duflos claude (31 Ergebnisse)

Presses Universitaires de France, PUF, Paris - 1977, troisième édition revue et mise à jour, collection Que sais-je ? N° 1120, 11,50x17,50 cm, broché, 128 pages tampon, papier légèrement jauni - Pour les envois hors de France, la tafication «livre & brochure» pour les frais de port a disparue.Les frais de port annoncés correspondent à une moyenne. Ils seront calculés au plus juste en fonction du poids de votre article.

Couverture souple. Zustand: Bon. Collection "Que sais-je, n°1220", 4ème édition, 128 pages,

Original Kupferstich von ca. 1750. -- Blatt-Maße: ca. 25 x 18 cm. -- links knapp geschnitten, sonst gut erhalten. || Original copper engraving from c. 1750. -- narrowly cut on the left margin, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Couverture souple. Zustand: bon. RO90135604: 1977. In-12. Broché. Bon état, Couv. partiel. décollorée, Dos satisfaisant, Intérieur frais. 128 pages illustrées de quelques dessins en noir et blanc. . . . Classification Dewey : 678-Elastomères et produits élastomères.

Couverture souple. Zustand: bon. RO90135603: 1967. In-12. Broché. Bon état, Couv. partiel. décollorée, Dos satisfaisant, Intérieur frais. 128 pages illustrées de quelques dessins en noir et blanc. . . . Classification Dewey : 678-Elastomères et produits élastomères.

schönes, original Kupferstich Portrait von ca. 1700 - Blatt-Format: ca. 30 x 23 cm - gut erhalten. | original copper engraved portrait from ca. 1700 - in good condition. | // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1500.

schönes, original Kupferstich Portrait von ca. 1700 - Blatt-Format: ca. 28 x 42 cm - gut erhalten. | original copper engraved portrait from ca. 1700 - size of sheet: ca. 11.0 x 16.5 inches - in good condition. | // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1500.

Blattmasse ca.19 x26 cm. - Prächtiger originalKupferstich von ca. 1780 aus der Erstausgabe von Saint Non's berühmter "Voyage pittoresque ou description des Royaumes de Naples et de Sicilie". -- gut erhalten. || Original engraving from c. 1780. From the 1st edition of Saint Non's "Voyage pittoresque ou description des Royaumes de Naples et de Sicilie". -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von ca. 1720. -- Blattmasse: 40 cm x 46 cm. -- gut erhalten. || Original copper engraving from 1720. -- in very good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Großformatiger original Kupferstich. -- Blatt-Maße: ca 75 x 54 cm. Plattenmaße: ca. 54 x 48 cm. -- mit dünner Questchfalte, im Außenrand teils leicht fleckig, sonst gut erhalten. || Large original copper engraving. -- with minor crease in the picture, slightly stained on the outer margin, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 15.

Maße: ca. 12,5 x 9 cm. Kupferstich. Selten! -- gut erhalten || Copper engraving. Rare! -- in good condition. || Lit.: G0039 (AFCEL) // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Hardcover. Zustand: g- to vg. Second edition. Folio (17 1/2 x 11"). XII, 129, [1]pp (Text), [125] leaves (Plates). Contemporary 3/4 calf over illustrated paper cover boards, with gold lettering and tooling to spine. Raised bands. Decorative tailpieces. Second edition of this striking illustrated Bible (the original was published without any text) containing no less than 250 splendid copper engravings on 125 plates (out of 252 images on 126 plates). The plates have been engraved by the finest Dutch and French artists of the period, such as Jan Caspar Philips, Pierre Tanje, Simon Fokke, Jacob Folkema, Frans De Bakker, Claude Duflos, Pierre Quentin Chedel, and Lestol. Binding rubbed on spine and along edges, with some abrasion to calf. Tail of spine chipped. One leaf featuring the following two engravings missing: Adam en Eva eten van den verbooden Boom, and Adam en Eva verbergen zich in den Hof. Some pages have been expertly repaired, and remargined. Sporadic closed tears repaired with non-abrasive tape. Page 7/8 repaired but suffered some minor loss of text. Upper half of pp. 93/94 heavily foxed, thus affecting the upper image of each facing plate. Moderate closed tears, foxing and age-toning along paper margin (not affecting text or plates). Text in Dutch. Captions in Dutch and French. Binding in overall fair to good-, interior in good to good+, plates in very good, images in near fine to fine condition. About the author: Ysbrand van Hamelsveld (1743-1812) was a Dutch Reformed minister and professor of theology. This radical Patriot had preached patriotism from the pulpit and even had called upon the male members of his flock to take up arms against stadtholder, William V. Forced to resign his offices after 1787 (when the troops of Frederick William II of Prussia crushed the Patriots), Van Hamelsveld became a professional writer and translator.

