverture. Zustand: Bon. Authentic card signed in the 2000s. The name and photos on the top of the card are printed. Size : 10x15 cm. Condition : please see scans. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

First edition hard back binding in publisher's original antique gold silk cloth covers, gilt stamped title and author lettering to the spine, mint green end papers. Folio. 13'' x 11''. Full printer's code 10 9 8 7 6 5 4 3 2 1. Contains 464 pp with artist's colour works throughout. Fine condition book in Fine condition dust wrapper, unused new book. Dust wrapper supplied in archive acetate film protection. Heavy volume 4 kg, extra postage will be requested over and above our default setting for destinations outside the UK. Member of the P.B.F.A. ISBN 9780789211040 ART [Flemish and Dutch].

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. Den Nederlandtsen Hovenier, zijnde het 1. Deel van het vermakelijck landt-leven. Beschrijvende alderhande princelijcke en heerlijcke lusthoven en Hoffteden; en hoemen de selve, met veelderley uytnemende boomen, bloemen en kruyden, kan beplanten, bezaeyen, en vercieren. Met noch omtrent 200 modellen van bloempercken, parterres, dool-hoven, prieelen, lat-wercken, en zonne-wijzers. Amsterdam, Marcus Doornick, 1669. [30] + 45 + [3] + 56p. Including engraved frontispiece, 62 full-page plates, 4 engravings in text. (With:) NYLAND, Pieter. Den Verstandigen Hovenier, over de twaelf maenden van t jaer. Zijnde het 1. Deel van het mermakelyck landt-leven. Beschrijvende hoemen op de beste en bequaemste maniere sal hoven, thuynen, lust-hoven en boomgaerden verordineeren, bereyden, beplanten en bezayen. Amsterdam, Marcus Doornick, 1669. [8] + 88p. Including engraved frontispiece, 2 full-page plates, 1 engraving in text. (And:) NYLAND, Pieter. Den Ervaren Huys-houder; zijnde het III. Deel van het vermakelijck landt-leven, onderwijsende hoemen binnen en buyten de steden heylsame medicijnen voor de gebreken van menschen en beesten sal toemaken en bereyden. Amsterdam, Marcus Doornick, 1669. 40p. Including engraved title-page by G. van Eeckhout, 2 full-page plates, 2 engravings in text. (And:) NYLAND, Pieter. Den Naerstigen Byen-houder; onderrechtende hoemen met nut en profijt de byen regeeren en onderhouden sal. Amsterdam, Marcus Doornick, 1669. 14 + [2]p. Including engraved title-page by G. van Eeckhout. (And:) NYLAND, Pieter. Ve Verstandige Kock, of sorghvuldige huyshoudster . Beschrijvende hoemen op de beste en bequaemste manier alderhande spijsen sal kooken, stooven, braden, backen en bereyden . de Verstandige Confituurmaker. (Amsterdam, Marcus Doornick, 1669). 32p. Including engraved title-page. 5 works bound into 1. 4to. Contemporary speckled calf, attractive period end papers.I. The first edition of the most influential horticultural manual from the period of the Netherlands supremacy in garden art and experimentation in plant sciences. Jan van Groen was royal gardener to the Prince of Orange, and his book, the first in this set, combines both garden design and architecture, and details of the cultivation of fruit and flowers; he covers, among other operations, grafting, the training of vines and nurturing of seeds under glass. The unusually striking illustrations give a vivid idea of the layout of contemporary gardens, and include the princely country seats of Ryswick, Honsholredyck and Huys ten Bosch; there are numerous designs for flowerbeds, several for pergolas and trellises (original contributions specially drawn for this work by Pieter Post (1608-69), the Dutch architect and painter), also sundials, cloches and Dutch greenhouses for nursery seedlings. The charming engraving of an orangery with world map on the wall (a reminder of the contemporary extent of the Dutch Empire) shows rows of small potted trees warmed by a wall-flued stove, and detailed illustrations of the stages of growth of lemon, orange and fig trees. Van der Groen s work continued to be published well into the 18th century; a French and a German translation appeared in the same year as the first edition (1669).nII-V. Pieter Nyland, author of the four following books, was a doctor and horticulturist; his works provide a complementary calendar of garden operations, a medical manual for household and farm use, advice on distilling and bee-keeping, and a book of cooking recipes with index of essential ingredients. The present copy of these five works generally found together differs from the Hunt copy (see below) in that Van der Groen s work is here placed at the beginning; it is normally placed second in the first edition, but is placed first in the second 1670 edition; well preserved copies, tailend margin of final title leaf neatly restored, small wormhole running through inner margin of first work. Hunt 314; Bitting, pp613-615.

Oblong 8vo (postcard). ½ page. Inscribed to the German dermatologist Alwin Scharlau. - Best known as a portraitist, Veth created paintings, drawings and etchings showing contemporary artists and scientists, including Jozef Israëls and Max Liebermann, as well as peasants and family members. His 1891 portrait "Heintje", featuring a young girl from northern Holland, constitutes his most famous work. - Traces of postal stamp; traces of an angular fold near lower left corner. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.

