Drummond william j (15 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. First edition. Octavo. 132pp. Green cloth. Light binding soil, small abrasion on front fly and some darkening in the gutters, a very good copy lacking the dustwrapper.

Zustand: New. In English.

Hardcover. Zustand: Brand New. 322 pages. 9.25x6.25x1.00 inches. In Stock.

Hardcover. Zustand: Near Fine. Near Fine. First edition. Octavo. 132pp. Green cloth. A little foxing in the gutters and toning on the endpapers else very good or better in about very good dustwrapper with light soiling and wear.

Buch. Zustand: Neu. Neuware - San Quentin State Prison, California's oldest prison and the nation's largest, is notorious for once holding America's most dangerous prisoners. But in 2008, the Bastille-by-the-Bay became a beacon for rehabilitation through the prisoner-run newspaper the San Quentin News. Prison Truth tells the story of how prisoners, many serving life terms, transformed the prison climate from what Johnny Cash called a living hell to an environment that fostered positive change in inmates' lives. Award-winning journalist William J. Drummond takes us behind bars, introducing us to Arnulfo García, the visionary prisoner who led the revival of the newspaper. Drummond describes how the San Quentin News, after a twenty-year shutdown, was recalled to life under an enlightened warden and the small group of local retired newspaper veterans serving as advisers, which Drummond joined in 2012. Sharing how officials cautiously and often unwittingly allowed the newspaper to tell the stories of the incarcerated, Prison Truth illustrates the power of prison media to humanize the experiences of people inside penitentiary walls and to forge alliances with social justice networks seeking reform.…

Gebunden. Zustand: New. &Uumlber den AutorWilliam J. Drummond is Professor of Journalism at the University of California, Berkeley. His award-winning career includes stints at the Louisville Courier-Journal, where he covered the civil rights movement, a.

Paperback. Zustand: Brand New. reprint edition. 261 pages. 9.00x6.00x0.50 inches. In Stock.

Hardcover. Zustand: Brand New. 256 pages. 9.50x6.25x1.00 inches. In Stock.

Softcover. Zustand: Very Good. First edition. Folio. Two nested bifolia making eight pages. Both bifolia notched and worn along the fold from once being bound within an album, outer bifolium separating a bit at the ends of the fold, light edgewear, some light toning, and light bumping to the corners, very good or better. For voice and piano, written in a French-Canadian dialect. Plate number, 15866-6. The front cover features a black and white portrait of William Henry Drummond. Drummond was an Irish-born Canadian poet who was greatly inspired by the habitants and voyageurs he encountered when he worked in L'Abord-à-Plouffe in Quebec. "The Last Portage" is one of his most celebrated poems. *OCLC* locates only a single holding and it appears to be equally scarce in the trade.…

Hardcover. Zustand: Very good. First. PRESENTATION COPY, WITH A DISTINGUISHED PROVENANCE. First edition. New York: Harper & Brothers, 1846. Two volumes. Duodecimo in 6s (7 3/16" x 4 9/16", 183mm x 115mm). [Full collation available.] Bound in the publisher's presentation black morocco. On the boards, a double gilt fillet border surrounding a large gilt scrollwork vignette. On the spine, five raised bands with a dashed gilt roll. In the panels, gilt scrollwork with guilloche at the bottom. Title and number gilt to the second panel, within a double gilt fillet border. Gilt roll to the edges of the boards, continuing onto the inside dentelle. All edges of the text-block gilt. Wear to the extremities. Some scattered foxing. Altogether a very good set. Presentation inscription from J. Watson Webb to W.S. Stell ("from his friend") to both volumes; in vol. I, to the recto of the first free end-paper; in vol. II, to the recto of the initial binder's blank. Bookplates of Amos Tuck French (Tucks Eden, Tuxedo Park) and Jay Snider to the front paste-down of both volumes. An explanatory note manuscript tipped in to the first free end-paper of vol. I. Presented in a custom quarter black morocco slip-case with two black cloth chemises by J. Desmonts, J. Macdonald Co., Norwalk, Conn. James Watson Webb (1802-1884) was a general and a newspaperman and eventually an ambassador. He identifies himself as the editor of the account, though bibliographies (e.g., Wagner) attribute the authorship to him. The Amateur Traveler is Sir William Drummond Stewart (1795-1871), who is also fairly patently the title-character. Though Stewart has long been known as the patron of Alfred Jacob Miller, the great artist of the American West, he is being re-examined in the twenty-first century as a chronicler of queer love in the unexplored wilds. Stewart himself had a lover, Antoine Clement, whom he variously called his valet or footman. Stewart held an elaborate all-male Renaissance-costumed fête at what is now called Fremont Lake in Wyoming. It is easy to see the influence Altowan might have had on Annie Proulx's "Brokeback Mountain." Whatever Webb's role in the production of Altowan, he shepherded it through the press in New York and was able to inscribe the present copy to his friend W[illiam] S[horter] Stell (1800-1863), a Philadelphia merchant who emigrated with his family to Manchester, England. The exact connection between the two men is unclear; John Ashton Nicholls recalls being introduced to General Webb by a letter from Stell, so the relationship was doubtless close. The book passed through the family. Stell's daughter, Julia, married Edward Tuck (noted in the slip tipped in to the front paste-down of vol. I), for whom the Tuck School of Business at Dartmouth is named. Tuck's half-sister, Ellen Tuck, was married to Francis Ormond French, president of the Manhattan Trust Co. Their son, Amos Tuck French, who in turn became president of the Manhattan Trust Co., came by whatever means to own the books. Jay T. Snider, also a prominent Philadelphian (and former owner of the Philadelphia Flyers hockey team), has disbursed at several single-owner sales his collection of important Americana. Purchased at his sale, Christie's New York (20 June 2005, lot 241). Fieldl 1632,Graff 3986, Howes S991, Sabin 91392, Wagner-Camp-Becker 125. …