Couverture rigide. Zustand: Très bon. La Mothe-Fénelon, Gabriel-Jacques de Salignac (1688-1746 ; marquis de). Éditeur scientifique Baillieul, François (1697?-1754). Dessinateur du modèle Duflos, Claude (1665-1727). Graveur Bonnart, Jean-Baptiste-Henri (1678-1726). Dessinateur du modèle Giffar (illustrator). Comprend : Discours de la poesie epique, et de l'excellence du poeme de Telemaque 2 tomes en un vol. (LX-526 p.) : portr., carte, pl. ; in-12 (9x16 cm) Comprend : Discours de la poesie epique, et de l'excellence du poeme de Telemaque . Pleine rel. maroquin rouge signée Smeers, dos à nerfs, filets sur les nerfs, caissons et lettres dorées. Toutes tranches dorées. Triple filet doré d'encadrement sur les plats. Nombreuses gravures à pleine page de Giffart gravées par Bonnart. Magnifique état. BATH 500g.

Zustand: Good. Folio. 37 x 49 cm. New half calf and marbled boards by the artisan bookbinder, Sasha Mosalov. Part of original spine preserved (35cm).Waterstain on the corners of some plates and text pages, but most are not not affected.Collation: XII, 1-66pp, Plates I-XXXV, 67-82pp, Plates I-XVI, 83-110pp, Plates I-XXIV, unnumbered doube page plate.OCLC Number:5005579.Notes: Four groups of engraved plates (24, 35, 16, 19 [i.e. 21]), each group followed by descriptive text.Translated from the Italian edition, originally published at Rome, 1706.With bookplate of Townshend.Includes index.Description: xii, 110 pages illustrations, plates 51 cm.This work was first published in 1738. It is a Latin translation of the book published in 1706 in Italian, entitled Le Pitture Antiche Delle Grotte Di Roma, E Del Sepolcro De' Nasoni Disegnate, & intagliate . Da Pietro Santi Bartoli, E Francesco Bartoli . Descritte . Da Gio: Pietro Bellori, E Michelangelo Causei Dela Chausse. (An earlier Latin account of the tomb of the Nasonii by P. Santi Bartoli had been published in 1699, and an Italian version in 1680.) The 1706 Italian version of the book had only three groups of plates with explanatory texts. This Latin edition is published 'cum Appendice nunquam edita', i.e. with a fourth group of plates and explanatory text.The painted walls and vaults of the tomb of the Nasonii on the Via Flaminia had first been unearthed in 1674.The plates of both the Latin and the Italian editions show not only paintings of this and other tombs but also stucchi, mosaics, lamps, vases and other objects.

Couverture rigide. Zustand: Assez bon. Later edition; Folio;Text in Dutch. Captions of engravings in Dutch and French; half leather binding of the time, tight, title on spine, much rubbed at edges and corners; later blue paper pastedown; Two parts bound together with two title pages with vignette; the two maps in part one are absent, otherwise complete, text and plates; there are 80 whole page plates, each with two pictures in part one, and two coloured maps and 50 plates with two pictures in part two; it seems to be more than the 252 pictures announced on the title page; plates engraved by Dutch and French artists: Jan Caspar Philips, Pierre Tanje, Simon Fokke, Jacob Folkema, Frans De Bakker, Claude Duflos, Pierre Quentin Chedel, and Lestol. Binding in overall fair to good-, interior in good to good+, plates in very good, images in near fine to fine condition. inside very good; minor usage signs on few plates margins; a good set with only two maps missing;