Oblong 8vo (postcard). ½ page. Inscribed to the German dermatologist Alwin Scharlau. - Known for his genre paintings, marines, landscapes, portraits and animal scenes, Luyten founded a private painting school, the "Institut des Beaux Arts Henry Luyten", in Brasschaat near Antwerp in 1900. From 1931 to 1944 he worked on one of his most famous paintings, "The Golden Canvas of Flanders", showing a fictional meeting of the hundred-odd people who in his opinion played a key role in Flemish history and the Flemish movement. - Traces of postmarks; small crease near lower left corner. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.

Oblong 8vo (postcard). 1 page. Inscribed to the German dermatologist Alwin Scharlau: "In Antwort auf Ihren Brief unterzeichnet mit höflichstem Gruz [!] [.]". - Kever, who devoted himself to landscape and genre painting as well as to etching and lithography, was associated with the Laren School and was a member of the artists' society "Arti et Amicitiae", his work frequently featuring scenes of peasant life as well as interiors. - Smudged ink spot and a few small creases. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.

Oblong 8vo (postcard). 1 page. Inscribed to the German dermatologist Alwin Scharlau: "Es wird mich sehr erfreuen Ihr Ansuch[en] einzuwilligen. In vorzuglichster [!] Hochachtung ganz ergebenst [.]". - Studying in Amsterdam and Brussels, Haverman specialized in portraiture, took study trips to France, Italy and Spain, and won several awards at exhibtions between 1879 and 1903. - A few small creases. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.

Oblong 8vo (postcard). ½ page. Inscribed to the German dermatologist Alwin Scharlau. - An important figure of Amsterdam Impressionism, Breitner created popular city views, specializing in street scenes and harbours. Around 1889 he discovered photography as a means of documenting street life and atmospheric effects. - With 2 small postal stamps. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.

Oblong 8vo (postcard). 1 page. Inscribed to the German dermatologist Alwin Scharlau. - One of the most prominent representatives of the Hague School, Apol specialized in winter landscapes, his impressions of an 1880 journey to Spitsbergen on the "SS Willem Barents" serving him as a rich source of inspiration. - Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.

Oblong 8vo (postcard). ½ page. Inscribed to the German dermatologist Alwin Scharlau. - A student of Jozef Israëls, Blommers is a prominent representative of the Hague School and created popular maritime genre paintings inspired by fishing and beach life, which were largely sought after by English speaking collectors during his lifetime. - Traces of stamps. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.

Oblong 8vo (postcard). ½ page. Inscribed to the German dermatologist Alwin Scharlau. - A leading member of the group of landscape painters referred to as the Hague School, Israëls started out painting historical and dramatic subjects in the romantic style of the day before turning towards Realism, resulting in moving paintings inspired by the fishers' humble life in the villages of Zandvoort and Katwijk. - Postage stamp next to the signature. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.

ORIGINAL-ÖLGEMÄLDE (Öl auf Leinwand, H 40 x B 60 cm, in breiter, goldener Holzleiste der Zeit um 1900, Ecken und Kanten bestoßen, gesamt H 56,5 x B 77, ein kleiner Flicken hinterlegt), links unten eigenhändig signiert J. v. DYK . MOTIV : holländische Landschaft am Meer, mit 2 Mühlen und einem Fischer im Boot.

8vo. 4 pp. To M. Lavergne. War of 1870.He managed to leave Paris "on the last day when passage was free to leave, and when all the Northern railways were already taken, so I left by the Brittany railway," with Mme Fesser. They are in Nevers, where they have some friends, but the city is extremely unsettled due to troop movements and the military, and he is worried.He wishes to go to Bordeaux, from where he hopes to board a commercial Dutch or French steamboat to reach Rotterdam, provided the connection is functioning and they are taking passengers. He has been unwell for a long time, "but since the war, I feel a deep sadness over all of France's misfortunes."He awaits a response as soon as possible "if I decide to leave and have the right information." He provides his address in Nevers.

No Binding. Zustand: Very Good. No Jacket. 1st Edition. Faber, John, engraver (1684-1756) after [Thomas] Hudson, English portrait painter (1701-79). Joseph -Vanhaeken. London, published by George Pulley [c1737] Mezzotint half-length portrait of the artist wearing a fur hat, sitting, holding brushes and a palette, his right arm resting on a canvas; sheet c 26.2 x 36.5cm; platemark c 25 x 35.5cm. Thomas Hudson, a fashionable portrait painter, friend of William Hogarth and teacher of Joshua Reynolds, employed drapery painters (painters of costume for other artists) to assist him; one of the most talented was his sitter, Josef van Haeken (1699 -1749), a Flemish genre and portrait painter, recognized as one of the greatest drapery painters of early Georgian England, where he was known as Joseph Van Aken . Many English portrait painters used his skill for painting the lavish dresses worn by sitters of other artists in the manner of Van Dyck s portraits. John Faber (the Younger), prolific Dutch engraver, became the foremost London mezzotint portraitist; his publisher, George Pulley, was a London map and print-seller. Light crease marks in top margins, otherwise in very good condition.

