duke berry (7 Ergebnisse)

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. 183 pages. Tight book; light discoloring; foxing to the endpages; a good sound binding. Musty odor from storage. The jacket has some soiling and wear. Illustrator: . Quantity Available: 1. Category: Art & Design; ISBN: 0807606138. ISBN/EAN: 9780807606131. Inventory No: 202083. This book is extra heavy, and may involve extra shipping charges to some countries.

hardcover. Zustand: very good(-). Introduction and legends by Marcel Thomas. With 110 full page color plates, and 22 black & white illustrations. Folio, gilt-stamped crimson cloth. New York: Braziller, (1971). First American edition. Cloth scuffed and stained but internally clean. A very good(-) copy lacking dust wrapper.

Hardcover. Zustand: Good+. minor to light foxing to the exterior edges of textblock. In original slipcase, which is in Fair to Good condition, with moderate wear to seams as well as rubbing wear. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Zustand: As New. Neuf. 14x1x17cm. 2007. Blu-ray. As New.

Lithograph, from "Iconographie des Contemporains depuis 1789 Jusqu'a 1829".

Zustand: Very Good. Tipped in colorplates (12) by Pol de Limbourg & completed by Colombe in about 1485 Small folio, boards in self-wrappers (lacks top and bottom of spine/rubbed but secure) 8pp of text rest taken up by the finely printed plates. 1 volume. Hardcover.

Soft cover. Zustand: Very Good. Editions de la Revue Verve. Paris, 1940. Tipped-in heliogravures after the 15th-century Book of Hours commissioned by the Duke de Berry. One of the most celebrated illuminated manuscripts of the late Gothic era, it was painted between 1412 and 1416 by the Limbourg Brothers. Verve publisher Tériade, long inspired by the work, sought to recreate its richly detailed images of the canonical hours prayers marking the divisions of the day as faithfully as possible for the public to study and admire. The seventh volume of Verve, The French Review of Art and Literature, entered production in Paris in March 1939, continuing even as World War II began. The meticulous process of reproducing the manuscript s vibrant colors was completed amid the turmoil, and the issue was published in March 1940, a fitting moment when, as during the Great War, prayer felt especially vital.