Sehr seltene Kupferstiche von ca. 1750. 3 von 4 (es fehlt "Winter"). -- Blatt-Maße: ca. 22,5 x 15 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Very rare copper engravings from c. 1750. 3 out of 4 (The "Winter" engraving is missing). -- slightly stained on the outer margin, otherwise in good condition. || Très rare gravures sur cuivre de 1750. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Sehr seltene Kupferstiche von ca. 1750. Vollständige Folge. -- Blatt-Maße: ca. 22,5 x 15 cm. -- gut erhalten. || Very rare copper engravings from c. 1750. Complete. -- in good condition. || Très rare gravures sur cuivre de 1750. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Zustand: Good. Engraving. Image 12" x 7.5". Very Good. In protective sleeve.

'COLOMBINE D'UN AIR TENDRE VIENS CARESSER PIERROT '(A tender columbine caring for Pierrot .)Made by after an anonymous artist.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 22.3 x 16.9 cm (8.78 x 6.65 inch). Image size: 9 x 7.5 cm. (3.54 x 2.95 inch).COLUMBINE-THEATRE-PIERROT | PCO-C21-46BACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Claude Duflos (1665-1727) was a French engraver. Duflos was born and died in Paris. It is not known by whom he was instructed, but his style resembles that of François de Poilly. He left a great number of plates, executed principally with the burin, and very neatly finished. Condition: good, given age. Good, given age. Large margins. Light soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Incisione originale su rame (cm. 54x49 più ampi margini bianchi) da un dipinto del Veronese. Buon esemplare.

P.L. Dumenil (illustrator). 'LE GARCON CABARETIER'(The Tavern Boy)Made by Claude Duflos after P.L. Dumenil.Medium: Engraving on hand laid (verge) paper.Sheet size: 36.8 x 32.8 cm (14.49 x 12.91 inch). Image size: 32 x 30 cm. (12.6 x 11.81 inch).TAVERN-BOY | EXPO-FRENCHBACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Claude Duflos the Younger (1700-1786) was a French architect and engraver. Condition: good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: Good. Folio. 6 volumes. 27 x 44.5cm. New full black goatskin covers by the artisan binder, Sasha Mosalov with original spines partially preserved. .Some browning and waterstains.v.1. Ceremonies of the Jews and the Roman Catholicks. v.2. A continuation of the dissertations concerning the customs and religious ceremonies of the Roman Catholicks. v.3-4. Ceremonies of the idolatrous nations.--v.5. Ceremonies of the Greeks and Protestants.--v.6. pt.1. The Doctrine and discipline of the Church of England, of the Presbyterians.-v.6. Independents, Anabaptists, Quakers, etc. pt.2 Various sects of Mahometans, with an appendix of the lives of Mohammed, Omar, and Ali.Signatures: v.1, a-b 2* B-5T 5U 5Y-6B ; v.2, 2* B-5D ; v.3, 3* 3* B-6R ; v.4, 2* a b -c B-6T ; v.5, a B-6T ; v.6, B-3O [v.7] A-2X.OCLC Number / Unique Identifier:614764535. Provenance: Gibraltar Garrison Library, (no markings on the folios). Very heavy books, extra shipping charges,

Album de 1 + 268 gravures de C. Duflos , tirées de l'édition de 1735, chez Jean Villette à Paris de ''L'Histoire du Vieux et du Nouveau Testament, représentée avec des figures. Cette publication contenait sur chaque feuille une illustration gravée par Duflos (268 gravures & une frontispice (ce dernier signé dans la planche). L'Album contient également la partie du dessus de la page de titre et la vignette de la dédicace. Les gravures mesurent 115 x 155 mm. . Le collectioneur qui a composé l'album a vraisemblablement utilé un exemplaire de l'ouvrage avec des défauts, il gardé les planches. Relié en plein cuir poli, plats décorés avec double fillets et lys de France, Dos doré avec titre en or. Tranches rouges. Belle reliure (fin 18e début 19e ?). Intérieur bon, sauf les planches sur les pages. 417 et 452 qui montrent des fortes rousseurs. Intéressant exemple du gout d'un collectionneur de l'art graphique française dans les siècles précédentes.

