Doves press shakespeare william (4 Ergebnisse)

One of 250 copies, (a further 15 copies were printed on vellum). Printed in red and black throughout with four large capital letters, two full page, designed by Edward Johnston and engraved by Noel Rooke and Eric Gill. Sm. 4to., original vellum backed, blue holland paper covered boards, signed 'The Doves Bindery' on the lower turn-in, gilt lettering to spine. Housed in a later cloth slipcase. An extraordinarily crisp and bright copy. Booklabel of the collector David Rose.…

First Doves Press edition, one of 200 copies. Publication of Coriolanus was announced for the autumn of 1913 in the press's Catalogue Raisonné that April. Cobden-Sanderson, however, fell ill during its production, delaying its release. He continued to revise the text and compile the errata while convalescing at a nursing home in October 1913, and the work appeared in March 1914. The Doves Press was run by T. J. Cobden-Sanderson alongside his wife Anne. Cobden-Sanderson left his career as a lawyer in 1884 in order to open the Doves Bindery, establishing the Doves Press in 1900. He was interested in all aspects of book design, writing in his diary in 1898 that "I must, before I die, create the type for today of 'The Book Beautiful', and actualize it - paper, ink, writing, printing, ornament, and binding". The text of this edition is based on the First Folio, published in 1623. Franklin, p. 278; Ransom 41. Marianne Tidcombe, The Doves Press, 2002, DP34. Quarto. Text printed in red and black. Original limp vellum by the Doves Bindery, their stamp to the rear pastedown, spine lettered in gilt, fore and bottom edges untrimmed. Housed in an orange card slipcase. Vellum clean and notably unbowed, contents bright: a fine copy.…

235 x 164 mm. (9 1/4 x 6 1/2"). 84 pp., [1] leaf. ELEGANT CONTEMPORARY DARK BLUE MOROCCO, EXTRAVAGANTLY GILT, IN THE STYLE OF THE DOVES BINDERY, gilt, covers with strapwork frame, daisy cornerpieces, two medallions at center in an intricate Celtic knot design, raised bands, spine compartments with guilloche tooling, gilt lettering, turn-ins ruled in gilt with strapwork loops at corners, all edges gilt and gauffered with rows of dots. Three fine capitals engraved by Noel Rooke and Eric Gill after Edward Johnston. Printed in red and black. Tidcombe DP-18; Tomkinson, p.56; Gill 307. For the binding: Tidcombe, "The Doves Bindery," Appendix III, pp. 458-65. Mild offsetting from turn-ins (as uaual), one opening with barely perceptible horizontal darkening along tail margin, but A BRIGHT AND BEAUTIFUL COPY INSIDE AND OUT. This Doves Press version of Shakespeare's Sonnets is based on the text of the first edition of 1609 and is printed in celebration of the 300th anniverary of their first appearance. The volume is a very pleasing example of the "Book Beautiful" as envisioned by press founders T. J. Cobden-Sanderson and Emery Walker: a desirable text rendered with reserved elegance and exquisite taste in Walker's stately Doves type. Cobden-Sanderson was a perfectionist, and finding that he had inadvertently printed an extraneous comma in the first sonnet, he covered over by hand every extra comma in every copy, using an early form of correction fluid. The correction is just visible in our volume (after the word "aboundance"). The engraving Gill did on the initials here is among the very earliest of his recorded work. Our binding is not signed, but was clearly inspired by Doves Bindery examples. The navy crushed morocco, the elaborate but tasteful design, and the precise tooling are all characteristic of Doves work. While the tools and pattern do not match any of those in Tidcombe's comprehensive study of the bindery, the open petals in the cornerpieces are similar to Doves tools, just as the use of strapwork is common in Cobden-Sanderson bindings. Tidcombe documents counterfeit Doves bindings in her book, and notes several common features. Like ours, all of the fake bindings are on Doves Press books and all are bound in dark blue morocco. But they differ from our binding in that they all use a stamp-signed Doves Bindery signature. She considers unsigned bindings in the Doves style copies, rather than forgeries. All that being said, it seems possible that our binding was created by an artisan who had studied with Cobden-Sanderson and who was much influenced by his bindings. ONE OF 250 COPIES ON PAPER (and 15 copies on vellum).…

238 x 172 mm. (9 3/8 x 6 3/4"). 3 p.l., 7-140 pp., [2] leaves (colophon and errata). Original flexible vellum by the Doves Bindery, gilt spine titling, edges untrimmed. Printed in red and black. Tidcombe DP-29; Tomkinson, p. 57. A little natural variation (as always) in the grain of the vellum and covers tending to splay slightly, but in virtually pristine condition inside and out. This is a splendid copy of one of the series of Shakespeare works issued by Cobden-Sanderson's Doves Press. Although he printed 16 items before turning to something written by Shakespeare, seven of the last 35 Doves Press productions were authored by the Stratford bard. Probably first performed in 1607, "Anthony and Cleopatra," the tragic, classic story of lust and politics in ancient Rome and Egypt, is the third of those seven ("Hamlet" and the "Sonnets" were printed previously, in 1909). The text here is based on the First Folio, with errata added at the end. The Doves Press was founded in 1900 by Thomas James Cobden-Sanderson and Emery Walker to produce their ideal of the "Book Beautiful." Over the next 16 years, they produced 51 titles in which they demonstrated that printing with plain type (designed by Walker) that is well set and with good margins could produce notable work. As Cave says, the Doves Press books, "completely without ornament or illustration, . . . depended for their beauty almost entirely on the clarity of the type, the excellence of the layout, and the perfection of the presswork." After the partnership ended acrimoniously, Cobden-Sanderson threw Walker's beautiful type into the Thames, so it could never be used by anyone else. Doves Press items appear regularly in the marketplace, but "Anthony and Cleopatra" shows up less frequently than expected. ONE OF 200 COPIES on paper (and 15 copies on vellum).…