Hardcover. 1st Edition. 2 volumes, 8vo (7 1/2 x 4 3/4 in.; 19 x 12.1 cm). Light scattered foxing throughout. Publisher's blue cloth blocked in blind, gilt emblem on front covers, spines lettered gilt; expertly recased retaining original spines, hinges and endpapers, spines gently faded with minor losses to spine ends. FIRST EDITION. The account is based on the travels of Captain William Drummond Stewart, a Scottish nobleman, although it is believed that Webb himself wrote it. During the winter of 1836-1837, Stewart met the young American artist Alfred Jacob Miller whom he invited to accompany him to a fur trade rendezvous, a meeting held annually among traders, Native Americans, and Rocky Mountain trappers. Before reaching their destination at Horse Creek (near the present-day border of Colorado and Wyoming), they traveled northwest along the Kansas River to the Platte, passing such landmarks as Scott's Bluff and Chimney Rock. The rendezvous concluded, they headed for the Wind River range of the Rockies in Wyoming, where they spent time hunting before returning to St. Louis in the fall of 1837. The meeting resulted in the present account and in Miller's comprehensive paintings of trappers and Native Americans in the western U.S. fur trade. REFERENCES: Field 1632; Graff 3986; Howes S991; Sabin 91392; Wagner-Camp-Becker 125 PROVENANCE: Estate of Arnold "Jake" Johnson (sale, Doyle's, 12 November 2019, lot 33).…

7 vol. : [4] pp. (each); 7 vol. : 35.5 x 27.8 cm. (no. 1) ; 30.5 x 22.8 cm. (no. 2) ; 30.5 x 22.8 cm. (no. 3) ; 30.3 x 22.8 cm. (no. 4) ; 30.3 x 22.8 cm. (no. 5) ; 30.3 x 22.8 cm. (no. 6) ; 30.6 x 22.8 cm. (no. 7); black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issues 1 - 7 of Scrap from total of 8, published in New York City and edited by Anita Ventura and Sidney Geist between 1960 - 1962. Issue One, contents include : "A Review of Sculpture this Season," by Sidney Geist ; "Report from the Club" featuring Gabriel Laderman, Neil Mallow, Wolf Kahn, Lester Johnson, Harold Cohen, Louis Finklestein, Paul Georges, Sidney Geist, Landes Lewitin, and E.A. Navaretta ; an overheard conversation betweeen Lois Dodd, Sally Hazelet, and Philip Pearlstein ; "I Confess," by Milton Resnick ; "Pollock by Robertson," by Barbara Butler ; an excerpt from "The Metamorphosis of the Gods" by André Malroux. Issue Two, contents include : a dance review of "Peripateia and Tableaux," by Landes Lewitin and Sidney Geist ; Letters to the editor from Irving Sandler and Sonia Gechtoff ; "Dear Scrap" with comments by Sally Hazelet, Mark di Suvero, Thomas B. Hess, Thomas A. Hess, Milton Resnick, James Terry, Stephen Radich, Hilton Kramer, Ad Reinhardt, R. Gordon, David Smith, and Yvonne Thomas ; "Beating the Beat" by Margaret Randall ; "Rauschenberg," by Paul Brach ; "Kanemitsu" by William McLean ; "Duchamp," by Jasper Johns ; and "Letter from India," by Milton Resnick. Issue Three, contents include : an excerpt from a panel conversation with Ad Reinhardt and Milton Resnick ; Letters to the editor from Richard Maxfield, Stanley Fisher ; "Change : Eight Lectures on the I Ching," book review by Adam Margoshes ; "The Totem," by May Swenson ; "Letter on the Maximus Poems," by James Mellow ; and "Sculpture and Other Trouble," by Sidney Geist. Issue Four, contents include : the reproduction of Peter Selz's essay on Mark Rothko published in MoMA's brochure for Rothko's 1961 exhibition along with an annotated critical response to the text by Sidney Geist. Issue Five, contents include : "Cajori," by Louis Finkelstein ; "A View of Rothko's Images," by Sidney Geist ; "Hard Put," by Margaret Randall ; "Brecht Berlin / New York," by Josephine Herbst ; "Manifestoes on the Music and Dance of 8 Clear Places," by Lucia Dlugoszewski; and letters to the editor by Katharine Kuh and David Sylvestor. Issue Six, contents include : "Yellow can be Black," by John Grillo ; "The Source (Desire)," by Mary Frank ; "Why Am I So?," by Philip Pearlstein ; "No Front-Side-Back-Side," by Tom Doyle ; "Taste of Potatoes," by Milton Resnick ; ".A Bad Habit," by Wolf Kahn ; "The Image Central," by Sonia Gechtoff ; "Catalyst for My Art," by Perle Fine ; "Like a Spider I Go," by Pat Passlof ; "I Had an Indian Nurse," by Alfred Jensen ; "m-m-m-m-MM," by Adam Margoshes ; "Brand-New & Terrific," by Alex Katz ; Includes letters to the editor and a report from the Arts Club. Issue Seven, contents include : "A Number of Things : Editorial Observations," by Sidney Geist ; "The Envious Male," by Adam Margoshes ; "A Wide-Open Image," by George Sugarman ; "Report from the Club," and letters to the editor. Very Good. Near complete set, missing Issue 8. Moderate yellowing from age to all issues. Folded in half as issued with some additional folds and occasional small tears to page edges. 2.5 cm. dog-ear to issue 4. Clean and unmarked. All issues from first printing on newsprint. …