Dunaway john m (12 Ergebnisse)

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 1ST. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. First Edition. First Edition, First Printing. Not price-clipped. Published by Twayne Publishers, 1978. Octavo. Hardcover. Book is very good with very light edgewear. No dust jacket.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. pp. 126 1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam.

Hardcover. Zustand: fine. very good +. First Edition. 111p, octavo. A fine copy in a very good + dust jacket. Jacket has two creases to front cover, else fine.

Zustand: New. The first non-French national to be elected to the Academie francaise, Green authored several novels ( The Dark Journey, The Closed Garden, Moira, Each Man in His Darkness, and the Dixie trilogy), a four-volume autobiography ( The Green Paradise, The War a.

Taschenbuch. Zustand: Neu. Neuware - American writer Julien Green's (1900-1998) origins, artistic motivation, and identity was a source of mystery and confusion even for those that most fêted him. The first non-French national to be elected to the Académie française, Green authored several novels (The Dark Journey, The Closed Garden, Moira, Each Man in His Darkness, and the Dixie trilogy), a four-volume autobiography (The Green Paradise, The War at Sixteen, Love in America and Restless Youth), and his famous Diary.In this study, John. M Dunaway begins with an examination of the autobiographical context of Julien Green's works, in which the duality of mystic and sensualist is quite clearly polarized. He then proceeds through a selected series of Green's fictional works in an attempt to show the birth and nature of the third self as a personal myth of the artist. He then considers the fiction in chronological order with the intention of demonstrating the evolution of the myth of the third self in Green's career.…

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | He then considers the fiction in chronological order with the intention of demonstrating the evolution of the myth of the third self in Green's career.

hardcover. Zustand: Fine. includes dust-jacket. DETAILS: near fine dust-jacket, fresh attractive copy, fine condition gray cloth. DUNAWAY, JOHN M., 1945- / SPRINGSTED, ERIC O. The beauty that saves: essays on aesthetics and language in Simone Weil. Macon, Ga: Mercer University Press, 1996, xvi, 229pp., . The Beauty That Saves, a collection of essays by many of the most prominent American and European scholars on Weil, begins with a foreword by well-known writer Vladimir Volkoff who discusses, in a very moving manner, "What Simone Weil Means to Me." An introductory essay by Eric O. Springsted highlights the general character of Weil's thought and introduces the specific problematic of this collection. The first section addresses the subject of Weil on language. A key to understanding Weil's aesthetic is grasping how she understood language and its various usages. From within that understanding is contained a point d'appui of her philosophical thought as a whole. Her universe of meaning, its hierarchies, its subjection to necessity, its mystical intimacies, is not something she simply wrote about, it is contained in the way she wrote., With Weil's language established, the second section deals with Weil's explicit reflections on aesthetics, including essays on her sacramental imagery, morality and literature, music, and her classical reading of tragedy. As these essays point out, her aesthetic demands a moral and religious reading of the universe. The third section presents a number of specific Weilan readings of art, where what has been discussed in previous essays receives concrete application and illustration through essays on Weil and Wallace Stevens, music, and Georges Bernanos. - CONTENTS: I. Simone Weil on language. Contradiction, mystery and the use of words in Simone Weil / Eric O. Springsted -- The Language of the marketplace and the language of the nuptial chamber: the theological significance of a distinction in the philosophy of language / Heinz Robert Schlette -- Simone Weil and the limits of language / J.P. Little -- The Nature of narrative in Simone Weil's vision of history: the need for new historical roots / Christine Ann Evans -- Trésor éparpillé: the treasure of scattered texts in works by René Char and Simone Weil / Joan Dargan - II. Simone Weil on aesthetic theory. Sacramental tension: divine transcendence and finite images in Simone Weil's literary imagination / Thomas Werge -- Simone Weil on morality and literature / John M. Dunaway -- The Tragic poetics of Simone Weil / Katherine T. Brueck -- Simone Weil and Music / Michel Sourisse. - III. Weilian interpretations of art. Simone Weil and Wallace Stevens: the notion of decreation as subtext in 'An Ordinary evening in New Haven' / James R. Lindroth -- The Character of Don Giovanni in Mozart's opera / Diogenes Allen -- The Love of god and man's suffering: Simone Weil and Georges Bernanos / William S. Bush -- Simone Weil and Shakespeare's fools / Martin Andic. 9780865545007 ISBN 0865545006. …

Two vintage double weight color studio still photographs and two vintage studio still photographs from the 1974 film. Two black and white photographs with provenance stamps on the verso. Based on the novels "The Tower" (1973) by Richard Martin Stern, and "The Glass Inferno" (1974) by Thomas N. Scortia and Frank M. Robinson. In 1973 both Twentieth Century-Fox and Warner Brothers had each purchased rights to similar skyscraper disaster novels, when "Master of Disaster" producer, Irwin Allen, on the heels success with his 1972 disaster film, "The Poseiden Adventure," convinced both studios to join forces in the production of a motion picture, the first in the history of the major studios. The result was one of the highest grossing films of 1975 and one of the largest ensemble casts yet assembled, including Steve McQueen, Paul Newman, Faye Dunaway, Fred Astaire, Susan Blakely, Richard Chamberlain, O.J. Simpson, Robert Vaughn, and Robert Wagner, among many others. During the premiere gala for the world's tallest skyscraper, the building catches fire, the result of shoddy wiring by corrupt contractors, trapping 300 guests on the 135th floor. Winner of three Academy Awards including Best Cinematography, nominated for five others including Best Picture and Best Supporting Actor for Fred Astair, his only Academy Award nomination. Set in San Francisco, shot on location in San Francisco and Los Angeles. 8 x 10 inches. Generally Near Fine, with two color photographs evenly toned. …

Vintage British quad poster for the 1974 American film. Based on Richard Martin Stern's 1973 novel "The Tower," and on the 1974 novel "The Glass Inferno" by Thomas N. Scortia and Frank M. Robinson. Both Twentieth Century-Fox and Warner Brothers had purchased rights to similar skyscraper disaster novels, when "Master of Disaster" producer Irwin Allen convinced both studios to join forces in the production of a motion picture-the first in the history of the major studios. The result was one of the highest grossing films of 1975 and one of the largest ensemble casts yet assembled. During the premiere gala for the world's tallest skyscraper, the building catches fire, the result of shoddy wiring by corrupt contractors, trapping 300 guests on the 135th floor. Winner of three Academy Awards, including Best Cinematography. Set in San Francisco, shot on location in San Francisco and Los Angeles. 40 x 30 inches, folded. Very Good plus, lightly edgeworn on the top left corner, with a pinhole on the bottom right portion of the poster.…