Driskel michael paul (14 Ergebnisse)

Hardcover. Zustand: Like New. Like New. First Edition. First Edition, First Printing. Published by Kent University Press, 1993. Quarto. Black cloth boards stamped in gold with maroon endpapers. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with very light shelf wear. 250 pages. ISBN: 0873384849. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.…

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Dust Jacket Included. F. University Park: Penn State Press, 1992. First edition. Hardbound. New in dust jacket. Still in shrink wrap! A perfect unread copy. Art. Quarto. 0.0.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. Ink inscription on front endpaper.

very good dust-jacket, very good large black cloth, light foxing on top foredge. DRISKEL, MICHAEL PAUL. Representing belief: religion, art, and society in nineteenth-century France. University Park, Pa.: Pennsylvania State University Press, 1992, xiv, 282pp., . CONTENTS: Preamble: why study a Rossignol? -- The cultural battleground -- The aesthetics of ultramontanism -- A genealogy of the hieratic mode -- The progress of naturalism -- A return under a new sign. 9780271007472 ISBN 0271007478.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Publisher's hardback in better than very good condition: firm and square, strong joints. Complete with original dustjacket, not showing any tears or chips. Contents tight and clean; no pen-marks. Not from a library so no such stamps or labels. Thus a tidy book in very presentable condition.…

Hardcover. Zustand: Good. Representing Belief provides a detailed discussion and analysis of the forms and meanings in religious art of nineteenth-century France. This genre, usually assigned minimal importance by writers on the period, turns out to occupy a central place in the cultural history of the era, touching the core of the century's conflict between tradition and modernity, science and faith, ultramontanism and naturalism. Although it was generally assumed that this kind of art was of little importance in the evolution of modern painting, Driskel demonstrates that in reality it played a crucial role. Many of the artists discussed are firmly installed in the present canon (Delacroix, Ingres, Manet, Gauguin), while others (Flandrin, Orsel, Gleyre, Cazin) were major figures in their own time, though largely forgotten today.Writing from an interdisciplinary perspective and employing concepts derived from structuralist and poststructuralist theory, Driskel moves beyond simple formalism to restore a category of once-important works to a meaningful context, thereby offering others a model by which to discuss and interpret these paintings. Carefully charting the genealogies of hieraticism and naturalism, he demonstrates that a dramatic shift occurred in the 1860s and 1870s as naturalism gained acceptance among ultramontanes and the hieratic mode began to attract the interest of adherents to the belief system of modernism. Representing Belief is the first book to situate this art in its social and historical contexts and to approach it from this point of view.…

Hardcover. Zustand: Good. Representing Belief provides a detailed discussion and analysis of the forms and meanings in religious art of nineteenth-century France. This genre, usually assigned minimal importance by writers on the period, turns out to occupy a central place in the cultural history of the era, touching the core of the century's conflict between tradition and modernity, science and faith, ultramontanism and naturalism. Although it was generally assumed that this kind of art was of little importance in the evolution of modern painting, Driskel demonstrates that in reality it played a crucial role. Many of the artists discussed are firmly installed in the present canon (Delacroix, Ingres, Manet, Gauguin), while others (Flandrin, Orsel, Gleyre, Cazin) were major figures in their own time, though largely forgotten today.Writing from an interdisciplinary perspective and employing concepts derived from structuralist and poststructuralist theory, Driskel moves beyond simple formalism to restore a category of once-important works to a meaningful context, thereby offering others a model by which to discuss and interpret these paintings. Carefully charting the genealogies of hieraticism and naturalism, he demonstrates that a dramatic shift occurred in the 1860s and 1870s as naturalism gained acceptance among ultramontanes and the hieratic mode began to attract the interest of adherents to the belief system of modernism. Representing Belief is the first book to situate this art in its social and historical contexts and to approach it from this point of view. Hardback in good condition with clean pages throughout and securely bound. Bumping to top outer corners of both boards and some scuffing to the rear of the dust jacket. Published in 1992, first edition.…

Hardcover. Zustand: Brand New. 264 pages. 9.25x7.25x1.00 inches. In Stock.

Hardcover. Dust Jacket Included. 4to. pp. xiv, [1], 282. 102 illus. biblio. index. cloth. dw. First Edition.

4°, OPpd. mit OSU. 288 S. mit zahlr. Abb., Bleistiftanstreichungen u. -bemerkungen im Text, sonst gut erh. Sprache: Englisch Gewicht in Gramm: 550.

Zustand: gut. 1992. Representing Belief. Religion, Art, and Society in Nineteenth Century France. In englischer Sprache. pages.

Zustand: fine. vendeur professionnel. envoi soigne en 24/48h. le livre peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques.

Pennsylvania State University Press, 1992, in-4°, 282 pp, 102 plates, bibliography, index, publisher's cloth, dustwrapper.