dunn cole (9 Ergebnisse)

Soft cover. Zustand: Good. Softcover, 274 pgs. Moderate corner wear. Includes: Deborah Eisenberg and Mark Leyner on the art of fiction; fiction from Ottessa Moshfegh, David Gates, Tess Wheelwright, Mark Leyner, Adam O'Fallon Price, and Adelaide Docx, and essays by Vivian Gornick and David Searcy. Poems by Peter Cole, Sylvie Baumgartel, Stephen Dunn, John Freeman, Tony Hoagland, Frederick Seidel, Ange Mlinko, Melcion Mateu, and Kevin Young. A portfolio from the archives of Willa Kim.

First Edition. First edition. Softcover. 12 pages. Includes poems by Barry Cole, Donald Davie, Douglas Dunn, Gavin Eward, Geoffrey Grigson, Ian Hamilton, David Holbrook and Alan Ross. A very near fine copy in stapled wrappers.

Zustand: New. Cox, Adam (illustrator). In.

Zustand: New. Cox, Adam (illustrator). In.

Couverture souple. Zustand: bon. RO20258866: 1984. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 150 pages - en anglais. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.

Zustand: New. In.

Hardcover. Zustand: Brand New. 184 pages. 8.90x1.10x12.00 inches. In Stock.

Zustand: New. This volume explores the various ways in which literary works begin, with essays on nearly all the major genres of Greek and Latin literature. Editor(s): Dunn, Francis M.; Cole, Thomas. Series: Yale Classical Studies. Num Pages: 256 pages, black & white illustrations. BIC Classification: 2ADL; 2AHA; DSBB. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 15. Weight in Grams: 380. . 2009. 1st Edition. paperback. . . . . Books ship from the US and Ireland.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The ways in which literary works begin have proved fascinating to readers and critics at least since Aristophanes. This collection of essays gives life to a topic of perennial interest by presenting a variety of original readings in nearly all the major genres of Greek and Latin literature. The subjects of these essays range from narrative voices in the opening of the Odyssey to ideological reasons for Tacitus' choice of a beginning in the Histories, and from a survey of opening devices in Greek poetry to the playwright's negotiations with the audience in Roman comedy. Other papers discuss 'false starts' in Gorgias and Herodotus, the prologues of Greek tragedy, Plato's 'frame' dialogues, delayed proems in Virgil, the role of the patron in Horace, aristocratic beginnings in Seneca, and 'inappropriate' prefaces in Plutarch. By embracing a variety of authors and a broad range of approaches, from formal analysis of opening devices to post-structural interpretation, these twelve contributions by both younger and established scholars offer an exciting new perspective on beginnings in classical literature.