Circular bust-elgnth portrait of François Henri de Montmorency-Bouteville, Duke of Piney-Luxembourg (1628-1695), nicknamed "The Upholsterer of Notre-Dame". He was a French general and Marshal of France. A comrade and successor of Louis, Grand Condé, he was one of the most accomplished military commanders of the early modern period and is particularly noted for his exploits in the Franco-Dutch War and War of the Grand Alliance. Engraving and stipple on wove paper, sheet size 313 x 220 mm., platemark 89 x 79 mm. Engraved by Claude-Augustin Duflos, and published c. 1750. Claude-Augustin Duflos (Paris 1700-1786) was a French engraved and reproductive artist. He was a student of Bernard Picart, and made numerous engravings for publications reproducing famous artworks. In very good condition, with ample margins. The margin edges a little foxed and faintly soiled.

Original etching of Madame Law drawing in an oval of a Lady in a nice dress in a bedroom? with a monkey on the left side. Satire on the financial crisis in 1720; An oval portrait of Madame Law, finely dressed in a tricorne hat with feathers, set against the background of the Doge's Palace in Venice at carnival time; the column at the entrance to St Mark's Square is surmounted by the monogram "LL" (for Law of Lauriston).Based on a work by the Venetian portraitist Rosalba Carriera (16731757), this print depicts John Law's common-law wife and partner-in-crime, Lady Katherine Knollys. After Law's "System" collapsed, she fled to Venice, and her portrait here consequently evokes a "Wanted" sign: surrounded by an elaborate frame, she holds a Carnival mask, while the Doge's Palace and a group of commedia dell'arte revelers appear in the background. In the inscription below the image, she boasts of her husband's cunning, claiming that she will take charge of their affairs, or "act the part of both man and wife," until their "honor" can be restored.satire, commerce/finance, masquerade, carnival, costume/clothing[NL] Ovaal portret van madame Law, ca. 1720. Halffiguur staande voor het Sint-Marcoplein in Venetië, in de verte enkele dansende carnavalsvierders. Met randschrift in het Frans en onder het portret een zesregelig vers in het Nederlands. Behoort tot de groep van prenten toegevoegd aan de serie Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720. Zelfde prent aanwezig in Rijksmuseum onder nr RP-P-OB-83.753. FMH 3612, Atlas van Stolk 3525-7b. In de tekst: Ik speel voor man en wyf.Madame Law, Het Groote Tafereel der Dwaasheid, Venetië, Carnaval, Fashion, Kostuum, Kleding, Original etching on laid paper with watermark, in good condition. Charming impression. Total size 203 x 165 mm.

Etching/engraving on laid paper, by Claude-Augustin Duflos after Jean Baptiste Bénard, published ca. 1750 by Jean-Baptiste Crépy, with an eight-line caption in French by Meslé, sheet size 375 x 270 mm., cropped within platemark, a sharp crease in the caption below the image (from previous framing?), a small tear in the caption, some faint stains in the margins, the top half of the sheet faintly moldy. The man, a hunter or poacher as indicated by the gun and game on the floor, embraces the woman who holds a spindle and distaff. A boy with a small dog and a girl with a toy windmill are also present. Literature: LeBlanc 182.