4to. 1 p. Shipping order to a Dutch railroad company to transport Jongkind's painting "Paysage Hollandais, effet de soleil couchant" to the art dealer Pierre-Firmin Martin in Paris: "Le soussigné déclare d'envoyer par l'administration du chemin de fer Hollandais Belge à l'adresse de Monsieur Martin, rue Mogador, n° 20 au coin de la rue St Nicolas à Paris, une caisse e bois marquée J contenant un tableau peint à l'huile représentant un paysage Hollandais, dans les environs de Rotterdam, Effet de une [!] soleil couchant. Valeur du tableau 300,- francs". The painting would be exhibited at the Paris Salon of 1859 and win a third class medal. - In 1855 Jongkind had been forced to leave Paris and return to the Netherlands due to his disastrous financial situation. However, he never felt at home in Rotterdam, suffering mentally and physically, while also continuing to accrue debt. With Martin's help, he exhibited at the Salon of Dijon in 1858 and won a second prize and the Paris Salon of 1859. Worried by his mental state and grave financial situation, a group of his friends, including Camille Corot, Charles Daubigny, Gustave Doré, Jules Dupré, and Théodore Rousseau, organized a charity auction of Jongkind's and their own works at Drouot on 7 April 1860. The proceedings enabled them to settle Jongkind's debt and facilitate his much-desired return to Paris. Today Jongkind, who later in his life mentored younger friends such as Alfred Sisley and Claude Monet, is regarded as an important forerunner of impressionism. - Somewhat brittle and toned. With minor tears and insignificant damage due to ink corrosion.

8vo. 3 1/2 pp. To his friend, the Swiss architect Alfred Roth (19031998) about his new book, which he is trying to get published with Roth's help. The challenging endeavor is not progressing smoothly, and Mondrian comforts his friend with the assurance that his thoughts would still be avant-garde for the world tomorrow. [] En effet, c'est vrai que le mieux sera d'avoir de la patience avec l'édition de mon manuscrit. Nous sommes toujours en avant, et ce que nous disons sera bien longtemps encore nécessaire de dire, hélas ! En tout cas cela me remplit de joie que vous me dites que mon effort a été accueilli avec enthousiasme pour votre cercle [.] L'art est mis comme base d'une façon générale de sorte qu'une initiation dans l'art n'est pas nécessaire. Ce que pourrait en faciliter la compréhension, c'est un préface court, écrit soit par moi soit par un autre (Backlund par exemple). Une petite introduction. Dans votre première lettre vous parliez des images, mais cela n'aiderait pas à la compréhension. On n'a qu'à suivre logiquement le cours de la conception: c'est tout [] Ici j'ai écrit à Bern. Grasset si je pourrais lui montrer mon manuscrit. Mais il vient de me répondre que c'est trop petit pour éditer comme volume et qu'il est ensuit surchargé d'éditions. Pour des choses les plus sérieuses n'est jamais de la place chez les grand messieurs, n'est-ce pas ? []" - Alfred Roth worked in Le Corbusier's studio in 1927/1928, collaborated with Ingrid Wallberg as an architect in Gothenburg from 1928 to 1930, and established his own architectural firm in Zurich in 1931. The mentioned "cercle" in the letter is indeed quite illustrious. The book referred to in the letter, concerning its publication, is "L'Art nouveau La Vie nouvelle (La culture des rapports purs)"; it remained unpublished during Mondrian's lifetime. The Swedish sociologist and journalist Sven Bäcklund had met Roth in Le Corbusier's studio in the late 1920s. He wrote for the socialist daily newspaper 'Ny Tid'. The letter is printed in: Piet Mondrian/Alfred Roth. Correspondance. Editions Galimard, 1994. p. 71f.

2 1/2 pp. 8vo. With address and stamp. To Mr. Martin of the Magasin de tableaux. Jongkind expresses satisfaction with the morning visit and the positive reception of a small painting called "Maurice." I am pleased with your visit this morning and that little Maurice pleased you; that you took with you, as you mentioned, the next small painting which, in your opinion, is successful and very marketable. I kindly ask you to keep the price in mind to increase the value of my work. P.S.: I have just received a letter from a friend who is waiting for the painting you just took with you."Je suis content de votre visite de ce matin et que le petit maurice vous ai plu ; que vous avez emporté comme ce petit tableau suivant votre avis est réussi et très vendable. Je vous prie de tenir pris, afin d'augmenter la valeur de mon travaille. PS : Je reçois à l'instant une lettre d'un ami qui attend après le tableau que vous venez de m'emporté []".