duncan chesney (21 Ergebnisse)

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Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Zustand: New. The dramatic and prose works of Samuel Beckett have long been understood as central to twentieth-century literature and particularly to questions about aesthetics, ethics, and the modernism-postmodernism distinction. This title addresses the main issues in Beckett criticism by focusing on a key aspect of Beckett's work throughout his long career. Series: Currents in Comparative Romance Languages & Literatures. Num Pages: 248 pages. BIC Classification: DSB; DSBH. Category: (P) Professional & Vocational. Dimension: 157 x 230 x 19. Weight in Grams: 480. . 2013. 1 New ed. Hardback. . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The dramatic and prose works of Samuel Beckett have long been understood as central to twentieth-century literature and particularly to questions about aesthetics, ethics, and the modernism-postmodernism distinction. Duncan McColl Chesney addresses many of the main issues in Beckett criticism by focusing on a key aspect of Beckett's work throughout his long career: silence. Chesney links Beckett's language and silence back to his predecessors, especially Joyce and Proust - laterally to contemporary movements of minimalism in the sister arts and theoretically in in-depth discussions of Blanchot and Adorno. By doing so, Chesney addresses how Beckett's works remain true, to the end, to a minimalist impulse that is essentially modernist or late modernist without giving over to the rising dominant of postmodernism. Chesney delineates a sigetics - a discourse of silence whose main strategies in Beckett are reticence and ellipsis - and through studies of Godot, Endgame, Krapp's Last Tape, Happy Days, the Trilogy, Company, and other works, teases out of Beckett's minimal aesthetics a Beckettian minimal ethics. In brief glimmers in his texts Beckett provides proleptic hints at reconciliation and the possibility of ethical life that are neither theological nor mystical, but that minimally hold to an alternate rationality from that of the reified world of exchange and catastrophe.

Hardcover. Zustand: Brand New. 1st edition. 248 pages. 9.00x6.25x1.00 inches. In Stock.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Serious Fiction explores the novels of J.M. Coetzee, in dialogue with key works of the European literary tradition and several contemporary masterworks of world literature, in order to flesh out an ethico-aesthetic ideal for the contemporary novel. «Serious» refers back to the Aristotelian definition of tragedy to revive a certain communal, political-ethical task of the artwork; «fiction,» also referring back to Aristotle and the subsequent poetic tradition, stresses the element of play in the artwork in contrast to the seriousness of the world of daily survival, business, and life. Following post-Enlightenment thinkers from Schiller and Arnold to Leavis and Auerbach, as well as more contemporary literary theorists, the argument maintains a delicate balance between seriousness as a sort moral criterion of literary assessment and playfulness as a necessary stage in the creation of any artwork, adding the formal and epistemological obligations of the realist novel as the dominant literary genre of the long nineteenth century. Coetzee is presented as a contemporary model of serious fiction writing, balancing elements of realism and play/imagination, tragedy and the prosaic, aesthetic semi-autonomy and ethical responsibility. Major works by Coetzee are discussed - Waiting for the Barbarian, Life & Times of Michael K., Disgrace, Diary of a Bad Year - as well as other of his works, fictional and non-fictional, along with important traditional and contemporary works by Tolstoy, Dostoevsky, Joyce, Kakfa, and Beckett as well as Imre Kertész, W.G. Sebald, Eimear McBride, Cormac McCarthy, Jiang Rong, and others.

Zustand: New. Series: Studies on Themes and Motifs in Literature. Num Pages: 216 pages. BIC Classification: DSA. Category: (P) Professional & Vocational. Dimension: 283 x 178 x 18. Weight in Grams: 424. . 2016. New edition. Hardcover. . . . . Books ship from the US and Ireland.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 262 | Sprache: Englisch | Produktart: Bücher | The dramatic and prose works of Samuel Beckett have long been understood as central to twentieth-century literature and particularly to questions about aesthetics, ethics, and the modernism-postmodernism distinction. Duncan McColl Chesney addresses many of the main issues in Beckett criticism by focusing on a key aspect of Beckett¿s work throughout his long career: silence. Chesney links Beckett¿s language and silence back to his predecessors, especially Joyce and Proust ¿ laterally to contemporary movements of minimalism in the sister arts and theoretically in in-depth discussions of Blanchot and Adorno. By doing so, Chesney addresses how Beckett¿s works remain true, to the end, to a minimalist impulse that is essentially modernist or late modernist without giving over to the rising dominant of postmodernism. Chesney delineates a sigetics ¿ a discourse of silence whose main strategies in Beckett are reticence and ellipsis ¿ and through studies of Godot, Endgame, Krapp¿s Last Tape, Happy Days, the Trilogy, Company, and other works, teases out of Beckett¿s minimal aesthetics a Beckettian minimal ethics. In brief glimmers in his texts Beckett provides proleptic hints at reconciliation and the possibility of ethical life that are neither theological nor mystical, but that minimally hold to an alternate rationality from that of the reified world of exchange and catastrophe.