Gerard de Lairesse (after) / Nicolaas Verkolje (drawing) (illustrator). 'G. DE LAIRESSE PINXIT / N. VERKOLJE DELIN. ET EXCUDIT CUM PRIVILEGIO / CL. DUFLOS SCULPSIT'Roman scene with Scipio Africanus Major returning a captured woman to her fiancee in a grand architectural setting. Engraving by Claude Duflos after a drawing by Nicolaas Verkolje, based on a painting by Gerard de Lairesse.Made by Claude Duflos after Gerard de Lairesse (after) / Nicolaas Verkolje (drawing).Medium: Etching, engraving, stipple on hand laid (verge) paper.Sheet size: 33 x 45.2 cm (12.99 x 17.8 inch). Image size: 23.5 x 40.5 cm. (9.25 x 15.94 inch).SCIPIO AFRICANUS, ROMAN HISTORY, CLAUDE DUFLOS, GERARD DE LAIRESSE, NICOLAAS VERKOLJE, 18TH-CENTURY ENGRAVING, JUSTICE CHAMBER THE HAGUE | XXX-B1-28BACKGROUND INFORMATIONFrom: 'Tafereelen' with depictions from the paintings in the Binnenhof in The Hague, published in 1737.Reference: Rijksmuseum object RP-P-1907-4201; IFF 18e siecle 298.Biography engraver: Claude Duflos (1665-1727) was a French engraver known for his refined technique, active during the late 17th and early 18th centuries.Biography artist: Gerard de Lairesse (1640-1711) was a talented Dutch Golden Age engraver, painter and art theorist. Born at Liege, 1660 to Berlin, 1665 to Amsterdam. moved to The Hague around 1684. Nicolaas Verkolje (1673-1746), Dutch draftsman and engraver. Condition: very good, given age. Minor age toning, strong impression, wide margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Etching/engraving on laid paper, by Claude-Augustin Duflos after Jean Baptiste Bénard, published ca. 1750 by Jean-Baptiste Crépy, with an eight-line caption in French by Jeson, sheet size 375 x 275 mm., cropped within platemark, a sharp crease in the caption below the image (from previous framing?), margins faintly stained. A nice impression of this plate in which a nanny cares for three children in a kitchen. The nanny is talking with the girl standing in front of the fireplace, holding up a blanket, on the left a little boy holds up a spoon to the baby in the nanny's arms. Literature: LeBlanc 187. According to the British Museum, this print was advertised in 'Mercure' of October 1759.

The Virgin standing with open arms, checkered floor and dark background. Inscribed and signed below: 'le Brun pinxit / du Flos sculp' 'Ma douleur est au dessus de toute douleur / Ieremie Ch. 8 v, 18' address not entirely visible, possibly due to pressing problems: 'Se vend á Paris Chez Basset, rue St. Jacques [.] C.P.R.' l Engraving and etching on laid paper with broad margins; plate mark: 261 x 195 mm, total: 425 x 290 mm, some light foxing on the margins, traces of previous mounting on the margin above on the verso.

Gerard de Lairesse (after) / Nicolaas Verkolje (drawing) (illustrator). 'G. DE LAIRESSE PINXIT / N. VERKOLJE DELIN. ET EXCUDIT CUM PRIVILEGIO / CL. DUFLOS SCULPSIT'Allegorical representation of Justice enthroned, flanked by putti symbolizing law and punishment; engraving by Claude Duflos after Gerard de Lairesse's painting, after drawing by Nicolaas Verkolje. Made by Claude Duflos after Gerard de Lairesse (after) / Nicolaas Verkolje (drawing).Medium: Etching, engraving, stipple on hand laid (verge) paper.Sheet size: 33 x 45.2 cm (12.99 x 17.8 inch). Image size: 31 x 43 cm. (12.2 x 16.93 inch).JUSTICE ALLEGORY, CLASSICAL ALLEGORY, LADY JUSTICE, PIETER TANJÉ, GERARD DE LAIRESSE, NICOLAAS VERKOLJE, 18TH-CENTURY ENGRAVING | XXX-B1-28BACKGROUND INFORMATIONFrom: 'Tafereelen' with depictions from the paintings in the Binnenhof in The Hague, published in 1737.Reference: Rijksmuseum RP-P-1907 series.Biography engraver: Claude Duflos (1665-1727) was a French engraver known for his refined technique, active during the late 17th and early 18th centuries.Biography artist: Gerard de Lairesse (1640-1711) was a talented Dutch Golden Age engraver, painter and art theorist. Born at Liege, 1660 to Berlin, 1665 to Amsterdam. moved to The Hague around 1684. Nicolaas Verkolje (1673-1746), Dutch draftsman and engraver. Condition: very good, given age. Light creasing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.